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This engaging work discusses the impact of the First World War on Australian attitudes to modernist art.
Sustaining Black Music and Culture during COVID-19: #Verzuz and Club Quarantine argues that Instagram is a premier digital leisure space to celebrate and promote Black American culture and identity, particularly evidenced during the early days of the COVID-19 pandemic as the United States grappled with mandated shelter-in-place orders. Club Quarantine (CQ) and Verzuz emerged as highly successful Black music-listening events streamed on Instagram Live, collectively ushering Black (techno)culture through a once-in-a-generation pandemic and beyond. Contributors to this collection explore the communicative and cultural significance of these events as respite from social isolation and as a rearticulated space for Black cultural engagement in the midst of the COVID-19 pandemic and increased racial tensions in the United States.
How does culture contribute to healing our planet? Is there anything we should learn from the pandemic? The book answers these questions, exploring the contribution of culture to the protection of the planet, comparing the Italian and the Brazilian contexts, the latter a true thermometer of world trends, from economic and financial to environmental and climatic, social and health. It emerges a reflection on the role of culture as a driving force for the restart and as a bridge to a new normal that awaits us after the pandemic.
Geoff Manaugh and Nicola Twilley have been researching quarantine since long before the COVID-19 pandemic. With Until Proven Safe, they bring us a book as compelling as it is definitive, not only urgent reading for social-distanced times but also an up-to-the-minute investigation of the interplay of forces–––biological, political, technological––that shape our modern world. Quarantine is our most powerful response to uncertainty: it means waiting to see if something hidden inside us will be revealed. It is also one of our most dangerous, operating through an assumption of guilt. In quarantine, we are considered infectious until proven safe. Until Proven Safe tracks the history and future of quarantine around the globe, chasing the story of emergency isolation through time and space—from the crumbling lazarettos of the Mediterranean, built to contain the Black Death, to an experimental Ebola unit in London, and from the hallways of the CDC to closed-door simulations where pharmaceutical execs and epidemiologists prepare for the outbreak of a novel coronavirus. But the story of quarantine ranges far beyond the history of medical isolation. In Until Proven Safe, the authors tour a nuclear-waste isolation facility beneath the New Mexican desert, see plants stricken with a disease that threatens the world’s wheat supply, and meet NASA’s Planetary Protection Officer, tasked with saving Earth from extraterrestrial infections. They also introduce us to the corporate tech giants hoping to revolutionize quarantine through surveillance and algorithmic prediction. We live in a disorienting historical moment that can feel both unprecedented and inevitable; Until Proven Safe helps us make sense of our new reality through a thrillingly reported, thought-provoking exploration of the meaning of freedom, governance, and mutual responsibility.
For readers of Mary Roach and Adam Diamond, an innovative look at the histories of different epidemics and what it meant for society, alongside what lessons different diseases have to teach us as society battles the novel Coronavirus. Throughout history, there have been numerous epidemics that have threatened mankind with destruction. Diseases have the ability to highlight our shared concerns across the ages, affecting every social divide from national boundaries, economic categories, racial divisions, and beyond. Whether looking at smallpox, HIV, Ebola, or COVID-19 outbreaks, we see the same conversations arising as society struggles with the all-encompassing question: What do we do now? Quarantine Life from Cholera to COVID-19 demonstrates that these conversations have always involved the same questions of individual liberties versus the common good, debates about rushing new and untested treatments, considerations of whether quarantines are effective to begin with, what to do about healthy carriers, and how to keep trade circulating when society shuts down. This immensely readable social and medical history tracks different diseases and outlines their trajectory, what they meant for society, and societal questions each disease brought up, along with practical takeaways we can apply to current and future pandemics—so we can all be better prepared for whatever life throws our way.
This view of a life-altering moment in our history—captured from one photographer’s Brooklyn rooftop—is a testament to human hope and resilience, and what we’ve learned about living in community. The roof of a New York apartment building, like some New York neighbors, can be elusive—you could live there for years and never see it. The unique constraints of 2020’s quarantine drove photographer and Brooklyn transplant Josh Katz up to his Bushwick rooftop and introduced him to both. What he discovered there astonished him. Families, lovers, dogs, meditators, artists, exercise fanatics, daredevils, drinkers, dancers—in this strange time the world below had found a way to continue ticking on up above, subject to new patterns and distances. And then, there were the pigeon fanciers, who had been up there for decades, watching the neighborhood change around them. Josh reached for his camera. The project grew from a man’s attempt to cope with his own isolation to a tender portrait of his community—captured entirely from his own roof—and a resonant chronicle of how some of us found new hope and space in a life-altering year. Characters as heartfelt as any in the now-classic Humans of New York accompany Josh’s keen observations on urban space, human interaction, and new ways of city living we can bring down from the roof to apply in a post-quarantine world.
The definitive, fascinating, all-reaching biography of Dr. Seuss. Dr. Seuss is a classic American icon. Whimsical and wonderful, his work has defined our childhoods and the childhoods of our own children. The silly, simple rhymes are a bottomless well of magic, his illustrations timeless favorites because, quite simply, he makes us laugh. The Grinch, the Cat in the Hat, Horton, and so many more, are his troupe of beloved, and uniquely Seussian, creations. Theodor Geisel, however, had a second, more radical side. It is there that the allure and fasciation of his Dr. Seuss alter ego begins. He had a successful career as an advertising man and then as a political cartoonist, his personal convictions appearing, not always subtly, throughout his books—remember the environmentalist of The Lorax? Geisel was a complicated man on an important mission. He introduced generations to the wonders of reading while teaching young people about empathy and how to treat others well. Agonizing over word choices and rhymes, touching up drawings sometimes for years, he upheld a rigorous standard of perfection for his work. Geisel took his responsibility as a writer for children seriously, talking down to no reader, no matter how small. And with classics like Green Eggs and Ham, and One Fish, Two Fish, Red Fish, Blue Fish, Geisel delighted them while they learned. Suddenly, reading became fun. Coming right off the heels of George Lucas and bestselling Jim Henson, Brian Jay Jones is quickly developing a reputation as a master biographer of the creative geniuses of our time.
They say that every 100 years or so, nature throws humans a curveball in the form of a pandemic. The effects, challenges, and changes may not be the same, still, a pandemic affects us all. But soon, everything we are experiencing will be part of history. The Coronavirus Disease 2019 (COVID-19) has not only slowed us down, but also changed the way we work, live, and plan for the future. Not only for the duration of the Enhanced Community Quarantine (ECQ), Modified ECQ, or General Community Quarantine (GCQ), but for a very long time. The Quarantined Thoughts book project (formerly called Coronavirus Chronicles) was created to give people something to do at home during the ECQ in March 2020. Our goal is to encourage everyone to chronicle life during a pandemic and help process thoughts and feelings through writing. Each of us has stories that deserve to be told. This is one of the many volumes. You can read Quarantined Thoughts Vol 1 here for free: https://bit.ly/ReadQTVOL1 This is Volume 2 with stories from: ✔️ Kath C. Eustaquio-Derla (Philippines) ✔️ Jill Barcelona-Suzuki (Japan) ✔️ Krishna Lou Ayungao (Philippines/USA) ✔️ Aurora Castillo Pulido (USA) ✔️ Kaye Angelyah Pingol (Philippines) ✔️ Ara D. Larosa (Philippines) ✔️ Rachel Arandilla (Philippines) ✔️ Reagan A. Latumbo (Philippines) ✔️ Ivy Antonio (Spain) ✔️ Kei B. Suzuki (Japan) ✔️ Paulo Lorenzo L. Garcia (Philippines) ✔️ Albert Gavino (Philippines) ✔️ Trizza Tolentino (Philippines) ✔️ Anjali Sinha (India) ✔️ Danica D. Profeta (Philippines) ✔️ Erika April V. Cruz (Philippines) ✔️ Ava Banzuela Esplanada (Philippines) ✔️ Jeffrey G. Delfin (Philippines) ✔️ Kathleen May C. Gagasa (Philippines) Both volumes have paid versions on Amazon/Kindle and Google Play. The sales from Amazon/Kindle and Google Play will be divided among the 20 authors. Each author will then have the option to donate their royalties to the ABS-CBN Pantawid ng Pag-ibig - a program of ABS-CBN that uses cash donations "to buy food and basic necessities which are then distributed to different communities in need" in the Philippines, especially those greatly affected by the COVID-19 pandemic. The author can also donate his royalties to the charity of his choice. If you decide to buy and read the Amazon/Kindle and Google Play paid version, thank you for helping us raise funds! A little goes a long way!
This dissertation argues that twentieth century United States imperialism relied on a liberal art of government that viewed the management of life itself--across species and borders--as necessary for managing risk in a globalizing world. Analyzing literary and visual representations of quarantine projects undertaken by U.S. authorities outside of the continental U.S. between 1893 and 1960, the dissertation traces the formation of a biosecurity apparatus that worked to differentiate and incorporate diverse types of patients, research subjects, disease vectors, ecosystems, and territories into the sphere of U.S. state regulation. In the process, the biosecurity apparatus constituted disease, hygiene, and sexuality as objects of knowledge and indicators of racial difference that mapped the risks associated with U.S. territorial expansion, market globalization, world wars, and the Cold War. The study analyzes three biosecurity interventions: first, the segregation of Hansen's disease patients following Hawaiian annexation, which demonstrated both the globalization of public health efforts and the association of Asia-Pacific racial groups with disease, disability, and abnormal intimacy; second, the U.S. military quarantine of suspected sex workers in Panamá during World War II, where anxiety over miscegenation and other perceived threats to the nuclear family led to the criminalization of women's public culture; and third, the establishment of quarantine and breeding operations for research monkeys in Puerto Rico and Africa during the antibiotic revolution, which reflected the displacement of both racial discourse and the material practices of quarantine onto nonhuman bodies during the rise of scientific medicine. As biosecurity expanded state authority and racial power, it also opened new subaltern public spheres, health identities, forms of citizenship, nationalisms, and even resistances by nonhuman life forms. The dissertation follows transnational, multiethnic, and multispecies itineraries of "counter-conduct" that oppose biosecurity interventions by stressing the priorities of the nation, the population, civil society, or even biological life itself over the priorities of the imperial state. These discussions offer a prehistory of contemporary biopolitical configurations, in which knowledge of global pandemics, bioterrorism, and new forms of detention have become central to managing risks and envisioning liberation in a supposedly "global" society.
When NYC emerged as a pandemic hotbed, rooftops became our only respite from cramped apartments; our only escape into the outside world. Since the beginning of quarantine, I have spent hundreds of hours photographing the rise of roof culture from my rooftop in Bushwick, Brooklyn. This is a photo book about New Yorkers persevering through quarantine, photographed from my Brooklyn rooftop. 100% of profits go to Doctors Without Borders (MSF).