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Kurpfuscher / Geschichte / England.
This volume of essays brings together work by social historians of Britain, France and Italy.
Providing an alphabetical listing of sexual language and locution in 16th and 17th-century English, this book draws especially on the more immediate literary modes: the theatre, broadside ballads, newsbooks and pamphlets. The aim is to assist the reader of Shakespearean and Stuart literature to identify metaphors and elucidate meanings; and more broadly, to chart, through illustrative quotation, shifting and recurrent linguistic patterns. Linguistic habit is closely bound up with the ideas and assumptions of a period, and the figurative language of sexuality across this period is highly illuminating of socio-cultural change as well as linguistic development. Thus the entries offer as much to those concerned with social history and the history of ideas as to the reader of Shakespeare or Dryden.
In this historical tour de force, Roy Porter takes a critical look at representations of the body in health, disease, and death in Britain from the mid-seventeenth to the twentieth century. Porter argues that great symbolic weight was attached to contrasting conceptions of the healthy and diseased body and that such ideas were mapped onto antithetical notions of the good and the bad, the beautiful and the ugly. With these images in mind, he explores aspects of being ill alongside the practice of medicine, paying special attention to self-presentations by physicians, surgeons, and quacks, and to changes in practitioners’ public identities over time. Porter also examines the wider symbolic meanings of disease and doctoring and the “body politic.” Porter’s book is packed with outrageous and amusing anecdotes portraying diseased bodies and medical practitioners alike.
Everyday life in the teeming metropolis during William Shakespeare's time in the city.
This reference book, containing the biographies of more than 1,100 notable British women from Boudicca to Barbara Castle, is an absorbing record of female achievement spanning some 2,000 years of British life. Most of the lives included are those of women whose work took them in some way before the public and who therefore played a direct and important role in broadening the horizons of women. Also included are women who influenced events in a more indirect way: the wives of kings and politicians, mistresses, ladies in waiting and society hostesses. Originally published as The Europa Biographical Dictionary of British Women, this newly re-worked edition includes key figures who have died in the last 20 years, such as The Queen Mother, Baroness Ryder of Warsaw, Elizabeth Jennings and Christina Foyle.
Designs on Truth provides a reinterpretation of Augustan poetry, not as works to be defended before the court of Matthew Arnold and the Romantic tradition but as works that examine the rich relationships among text, culture, and world. In Designs on Truth, Gregory Colomb identifies the characteristics of the mock-epic and argues that the form had developed formal expectations. In making this argument, he explains the intentions of the writers of mock-epics, and expands our conception of the interest and significance of such poems. By demonstrating how these poems are supported by the genre's poetics, he brings out ways these poems differ from other &"Augustan&" poems such as the Horatian epistles that are often discussed with them. Designs on Truth puts into question the distinction between history and poetry in the mock-epic, examining it at three levels of poetic structure: fable (global narrative structure), and portraits (characterological narrative structure). Focusing chiefly on the mock-epic's representations in terms of class and &"kind,&" this study returns historical particulars to the central role that the poets had always given them and seeks to understand how they are made poetic. Designs on Truth shows how the poems themselves subvert any easy distinction between historical and poetic particulars. This often philosophical genre is itself a reconsideration of the role of reference (fact) and judgment (value) in representation. This study shows how representation and judgment work in the mock-epic, and how together they stand at the heart of the dominant Augustan poetic. Colomb also provides new readings of the mock-epic, including the first comprehensive reading of The Dispensary since the eighteenth century.