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One of The Economist's Books of the Year A provocative, entertaining account of Italy's diverse riches, its hopes and dreams, its past and present Did Garibaldi do Italy a disservice when he helped its disparate parts achieve unity? Was the goal of political unification a mistake? The question is asked and answered in a number of ways in The Pursuit of Italy, an engaging, original consideration of the many histories that contribute to the brilliance—and weakness—of Italy today. David Gilmour's wonderfully readable exploration of Italian life over the centuries is filled with provocative anecdotes as well as personal observations, and is peopled by the great figures of the Italian past—from Cicero and Virgil to the controversial politicians of the twentieth century. His wise account of the Risorgimento debunks the nationalistic myths that surround it, though he paints a sympathetic portrait of Giuseppe Verdi, a beloved hero of the era. Gilmour shows that the glory of Italy has always lain in its regions, with their distinctive art, civic cultures, identities, and cuisines. Italy's inhabitants identified themselves not as Italians but as Tuscans and Venetians, Sicilians and Lombards, Neapolitans and Genoese. Italy's strength and culture still come from its regions rather than from its misconceived, mishandled notion of a unified nation.
Gilmour delves deep into Italy's cultural past to discover not only the effects of Risorgimento, but what, if anything, earlier generations have said about the concept of Italy. He examines what the Enlightenment thinkers believed, what Dante thought, what Machiavelli wanted and what the emperors made of it.
The book that explains the whole extraordinary course of Italian history like no other in English The Pursuit of Italy traces the whole history of the Italian peninsula in a wonderfully readable style, full of well-chosen stories and observations from personal experience, and peopled by many of the great figures of the Italian past, from Cicero and Virgil to Dante and the Medici, from Cavour and Verdi to the controversial political figures of the twentieth century. The book gives a clear-eyed view of the Risorgimento, the pivotal event in modern Italian history, debunking the influential myths which have grown up around it. Gilmour shows that the glory of Italy has always lain in its regions, with their distinctive art, civic cultures, identities and cuisine and whose inhabitants identified themselves not as Italians, but as Tuscans and Venetians, Sicilians and Lombards, Neapolitans and Genoese. This is where the strength and culture of Italy still comes from, rather than from misconceived and mishandled concepts of nationalism and unity. This wise and enormously engaging book explains the course of Italian history in a manner and with a coherence which no one with an interest in the country could fail to enjoy. David Gilmour is one of Britain's most admired and accomplished historical writers and biographers. His previous books include The Last Leopard : A Life of Giuseppe di Lampedusa (winner of the Marsh Biography Award) Curzon (Duff Cooper Prize) and Long Recessional:The Imperial Life of Rudyard Kipling (Elizabeth Longford Prize for Historical Biography).
A concise history of Italy from the fall of the Roman empire in the west to the present day.
Jones recounts his four-year voyage across the Italian peninsula where, instead of the pastoral bliss he expected, he discovers unfathomable terrorism and deep-seated paranoia.
In Renaissance Italy women from all walks of life played a central role in health care and the early development of medical science. Observing that the frontlines of care are often found in the household and other spaces thought of as female, Sharon Strocchia encourages us to rethink women's place in the history of medicine.
The Short Oxford History of Italy series, in seven volumes, will offer a complete History of Italy from the early middle ages to the present and, in each period, will present the most recent historical perspectives on Italian history. This means setting Italian history in the broader contextof European history as a whole. It also means questioning accepted interpretations of Italian history in each of these periods and, in particular, the idea that Italy's history has been significantly different from that of the rest of Europe. Each volume will emphasise how developments in Italy ineach period are best understood as variants on broader European patterns of political, economic social and cultural change. This volume covers the period from the French Revolution to the end of the Nineteenth Century. Consisting of nine essays written by leading British and American historians, the volume shows how Italy's unexpected political unification and independence were inseparable from the impact of the broaderprocesses of modernisation that were changing the face of Europe and the fabric of European society. The social and political tensions that fuelled the struggles for independence were rooted in Italy's difficult modernisation, which continued thereafter to threaten the consolidation of the newItalian state. But Italy's difficult modernisation did not preclude real change, and although Italy entered the twentieth century as a highly imperfect democracy it was not noticeably more imperfect, illiberal or divided than its nineteenth century European counter-parts, nor did the new challengesposed by the rise of mass society make fascism an inevitable outcome of the Risorgimento. Italy in the Nineteenth Century provides both the general and specialist reader with a critical but concise introduction to the most recent historical debates and perspectives.
Italy: A Short History is a concise but comprehensive account of Italian history from the Ice Age to the present day. It is intended for both students of Italian history and culture and the general reader, whether tourist, business-person or traveller, with an interest in Italian affairs. Harry Hearder places the main political developments in Italian history in their economic and social context, and shows how these related to the great moments of artistic and cultural endeavour. Amongst key events, he analyses the growth and decline of the Roman Empire, the remarkable cultural achievements of the Renaissance, Italian unification and the contradictions of the fascist dictatorship of Mussolini. Jonathan Morris brings the work up to the present day with an authoritative but colourful history of the corruption scandals that brought down the post-war Italian political system in the 1990s and the new political forces that have emerged in its place.
Take a tour through the Mediterranean’s largest island in this first and only history of Sicily for general readers—perfect for armchair travelers, historians, and anyone planning their next Italian vacation. The emigration of people from Sicily often overshadows the importance of the people who immigrated to its shores throughout the centuries. Greeks, Romans, Vandals, Goths, Byzantines, Muslims, Normans, Hohenstaufens, Spaniards, Bourbons, the Savoy Kingdom of Italy—and countless others—have all held sway and left lasting influences on the island’s culture and architecture. Moreover, Sicily’s character has been shaped by what has passed it by. Events that affected Europe, namely the Crusades and Columbus’ discovery of the Americas, had little influence on Italy’s most famous island. The first and only history of Sicily for the general reader, this book examines how location turned this charming Mediterranean island into the epicenter of major historical conquests, cultures, and more. Complete with maps, biographical notes, suggestions for further reading, a glossary, and pronunciation keys, Sicily is at once a useful travel guide and an informative, entertaining exploration of the island’s remarkable history.
Comprised of short stories, novel excerpts, essays, poetry journals and letters, this work will delight anyone who loves Italy or great travel writing. Pieces include Barbara Grizzuti Harrison marveling at baroque Sicilian confections, Mary McCarthy celebrating Venice's threadbare dignity, and Henry James's Isabel Archer succumbing to the treacherous antiquities of Florence. From the Trade Paperback edition.