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Sheil's free-flowing and persuasive style of writing produces a convincing portrait of Adam Jefferson -- a man who, upon returning alone from an expedition to the North Pole, learns that a world-wide catastrophe has left him the last man on Earth.
Dark, desolate and fantastical, The Purple Cloud was a pioneer in the genre of apocalyptic novels, and the first great science fiction work of the twentieth century. It inspired authors such as H. P. Lovecraft and Stephen King. The Purple Cloud tells the grandly bleak story of Adam Jeffson: the first man to reach the North Pole and the last man left alive on earth. A sweet-smelling, deadly cloud of poisonous gas has devastated the world, and as Jeffson travels the stricken globe in search of human life, he slowly succumbs to madness, and unleashes fire and destruction on his planet. John Sutherland's introduction discusses M. P. Shiel's dissolute life, the originality of his book and its place within the context of 'last man' novels. This edition also includes a chronology, notes and further reading.
Do you know much about the philosophy of the hypnotic trance? That was the relation between us--hypnotist and subject. She had been under another man before my time, suffered from tic of the fifth nerve, had had most of her teeth drawn before I saw her, and an attempt had been made to wrench out the nerve on the left side by external scission.
Bringing together 15 essays by international Buddhist scholars, this book offers a distinctive portrayal of the life of Buddhism. The contributors focus on a range of religious practices across the Buddhist world, from New York to Tibet.
purple path to immortality
How could a teenager who did not have a whirlpool grow up amidst the scorn and ridicule of his tribe members? Entering the martial way through battle, how would one reach the peak of the martial way? My Dao, the Dao of Heaven! Zhan Tian! Battle! World Conqueror! Fight! Fight! Fight! Dazzling and colorful Five Elements true energy, dazzling martial skills, and a thousand years of extinct savage beasts ... Everyone, please support this new book. Those who were paying attention to War Emperor could add a QQ group: 11468430 [put away]
Pardon This Intrusion gathers together 47 pieces by John Clute, some written as long ago as 1985, though most are recent. The addresses and essays in Part One, "Fantastika in the World Storm", all written in the twenty-first century, reflect upon the dynamic relationship between fantastika - an umbrella term Clute uses to describe science fiction, horror and fantasy - and the world we live in now. Of these pieces, "Next", a contemporary response to 9/11, has not been revised; everything else in Part One has been reworked, sometimes extensively. Parts Two, Three and Four include essays and author studies and introductions to particular works; as they are mostly recent, Clute has felt free to rework them where necessary. The few early pieces - including "Lunch with AJ and the WOMBATS", a response to the Scientology scandal at the Brighton WorldCon in 1987 - are unchanged.
Southeast China is a traditional stronghold of Buddhism, but little scholarly attention has been paid to this fact. Brian Nichols’s pioneering book, Lotus Blossoms and Purple Clouds, centers on a large Buddhist monastery in Quanzhou and combines ethnographic detail with stimulating analysis to examine religion in post-Mao China. Nichols conducted more than twenty-six months of field research over a fourteen-year period (2005–2019) to develop a re-description of Chinese monastic Buddhism that reaches beyond canonical sources and master narratives to local texts, material culture, oral history, and living traditions. His work decenters normative accounts and sheds light on how Buddhism is lived and practiced. It introduces readers to Quanzhou Kaiyuan Monastery and its community of clergy striving to revive traditions after the turmoil of the Maoist era; the lay Buddhists worshiping in the monastery’s courtyards and halls; the busloads of tourists marveling at the site’s buildings and artifacts, some dating as far back as the Tang Dynasty (ninth century); and the local officials dedicated to supporting—and restricting—the return of religion. Using gazetteers, epigraphy, and other archival sources, Nichols begins by tracing the history of Quanzhou Kaiyuan Monastery from the Tang Dynasty to the present, noting the continued relevance of preternatural events like the lotus-blooming mulberry trees and auspicious purple clouds associated with the founding of the monastery. The contemporary monastery is then explored through ethnographic participation/observation and interviews. Nichols uncovers a number of unexpected features of Buddhist religious life, making a case for the fundamentally liturgical nature of Buddhist monastic practice—one marked by a program of daily dharaṇi (sacred text) recitation, esoteric traditions, and ancestor veneration. Finally, he presents an innovative spatial analysis of the Quanzhou Kaiyuan Monastery temple that reveals how different groups engage with the site to create a place of religious practice, a tourist attraction, and a community park.