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This book seeks to add a needed introduction to a way of meditation used among early modern English Protestants, influenced by Bishop Joseph Hall. Furthermore, the major role that Hall had in his Arte of Divine Mediation on late-seventeenth-century Protestant spirituality went beyond the practice of meditation and established a positive claim on the role of the imagination in shaping souls, well into the modern period. Within this context, the questions related to ancient understandings of faith and the interrelationship of divine revelation are discussed with fresh insights for our own times. If a revival of interest emerges again in Hall's work, it would be a compelling and fresh impetus to reclaim the broken imagination evident in many parts of the Western Church.
Innumerable men and women in the late sixteenth and seventeenth centuries were gripped by the anxiety, often conviction, that they were doomed to go to hell. This condition of mind was commonly enmeshed with such circumstances as parental severity, social exclusion, and economic decline, which seemed to give cogency to a Calvinist theology specializing in the idea of rejection. This book investigates how a menacing discourse compounding theology and social experience constructs subjectivity and shapes texts. Looking at a variety of sources, including puritan autobiographies and works by Bunyan, Burton, Donne, Marlowe, and Milton the book challenges both the assumption of authorial autonomy and the emollience toward protestant culture that have informed most literary studies of the period.
Over the last two decades a major revaluation has been taking place of the colonial Puritan imagination. With the growth of interest in early American literature has come increasing recognition of its quality and a better understanding of its place in the continuity of American culture. However, much of the best critical work to date has been published as articles in scholarly journals, and in bringing together for the first time the best work in this growing field the present anthology fills a number of important needs. It is at once a valuabale and accessible introduction for students, a summing-up of a new enterprise, and a guide for further studies.
Does heaven exist? If so, what is it like? And how does one get in? Throughout history, painters, poets, philosophers, pastors, and many ordinary people have pondered these questions. Perhaps no other topic captures the popular imagination quite like heaven. Gary Scott Smith examines how Americans from the Puritans to the present have imagined heaven. He argues that whether Americans have perceived heaven as reality or fantasy, as God's home or a human invention, as a source of inspiration and comfort or an opiate that distracts from earthly life, or as a place of worship or a perpetual playground has varied largely according to the spirit of the age. In the colonial era, conceptions of heaven focused primarily on the glory of God. For the Victorians, heaven was a warm, comfortable home where people would live forever with their family and friends. Today, heaven is often less distinctively Christian and more of a celestial entertainment center or a paradise where everyone can reach his full potential. Drawing on an astounding array of sources, including works of art, music, sociology, psychology, folklore, liturgy, sermons, poetry, fiction, jokes, and devotional books, Smith paints a sweeping, provocative portrait of what Americans-from Jonathan Edwards to Mitch Albom-have thought about heaven.
The abolitionists of the mid-nineteenth century have long been painted in extremes--vilified as reckless zealots who provoked the catastrophic bloodletting of the Civil War, or praised as daring and courageous reformers who hastened the end of slavery. But Andrew Delbanco sees abolitionists in a different light, as the embodiment of a driving force in American history: the recurrent impulse of an adamant minority to rid the world of outrageous evil. Delbanco imparts to the reader a sense of what it meant to be a thoughtful citizen in nineteenth-century America, appalled by slavery yet aware of the fragility of the republic and the high cost of radical action. In this light, we can better understand why the fiery vision of the "abolitionist imagination" alarmed such contemporary witnesses as Herman Melville and Nathaniel Hawthorne even as they sympathized with the cause. The story of the abolitionists thus becomes both a stirring tale of moral fervor and a cautionary tale of ideological certitude. And it raises the question of when the demand for purifying action is cogent and honorable, and when it is fanatic and irresponsible. Delbanco's work is placed in conversation with responses from literary scholars and historians. These provocative essays bring the past into urgent dialogue with the present, dissecting the power and legacies of a determined movement to bring America's reality into conformity with American ideals.
Errata slip inserted. Includes bibliographical references and index.
This book is about the experience of becoming American in the seventeenth century. It has in some respects the appearance of a study in intellectual history, but I prefer to think of it as a contribution to the history of what the Puritans called affections. My hope is to help advance our understanding not of ideas so much as of feeling-specifically of the affective life of some of the men and women who emigrated to New England more than three hundred fifty years ago, but also of the persistent sense of renewal and risk that has attended the project of becoming American ever since.
The Puritans of popular memory are dour figures, characterized by humorless toil at best and witch trials at worst. “Puritan” is an insult reserved for prudes, prigs, or oppressors. Antebellum American abolitionists, however, would be shocked to hear this. They fervently embraced the idea that Puritans were in fact pioneers of revolutionary dissent and invoked their name and ideas as part of their antislavery crusade. Puritan Spirits in the Abolitionist Imagination reveals how the leaders of the nineteenth-century abolitionist movement—from landmark figures like Ralph Waldo Emerson to scores of lesser-known writers and orators—drew upon the Puritan tradition to shape their politics and personae. In a striking instance of selective memory, reimagined aspects of Puritan history proved to be potent catalysts for abolitionist minds. Black writers lauded slave rebels as new Puritan soldiers, female antislavery militias in Kansas were cast as modern Pilgrims, and a direct lineage of radical democracy was traced from these early New Englanders through the American and French Revolutions to the abolitionist movement, deemed a “Second Reformation” by some. Kenyon Gradert recovers a striking influence on abolitionism and recasts our understanding of puritanism, often seen as a strictly conservative ideology, averse to the worldly rebellion demanded by abolitionists.
"Shedding critical new light on the diverse forms of Puritan belief and practice in England, Scotland, and New England, Hall provides a multifaceted account of a cultural movement that judged the Protestant reforms of Elizabeth's reign to be unfinished"--Provided by publisher.