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The first new novel in five years from “one of the most versatile and accomplished writers of her generation” —Joyce Carol Oates, The New Yorker. Jessica Speight, a young anthropology student in 1960s London, is at the beginning of a promising academic career when an affair with her married professor turns her into a single mother. Anna is a pure gold baby with a delightful, sunny nature, but it soon becomes clear that she will not be a normal child. As readers are drawn deeper into Jessica’s world, they are confronted with questions of responsibility, potential, even age, all with Margaret Drabble’s characteristic intelligence, sympathy and wit. Drabble once wrote, “Family life itself, that safest, most traditional, most approved of female choices, is not a sanctuary; it is, perpetually, a dangerous place.” Told from the point of view of the group of mothers who surround Jess, The Pure Gold Baby is a brilliant, prismatic novel that takes us into that place with satiric verve, trenchant commentary and a movingly intimate story of the unexpected transformations at the heart of motherhood.
‘One of the most exciting writers working in Ireland today’ SALLY ROONEY, author of Normal People ‘Terrific’ RODDY DOYLE, author of Love ‘Truly brilliant’ MEGAN NOLAN, author of Acts of Desperation
An “achingly wise” novel about the challenges of motherhood: “Admirers of Marilynne Robinson will find themselves very much at home in this book” (The Wall Street Journal). Jessica Speight, an anthropologist in 1960s London, is at the beginning of a promising academic career when an affair turns her into a single mother. Baby Anna is delightful—but with time it becomes clear that she is different from other children. Told from the point of view of Jess’s fellow mothers, this is a movingly intimate look at the unexpected transformations at the heart of motherhood. “How do we treat the child who walks among us in a different way than most? In Margaret Drabble’s hands the answer is with a depth of empathy few master.” —Alice Sebold, author of The Lovely Bones “Moving and meditative . . . I found a kind of somber bravery in the story of this unwavering, intelligent woman and her guileless and beautiful child.” —Meg Wolitzer, NPR’s All Things Considered “The Pure Gold Baby is a closely observed group portrait of female friends, a patient insight into the joys and pains of motherhood, and an image of how society has changed and how it has not.” —Harper’s Magazine
You have seen them in parks, in supermarkets, at airports. They are the happy ones, and you notice them because they are happy. They smile at strangers, when you look at them their response is to smile. They were born that way, you say, as you go thoughtfully on your way. The Pure Gold Baby will raise your spirits and break your heart. Anna is the smiling child with special, unknowable qualities, who also presents profound challenges. And Jess is her charismatic single mother. Over the course of decades, we observe how much Jess loves her surprising daughter, who touches the lives of those around her. With characteristic intelligence, sympathy and wit, Drabble writes about parenthood, about friendship and ultimately about the way we care for one another in today’s society. A captivating novel from one of the world’s most respected and admired literary figures.
SOCRATES is an international, multi-lingual, multi-disciplinary refereed and indexed scholarly journal produced as par of the Harvard Dataverse Network. This journal appears quarterly in English, Hindi, Persian in 22 disciplines. About this Issue: This issue of Socrates has been divided into five sections. The first section of this issue is Language & Literature- English. The first article of this section deals with Pierre Bourdieu’s concept of “symbolic” or “soft” violence in Margaret Drabble’s latest novel, The Pure Gold Baby (2013).The second article of this section tends to analyses Connection in Richard Ford’s A Multitude of Sins.The third article of this section applies the formalistic approach to scrutinize the two poems of William Butler Yeats. The second section of this issue is Philosophy. The first article of this section analyzes the epistemological limit that separates the superhero fictitious universe from our universe of causal reality. The second article of this section argues that whatever might be said about his attack on other German philosophers, Santayana’s attack on Kant, despite its subtlety, its force and its intelligence, is fundamentally misguided. The third section of this issue is Economics, Commerce and Management. In the first paper of this section authors have examined how, when and to what extent Strategic Human Resource Practices affect performance at the employee level. The second article of this section explores some of the important aspects of effective mobile money and digital financial services in bringing financial inclusion. The fourth section of this issue is Politics, Law and Governance. The article in this section explores the African Union’s (“AU”) science and technology plan and strategy for Africa within the construct of Kwame Nkrumah’s socio-political thought. The fifth section of this issue The new Book, reviews AamNama by renowned scholar and poet "Suhail Kakorvi".
This study of British and American poetry from the mid-1920s to the recent past, clarifies the complex interrelations of individuals, groups, and movements, and the contexts in which the poets worked.
'Provides a compelling argument for Plath's revision of the painful parts of her life--the failed marriage, her anxiety for success, and her ambivalence towards her mother. . . . The reader will feel the tension in the poetry and the life.'Choice '[Examines] Plath's twin goals of becoming a famous poet and a perfect mother. . . . This book's main points are clearly and forcefully argued: that both poems and babies require 'struggle, pain, endless labor, and . . . fears of monstrous offspring' and that, in the end, Plath ran out of the resources necessary to produce both. Often maligned as a self-indulgent confessional poet, Plath is here retrieved as a passionate theorist.'--Library Journal Susan Van Dyne's reading of twenty-five of Sylvia Plath's Ariel poems considers three contexts: Plath's journal entries from 1957 to 1959 (especially as they reveal her conflicts over what it meant to be a middle-class wife and mother and an aspiring writer in 1950s America); the interpretive strategies of feminist theory; and Plath's multiple revisions of the poems.
This book is the first work comparing Margaret Drabble with key Iraqi novelists. It analyses physical and soft violence in Drabble’s novels and the works of four Iraqi contemporary novelists, including Ahmed Saadawi’s Frankenstein in Baghdad (2013). The book argues that physical and soft violence are interwoven and interconnected, meaning that, where there is physical violence, there is nearly always soft violence and, though to a lesser extent, vice versa. Thus, soft violence can cause just as much damage, psychologically or literally, as hard violence.
This book examines the connections and conversations between women writers from the twentieth century and the twenty-first century. The essays consider the ways in which twenty-first-century women writers look back and respond to their predecessors within the field of contemporary women’s writing. The book looks back to the foundations of contemporary women’s writing and also considers how this category may be defined in future decades. We ask how writers and readers have interpreted ‘the contemporary’, a moving target and an often-contentious term, especially in light of feminist theory and criticism of the late twentieth century. Writing about the relationships between women’s writings is an always-vital, ongoing political project with a rich history. These essays argue that establishing and defining the contemporary is, for women writers, another ongoing political project to which this collection of essays aims, in part, to contribute.
How do poems remember? What kinds of memory do poems register that factual, chronological accounts of the past are oblivious to? What is the self created by such practices of memory? To answer these questions, Uta Gosmann introduces a general theory of "poetic memory," a manner of thinking that eschews simple-minded notions of linearity and accuracy in order to uncover the human subject's intricate relationship to a past that it cannot fully know. Gosmann explores poetic memory in the work of Sylvia Plath, Susan Howe, Ellen Hinsey, and Louise Glück, four American poets writing in a wide range of styles and discussed here for the first time together. Drawing on psychoanalysis, memory studies, and thinkers from Nietzsche and Benjamin to Halbwachs and Kristeva, Gosmann uses these demanding poets to articulate an alternative, non-empirical model of the self in poetry.