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The Invisible Actor presents the captivating and unique methods of the distinguished Japanese actor and director, Yoshi Oida. While a member of Peter Brook's theatre company in Paris, Yoshi Oida developed a masterful approach to acting that combined the oriental tradition of supreme and studied control with the Western performer's need to characterise and expose depths of emotion. Written with Lorna Marshall, Yoshi Oida explains that once the audience becomes openly aware of the actor's method and becomes too conscious of the actor's artistry, the wonder of performance dies. The audience must never see the actor but only his or her performance. Throughout Lorna Marshall provides contextual commentary on Yoshi Oida's work and methods. In a new foreword to accompany the Bloomsbury Revelations edition, Yoshi Oida revisits the questions that have informed his career as an actor and explores how his skilful approach to acting has shaped the wider contours of his life.
A lively, conversational textbook dedicated to the art of acting from a master teacher. Act: The Modern Actor’s Handbook is the result of 30 years of one of North America’s most renowned acting teachers teaching some of the world's most talented screen actors. This is a full tour through the concepts at the heart of Rotenberg’s techniques: states of being, primaries and secondaries, images that you elaborate up or distill down, modifiers, actions and beats, and more. Although his methods loosely draw on the great acting teachers like Hagen and Meisner back to Stanislavski, he teaches new techniques suited to the best of today’s screen actors. This is a major new work in the actor’s library and will be pulled off the shelf time and again to find that key into a scene, to prepare for an audition, or to find that right technique to make the art come alive again.
The author explores the threat posed by the replacement of individual identity and action by deliberately created collective actors
Since the first edition of The Actor in You was published a quarter-century ago, thousands of students have benefited from Robert Benedetti’s decades of experience educating some of the United States’ finest actors. In this Seventh Edition, Benedetti expresses the fundamental elements of acting in simple language, leading readers through understanding their own bodies and voices, acting technique, and the basics of rehearsals and staging shows. Each step includes exercises to aid students in self-discovery and self-development as they grow from novices into practiced actors.
Acting as art has been perceived as something that is limited to only those who are born with it. However, scholars over the years have proven acting to be a process and something that can be done by anyone once he is aware of the process of acting. This book is an attempt to simplify the process of acting into a concise, simple and understandable procedure. In spite of being simple, the book is comprehensive and covers everything that needs to be known by an actor before he begins to act. It is important that the person reading this brings it into practice in the manner mentioned in the book. Take the first step into the world of acting Happy reading.
Reprint of the second revised and enlarged edition, a complete revision of the first edition published in 1934. A landmark in the development of modern jurisprudence, the pure theory of law defines law as a system of coercive norms created by the state that rests on the validity of a generally accepted Grundnorm, or basic norm, such as the supremacy of the Constitution. Entirely self-supporting, it rejects any concept derived from metaphysics, politics, ethics, sociology, or the natural sciences. Beginning with the medieval reception of Roman law, traditional jurisprudence has maintained a dual system of "subjective" law (the rights of a person) and "objective" law (the system of norms). Throughout history this dualism has been a useful tool for putting the law in the service of politics, especially by rulers or dominant political parties. The pure theory of law destroys this dualism by replacing it with a unitary system of objective positive law that is insulated from political manipulation. Possibly the most influential jurisprudent of the twentieth century, Hans Kelsen [1881-1973] was legal adviser to Austria's last emperor and its first republican government, the founder and permanent advisor of the Supreme Constitutional Court of Austria, and the author of Austria's Constitution, which was enacted in 1920, abolished during the Anschluss, and restored in 1945. The author of more than forty books on law and legal philosophy, he is best known for this work and General Theory of Law and State. Also active as a teacher in Europe and the United States, he was Dean of the Law Faculty of the University of Vienna and taught at the universities of Cologne and Prague, the Institute of International Studies in Geneva, Harvard, Wellesley, the University of California at Berkeley, and the Naval War College. Also available in cloth.
“Acting - The First Six Lessons” is a collection of essays by Richard Boleslavsky. Written in the form of a series of dialogues, these lessons aim to inform and instruct the budding actor on some of the basic principles of acting and learning to act. A novel approach to teaching acting techniques, this volume is highly recommended for novices and young actors or actresses looking to hone their abilities. Richard Boleslavsky (1889 – 1937) was a Polish theatre director, actor and teacher. Other notable works by this author include: “The Way of the Lancer” (1932), “Lances Down” (1932), and “New Features in Acting” (1935). Contents include: “Richard Boleslavsky”, “Introduction”, “The First Lesson”, “The Second Lesson”, “The Third Lesson”, “The Fourth Lesson”, “The Fifth Lesson”, and “The Sixth Lesson”. Many vintage books such as this are increasingly scarce and expensive. It is with this in mind that we are republishing this volume now in an affordable, modern, high-quality edition complete with a specially-commissioned new biography of the author.