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From the bestselling author of The Boy Who Drew Monsters and The Stolen Child comes a modern take on the Orpheus and Eurydice Myth—A Suspenseful tale of romance and enchantment In the Old City of Québec, Kay Harper falls in love with a puppet in the window of the Quatre Mains, a toy shop that is never open. She is spending her summer working as an acrobat with the cirque while her husband, Theo, is translating a biography of the pioneering photographer Eadweard Muybridge. Late one night, Kay fears someone is following her home. Surprised to see that the lights of the toy shop are on and the door is open, she takes shelter inside. The next morning Theo wakes up to discover his wife is missing. Under police suspicion and frantic at her disappearance, he obsessively searches the streets of the Old City. Meanwhile, Kay has been transformed into a puppet, and is now a prisoner of the back room of the Quatre Mains, trapped with an odd assemblage of puppets from all over the world who can only come alive between the hours of midnight and dawn. The only way she can return to the human world is if Theo can find her and recognize her in her new form. So begins the dual odyssey of Keith Donohue’s The Motion of Puppets: of a husband determined to find his wife, and of a woman trapped in a magical world where her life is not her own.
From ghost story master Mary Downing Hahn, an assortment of eerie short stories to thrill and chill young readers
The early twenty-first century has seen an explosion of animation. Cartoon characters are everywhere—in cinema, television, and video games and as brand logos. There are new technological objects that seem to have lives of their own—from Facebook algorithms that suggest products for us to buy to robots that respond to human facial expressions. The ubiquity of animation is not a trivial side-effect of the development of digital technologies and the globalization of media markets. Rather, it points to a paradigm shift. In the last century, performance became a key term in academic and popular discourse: The idea that we construct identities through our gestures and speech proved extremely useful for thinking about many aspects of social life. The present volume proposes an anthropological concept of animation as a contrast and complement to performance: The idea that we construct social others by projecting parts of ourselves out into the world might prove useful for thinking about such topics as climate crisis, corporate branding, and social media. Like performance, animation can serve as a platform for comparisons of different cultures and historical eras. Teri Silvio presents an anthropology of animation through a detailed ethnographic account of how characters, objects, and abstract concepts are invested with lives, personalities, and powers—and how people interact with them—in contemporary Taiwan. The practices analyzed include the worship of wooden statues of Buddhist and Daoist deities and the recent craze for cute vinyl versions of these deities, as well as a wildly popular video fantasy series performed by puppets. She reveals that animation is, like performance, a concept that works differently in different contexts, and that animation practices are deeply informed by local traditions of thinking about the relationships between body and soul, spiritual power and the material world. The case of Taiwan, where Chinese traditions merge with Japanese and American popular culture, uncovers alternatives to seeing animation as either an expression of animism or as “playing God.” Looking at the contemporary world through the lens of animation will help us rethink relationships between global and local, identity and otherness, human and non-human.
From master storyteller Kate DiCamillo comes an original fairy tale—with enchanting illustrations by Julie Morstad—in which five puppets confront circumstances beyond their control with patience, cunning, and high spirits. Shut up in a trunk by a taciturn old sea captain with a secret, five friends—a king, a wolf, a girl, a boy, and an owl—bicker, boast, and comfort one another in the dark. Individually, they dream of song and light, freedom and flight, purpose and glory, but they all agree they are part of a larger story, bound each to each by chance, bonded by the heart’s mysteries. When at last their shared fate arrives, landing them on a mantel in a blue room in the home of two little girls, the truth is more astonishing than any of them could have imagined. A beloved author of modern classics draws on her most moving themes with humor, heart, and wisdom in the first of the Norendy Tales, a projected trio of novellas linked by place and mood, each illustrated in black and white by a different virtuoso illustrator. A magical and beautifully packaged gift volume designed to be read aloud and shared, The Puppets of Spelhorst is a tale that soothes and strengthens us on our journey, leading us through whatever dark forest we find ourselves in.
Puppets & Puppet Theatre is essential reading for everyone interested in making and performing with puppets. It concentrates on designing, making and performing with the main types of puppet, and is extensively illustrated in full colour throughout.Topics covered include: nature and heritage of puppet theatre; the anatomy of a puppet, its design and structure; materials and methods for sculpting, modelling and casting; step-by-step instructions for making glove, hand, rod and shadow puppets & marionettes; puppet control and manipulation; staging principles, stage and scenery design; principles of sound & lighting and finally, organisation of a show.
If you've got an envelope handy, or a paper cup, or a cereal box, you're ready to lead kids to literature through puppetry - Caroline Feller Bauer style. The Bauer style, celebrated throughout the world, means maximum fun for kids with minimum training, preparation, and costs. Bauer's charmingly chatty lessons set your stage up in a wink. She then introduces literature selections to perform - and here draws upon her experience in choosing readings that work. More than thirty selections are presented along with scores of recommended books and a selection on puppetry resources.
Offers tips, tricks, and techniques for making animal sock puppets, from an elephant and a monkey to a bat and a lion.
In this eighth title in the wildly popular series, the Five Little Monkeys are supposed to go to bed, but they would rather keep reading their books Mama raises an eyebrow. "What was it I said? Lights out Sweet dreams No more reading in bed " After their mama reads to them, it's bedtime for the Five Little Monkeys. But they can't resist reading just one more book . . . or three Soon Mama is so tired of trying to get her monkeys to quiet down and go to sleep, she picks up their books and takes them with her. At last, the monkeys are ready to settle down . . . until they hear strange sounds from down the hall. Could it be that Mama likes to read in bed, too? This playful addition to the Five Little Monkeys series returns to the familiar setting of Five Little Monkeys Jumping on the Bed and features a lively rhymed verse and catchy refrain that are sure to keep young readers chanting along. With a focus on reading for fun and the idea of books as part of a bedtime routine, Five Little Monkeys Reading in Bed packs in plenty of mischievous monkey business, and there's even a comical surprise twist at the end.
This adorable set of two board book editions of Daywalt and Jeffers' bestselling "The Day the Crayons Quit" and "The Day the Crayons Came Home" and two finger puppets gives young readers an exciting new way to engage with these colorful characters. Full color. Consumable.