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If you find yourself called on to judge people on a regular basis, you need all the tools at your disposal to do your job right. Handwriting psychology offers one practical method for helping you learn what you need to learn about your subject quickly. Whether you are a teacher, psychologist or manager, you can benefit from the guidance of Dr. Helmut Ploog, a handwriting expert. Learn what the size and width of handwriting can reveal about a person, as well as what more muted features—such as slant, spacing, and direction of lines—can make clear. Written in plain English, this guidebook presents pithy explanations of handwriting movements, which may be angular or round, long or short, heavy or light, high or deep below the base line. It also offers analyses of the handwriting of many well-known people, including Charles Darwin, Anne Frank, Paul Getty, Allen Ginsberg, Ernest Hemingway, Frida Kahlo, Somerset Maugham, Pablo Picasso, Pope Benedict, Vladimir Putin, Maurice Ravel, Carl Rogers, and Susan Sontag. Handwriting Psychology should never be used by itself to judge someone, but it can serve as an essential tool to make and confirm observations that could change your life, your career, and your approach to life.
Graphology, in English and American manuals of handwriting, stands in the relation with all other pseudo-sciences, founded on half truths and wrought with superstition and amateur fads, compared to modern science. In this book, the author attempts to put before the English public the fundamental principles, methods and laws of scientific graphology. Contents: common objections to graphology and their refutation; history of graphology; physiology and psychology of writing; random test of the correctness of methods explained; practical hints for drawing up of graphological analyses; specimens of analysis.
This book is the result of the International Workshop on Time, Mind, and Behavior, which was held at the University of Groningen in September 1984. The aim of the workshop was to produce an up to date review of the state of the art in the field of time psychology. The rapid development of a cognitive outlook in experimental psychology has, among other things, un derlined the need for a reconsideration of time experience, the coding and representation of temporal information, and the timing of complex re sponses. Since the publication of Paul Fraisse's classical Psychologie du Temps in 1957, time psychology has slowly but steadily drawn an in creasing amount of attention, to a point where it now seems to be incorpo rated into the mainstream of research. At the same time a noticeable ten dency for a renewed general interest in time can also be traced in several other disciplines. These two observations supported our belief that it was time for a review of the sort we had in mind. At the close of 1983 we completed a project supported by the Dutch Organization for the Advancement of Pure Research in which we had stud ied the coding and retrieval of temporal information. This provided us with a plausible pretense for organizing a workshop. Around Christmas time 1983 we were able to mail a preliminary invitation to a number of our colleagues whom we knew to be currently active in the field.
Learn the many ways handwriting can reveal personality traits in this comprehensive introduction to graphology. In Handwriting Analysis, graphology expert Karen Kristin Amend offers a fresh approach to the principles of graphology. Covering all aspects of handwriting, from size and spacing to pace and form quality, this book is designed to help readers learn the skills of whole-person profiling. Amend demonstrates how to determine various personality traits ranging from mood to moral character, self-confidence, and emotional needs. She also shows how to detect emotional disturbance or mental illness. With new material for understanding the significance of the writing rhythm, this volume also provides handwriting samples of famous people.
Vol. 49, no. 4, pt. 2 (July 1952) is the association's Publication manual.
In this engaging history, the author demonstrates handwriting in America from colonial times to the present. Exploring such subjects as penmanship, pedagogy, handwriting analysis, autograph collecting, and calligraphy revivals, Thornton investigates the shifting functions and meanings of handwriting. 57 illustrations.
Tracing a developing fascination with rhythm's significance, its patterns, and its measures, across philosophy, psychology, science, and the whole range of arts, Rhythmical Subjects shows how and why attention to rhythm came to serve as connective tissue between fields of inquiry at a time when modern disciplines were still in the process of formation or consolidation. The concentration on 'rhythm' and its cognates largely arose, Laura Marcus demonstrates, from the desire to reclaim or retain human and natural measures in the face of the coming of the machine and the speed of technological innovation. Rhythmical Subjects uncovers the disparate routes by which rhythm acquired its newfound ability to link ancient and modern forms of intellectual inquiry, and to fathom and re-invigorate temporal articulations of modern subjective life. Among the numerous intellectual and artistic developments set in a new light by this brilliantly wide-ranging book are: the long line of philosophical and theoretical writing on rhythm, from Nietzsche to Bergson and their twentieth-century interlocutors; psychological explorations of rhythm as the fundamental law of life, from Herbert Spencer and Ralph Waldo Emerson to Elsie Fogarty; more experimental engagements with psychology's rhythms, from Wilhelm Wundt, Théodule Ribot, and Karl Groos to the aesthetic writings of Vernon Lee; the history of prosody; pioneering applications of rhythm studies to social and sexual reform, by Havelock Ellis, Marie Stopes, D. H. Lawrence, and Mary Austin (among others); Lebensreform movements and the contribution of Rudolf Steiner and Emile Jaques-Dalcroze; and numerous endeavours in artistic and critical innovation, from the small modernist magazines of Bloomsbury and Paris to art salons and dance studios across Britain, Continental Europe, and America.
Graphonomics is the newly created term for the science of handwriting and other graphic skills.The Second International Conference on the Neural and Motor Aspects of Handwriting attracted contributions from experimental psychologists, neuropsychologists, neurologists, linguists, biophysicists, and computer scientists from 12 countries.This volume, the proceedings of the conference, features clinical studies of the neural basis of agraphia and dysgraphia from brain-damaged patients. The motor aspects of handwriting are further extended to new areas of interests. Research on handwriting in the English, Chinese and Japanese languages forms the first attempt in the field to investigate handwriting from the psycholinguistic perspective of different languages.
Investigations of personality may be focused upon any one of three different levels of phenomena. The first is the level of traits, interests, attitudes, or sentiments considered as composing an "inner" personality; the second is the level of behaviour and expression; the third is the level of impression, the perception and interpretation of behaviour by another. Since a discovery on one of these levels establishes a presumption that the phenomenon in question has some counterpart on the other levels, a problem which is elusive on one plane may often be more expediently attacked on another. This is the motive and the plan behind the present study. Instead of approaching the difficult problem of consistency or organization in personality through a study of "inner" dispositions-which, of course, can only be known indirectly through tests and scales, -we have chosen to refer the problem to the level of expressive movement and there to examine it in a more direct fashion.