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The Psychology of Lust Murder systematically examines the phenomenon of paraphilia (i.e., aberrant sexuality) in relationship to the crime of lust murder. By synthesizing the relevant theories on sexual homicide and serial killing, the authors develop an original, timely, sensible model that accounts for the emergence and progression of paraphilias expressed through increasingly violent erotic fantasies. Over time, these disturbing paraphilic images that, among other things, involve rape, body mutilation and dismemberment, torture, post-mortem sexual intercourse, and cannibalism, are all actualized. Thus, it is the sustained presence of deviant sexuality that contributes to and serves as underlying motive for the phenomenon of lust murder (a.k.a. erotophonophilia). Going well beyond theoretical speculation, the authors (Dr. Catherine Purcell, a forensic psychologist and Dr. Bruce Arrigo, a criminologist) apply their integrated model to the gruesome and chilling case of Jeffrey Dahmer. They convincingly demonstrate where and how their conceptual framework provides a more complete explanation of lust homicide than any other model available in the field today. The book concludes with a number of practical suggestions linked to clinical prevention, diagnosis, and treatment strategies; police training, profiling, and apprehension efforts; as well as legal and public policy responses to sexually violent and predatory assailants. Comprehensive in its coverage, accessible in its prose, and thoughtful in its analysis, The Psychology of Lust Murder is a must read for any person interested in the crime of erotophonophilia and those offenders responsible for its serial commission. - Contributes, in a thoughtful and scholarly way, to the audiences' existing library of books on crimes and criminals - Provides new and insightful information on the criminal behavior of Jeffrey Dahmer - Enables readers to compare and contrast different models/theories on sexual homicide and serial murder - Assists researchers, educators, public officials, and the lay public determine how best to respond to the phenomenon of lust murder
Serial Killers: Understanding Lust Murder, edited by Phillip C. Shon and Dragan Milovanovic, is a collection of ten chapters on the nature, expression, development, and possible responses to this recently popularized form of crime. These forms of serial killings not only involve continuous killings but some form of perverse sexual relations with the victim or body of the victim. Perhaps brought to public attention by some dramatic cases involving Jeffrey Dahmer, Robert Bundy, John Gacy, and Denis Rader and popular media presentations such as The Silence of the Lambs (1991), the examination of this phenomenon is only recently entering more scholarly scrutiny. This book includes various notable scholars in the field, from theoreticians to practitioners, and is divided into three parts. The first part develops theories of sexual homicide and the development of predatory laws. It examines the history of serial lust homicide, definitions, and motivational models. It also includes attempts at integrative approaches. The second part develops such forms of lust serial killing as piquerism, paraphilia, and necrophilia. The third part concerns the effects of the media, as well as phenomenological, existential, and "edgework" oriented approaches. Serial Killers not only brings the phenomenon under a keen theoretical and empirical investigation, shedding more scholarly insights on the phenomena, but it suggests methods for developing research hypotheses for academicians and for presenting practitioners with further insights into the field.
This book brings together an international collection of research literature on the topics of criminal profiling and serial violent crime by integrating the respected insights of both scholars and practitioners from around the globe. It explains etiological factors and psychological mechanisms to reveal criminal motives.
This book provides an integrative and jargon-free understanding of the phenomenon of sexual serial killing to a wide readership.
Who are the men committing the rising number of serial homicides in the U.S. -- and why do they kill? The increase in these violent crimes over the past decade has created an urgent need for more and better information about these men: their crime scene patterns, violent acts, and above all, their motivations for committing these shocking and repetitive murders. This authoritative book represents the data, findings, and implications of a long-term F.B.I.-sponsored study of serial sex killers. Specially trained F.B.I. agents examined thirty-six convicted, incarcerated sexual murderers to build a valuable new bank of information which reveals the world of the serial sexual killer in both quantitative and qualitative detail. Data was obtained from official psychiatric and criminal records, court transcripts, and prison reports, as well as from extensive interviews with the offenders themselves. Featured in this book is detailed information on the F.B.I.'s recently developed Violent Criminal Apprehension Program (VICAP) and a sample of an actual VICAP Crime Analysis Report Form.
In this pointed study of serial killers, internationally known Forensic Psychologist Duane Dobbert shows us how - even years before the crimes were commmitted- the perpetrators of lust homicides exhibited behaviors showing certain mental and sexual disorders which grew to fuel the horiffic murders. Dobbert's analysis, covering 13 killers from Herman Mudgett, who confessed to 27 murders in the late 1800s, to Jeffrey Dahmer, who killed 17 young men and boys between 1978 and 1991 - looks at their early lives and development of Antisocial Personality Disorder, as well as sexual disorders including sexual sadism and necrophilia. Special attention is paid to early signs of these disorders that were missed, mishandled, minimized or ignored by professionals in law enforcement, education, health care and criminal justice. The author demonstrates how and why most serial murders are sexually motivated, and fueled by this combination of psychopathy and sexual disorder. Having a clear understanding of the precursor behaviors could benefit us by enabling prediction and prevention of such crimes, says Dobbert. He also addresses signs of psychopathy and sexual disorders that should send red flags up to any adult or parent looking to protect their loved ones from harm. Dobbert offers psychological and social history of each killer, from early life on, which molded each into an ultimate monster. Lucas, for example, was born to a prostitute and an alcoholic father who lost his legs in a train accident. He was forced to watch his mother perform sexual acts with clients, regularly beaten and one head injury from a beating put him into a coma. His mother curled his hair into ringlets and dressed him as a girl, sending him to school like that. Lucas showed all the signs of Conduct Disorder by the time he was 10 and already an alcoholic. He was obsessed with sex by the time he was 13, and had sex with his half-brother, as well as animals he would trap, torture and kill in sexual rituals. Lucas was convicted as a teenager of a burglary, and sent to a training school, where he was disruptive and attempted several escapes, but released a year later. He confessed later to raping his 12-year-old niece the next day. Each of these killers have a unique psychological development, but all demonstrated early the patterned behavior of psychopathy and sexual disorder, explains Dobbert.
How do we explain the lurid fascination that most people experience when confronted by real or simulated acts of violence, murder, horror, and crime? This is the subject examined in this candid assessment of our dark vicarious thrills. Based on a series of interviews with perpetrators, victims, and "consumers" of violence, including several celebrities, the author of a best-selling book on serial killers explores what there is about this subject that draws such a wide audience. Unlike many other books that attempt to probe the murky psyches of deviant individuals, this book focuses on normal, average people who, despite themselves, enjoy getting close to the most forbidden, perverse side of destruction and evil. The persons interviewed range from homicide detectives and emergency room personnel to a heavyweight boxer and groupies of serial killers on death row. The author considers ideas from a variety of theories and research to explain our responses to violence, raises questions about the shifting line between normal and abnormal, evaluates the confusion and ambivalence that many people feel when witnessing others'' suffering, and suggests future trends in society''s attitudes toward violence.
To his neighbors, Jerry Brudo was a gentle man whose mild manner contrasted with his awesome physical strength. To his employers, Jerry was a fine worker. To his wife, he was a good husband. And to the Oregon police, Jerry Brudo was the most hideously twisted killer they had ever unmasked.
In a book that confronts our society's obsession with sexual violence, Maria Tatar seeks the meaning behind one of the most disturbing images of twentieth-century Western culture: the violated female corpse. This image is so prevalent in painting, literature, film, and, most recently, in mass media, that we rarely question what is at stake in its representation. Tatar, however, challenges us to consider what is taking place--both artistically and socially--in the construction and circulation of scenes depicting sexual murder. In examining images of sexual murder (Lustmord), she produces a riveting study of how art and murder have intersected in the sexual politics of culture from Weimar Germany to the present. Tatar focuses attention on the politically turbulent Weimar Republic, often viewed as the birthplace of a transgressive avant-garde modernism, where representations of female sexual mutilation abound. Here a revealing episode in the gender politics of cultural production unfolds as male artists and writers, working in a society consumed by fear of outside threats, envision women as enemies that can be contained and mastered through transcendent artistic expression. Not only does Tatar show that male artists openly identified with real-life sexual murderers--George Grosz posed as Jack the Ripper in a photograph where his model and future wife was the target of his knife--but she also reveals the ways in which victims were disavowed and erased. Tatar first analyzes actual cases of sexual murder that aroused wide public interest in Weimar Germany. She then considers how the representation of murdered women in visual and literary works functions as a strategy for managing social and sexual anxieties, and shows how violence against women can be linked to the war trauma, to urban pathologies, and to the politics of cultural production and biological reproduction. In exploring the complex relationship between victim and agent in cases of sexual murder, Tatar explains how the roles came to be destabilized and reversed, turning the perpetrator of criminal deeds into a defenseless victim of seductive evil. Throughout the West today, the creation of similar ideological constructions still occurs in societies that have only recently begun to validate the voices of its victims. Maria Tatar's book opens up an important discussion for readers seeking to understand the forces behind sexual violence and its portrayal in the cultural media throughout this century.