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The Whole Booke of Psalmes was one of the most published and widely read books of early modern England, running to over 800 editions between the 1570s and the early eighteenth century. It offered all of the Psalms paraphrased in verse with appropriate tunes, together with an assortment of other scriptural and non-scriptual hymns, and was rapidly (if unofficially) adopted by the established English Church. Yet, despite the significant impact of the Whole Booke of Psalmes upon English culture and literature, this is the first book-length study of it, and the first sustained critical examination of the texts of which it comprises. By tracing the ways in which historical contingency, religious fervor and the print marketplace together created and were changed by one of the most successful books of English verse ever printed, this study opens a new window through which to view the intellectual and ecclesiastical culture of Tudor England.
This contains the Scottish Psalter and Scripture Paraphrases, the primary hymnal of the Church of Scotland up through the 19th century. The Church of Scotland is a Presbyterian church, decisively shaped by the Scottish Reformation.
This book is the first large-scale study of the Metaphrasis Psalmorum since the middle of the twentieth century. It provides a revised critical text and complete modern translation of the poem, as well as an extensive introduction, which explores in detail critical questions such as authorship and the poet's engagement with early Christian exegesis. On the basis of a thorough re-examination of the poem's theology, its relationship to other late antique poetry, and relevant external evidence, it is argued, contrary to received opinion, that the Metaphrasis Psalmorum is a genuine work of Apollinaris of Laodicea, the influential if controversial bishop of the 4th century. It is also demonstrated that the poet interacts in a more wide-reaching and intentional way with early Christian exegesis on the Psalms than has previously been recognized, including the exegesis of Origen's newly discovered Homilies on the Psalms. The introduction includes broader discussion of the tradition of early Christian classicizing poetry, the poet's engagement with the Hellenic tradition, and his paraphrastic technique. The revised text and translation make more accessible a poorly known and understudied poem, which is nevertheless a major and important poetic work of late antiquity. The book aims to promote greater awareness of the Metaphrasis Psalmorum and act as a catalyst for future work on the paraphrase.