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From peerless Los Angeles-based photographer Tyler Shields comes Provocateur, which brings together in a single lavish volume his most compelling works, including a series of retro-style glamour portraits, the acrobatic works that recall his youthful athleticism, his ethereally decadent Marie Antoinette-inspired visions, and a collection of rustic woodland scenes that serve as a backdrop for modern-day nymphs.
The President and the Provocateur explores the parallel lives of John F. Kennedy, born into wealth and celebrity, destined for glory and a violent death, and of Lee Harvey Oswald, born into poverty and obscurity, murdered in police custody and convicted - without a lawyer or a trial - of the killing of JFK. 50 years after both men were murdered, Alex Cox provides a chronological account of their lives' strange intersections, their shared interests, and the increasing body of evidence which suggests that Lee Harvey Oswald was working for some branch of the government - most likely the FBI or IRS - as an infiltrator of subversive groups, and agent provocateur.
This updated second edition offers a refined theoretical framework, new pedagogical features, and expansion of advertising images and their analysis. Controversially, the second edition highlights preliminary evidence, contrary to popular opinion, that media sex and violence do not always sell. The new edition reviews these and other recent research findings. Other updates for this edition include: an evaluation of advertisements following the 9-11 terrorist attacks more on media violence and its nexus to youth violence new discussion of the use of advertising in law enforcement introduces the concept hybridizing (combinations of two types of advertising) many new ads representing cultural changes since the first edition
The erotic stories in Secrets explore enticing situations that many may have contemplated but only few have experienced. They reveal the fantasies of ordinary people and the heights to which we all can rise in our imaginations. Just as the Agent Provocateur shop windows have become famous for their frank portrayal of the most popular, and some rarer, sexual fantasies, Secrets explores a range of personal predilections from voyeurism, illicit liaisons, phone sex to fetish. Each carefully commissioned story, written by a bold new talent, is a celebration of the body and the mysteries that surround it. From the dark side of a London party girl, to the personal of diary of a bored shopgirl, the stories in Secrets embrace the passions and the fantasies of a 21st-century woman.
An Agent Provocateur is a spy who tries to provoke people to act illegally -- a small spark that has a large effect. Based on the popular Agent Provocateur lingerie shop in London, this book studies female sexuality without embarrassment, but with empowerment. Exploring the catalysts -- history, fashion and social culture -- Agent Provocateur is a lavish tribute to the celebration of the absolute and fascinating uniqueness of the feminine spirit.
For seven years, from 1956 to 1962, a young French artist electrified the European art world with visual, conceptual and performance art works far ahead of their time. His rise was wildly celebrated by some as the appearance of a prophetic genius, and derisively dismissed by others as scandalous nonsense. His monochrome paintings, body art works, fire paintings, conceptual exhibitions and music, and monumental public space works threatened to upend the very categories of art, in both Europe and America. Indeed, after his tragically premature death in 1962, some of the most far-reaching transformations in contemporary art would follow directly in his wake. But by the 1970s his reputation seemed headed for oblivion, until in 1977 a young classics scholar at Rice University, Thomas McEvilley, proposed Klein for a retrospective show to Dominique deMenil, then director of the Rice gallery, and wrote several texts about Klein that would transform our understanding of Yves Klein's aesthetics. The project grew to involve major institutions, resulting in 1982 with exhibitions in Houston, New York, Paris and Chicago. Virtually overnight Yves Klein's art reentered the art canon. Coincidentally, the career of an important critic was launched. Yves the Provocateur collects those writings of Thomas McEvilley which rejuvenated Klein's stature and hitherto were only available in journals and exhibition catalogues. In effect, it provides the "skeleton key" to clearly examine the full dimensions of Klein's accomplishment. In two opening essays, McEvilley briefly surveys and places Klein's art into context. Then, in the centerpiece essay -- which amounts to a miniature critical biography bearing all the best features of a novella -- he traces the formative and crucial events in Klein's life. Finally, he describes Klein's intellectual development, demonstrating how Klein embedded and parodied in his work the philosophical system of a particular form of Rosicrucianism.
Far more telling than mere biography, this collection of the extant letters exchanged between philosopher Jacques Maritain and social activist Saul Alinsky reveals a deep and intimate friendship, however unexpected and unlikely. Indeed, to all who knew or knew of them the dignified, prominent philosopher and the earthy, truculent genius of social reform seemed antithetical to one another in almost every way. The Maritain-Alinsky correspondence began in 1945, shortly after they met, and continued until Alinsky's death in 1972. The tone and content of the letters vary widely, ranging from expressions of mutual admiration and friendship, to details of the triumphs and tragedies of their personal lives, to anguished considerations of death and immortality. In their letters Maritain and Alinsky offer each other personal expressions of strong mutual support - as well as judicious warnings and slightly apprehensive distancing - for the different works each had undertaken at various times in his respective careers. They also discuss the Catholic church, taking ironic jibes at clerical pomposity and exchanging praise of the socially aware. Though it is difficult to tell whether either man had a significant influence on the thought and work of the other, their correspondence attests that the philosopher and the provocateur, so different in personality, educational backgrounds, demeanor, and intellectual affinities, enjoyed a surprisingly intimate and extraordinary friendship. With context and interpretation of the letters provided by the editor, this intriguing collection of lively, moving letters not only reveals the depths of a most improbable friendship, it also goes far in exposing thehumanity behind the personas.
Dr Fiona Foley is an Aboriginal artist, Badtjala woman, and provocateur, part of a highly influential generation of urban Indigenous artists. Over a career now spanning thirty years she has consistently asked questions about the frontier wars waged against Aboriginal peoples and brought the "hidden histories" of the massacres and dispossession into galleries, public spaces, and a broader, society-wide debate. In recent years, her exposure of the familial threads that join her Aboriginal heritage to the family of white missionaries who came to K'gari/Fraser Island in 1897 emerges as a tour de force. Missionary Ernest Gribble was the brother of Fiona Foley's great great grandmother, Ethel Gribble, who married Fred Wondunna.Foley has had exhibitions all over the world. Retrospective exhibitions include "Fiona Foley: Veiled Paradise" at QUT Art Museum in 2021, "Who are these strangers and where are they going?" in Ballarat and Sydney in 2019-20, and "Fiona Foley: Forbidden" at the Museum of Contemporary Art, Sydney and University of Queensland Art Museum, Brisbane in 2009. Her work is in every major institutional collection in Australia, many private collections, and in public spaces, including the State Library of Queensland. At the heart of this book is friendship. It details Foley's meeting with art writer Louise Martin-Chew, the progression of their collegiate relationship, and traces the momentum of crucial years in Foley's art life until her most recent segue into academia. This book was shaped as a biography given the relevance of her life to the work that she makes, and the emotional and historical investment in the disruption and disenfranchisement of her Badtjala (and all Aboriginal) people as subject matter for her art.
It’s Showtime. Toss aside your latest read and get to grips with the real thing – Agent Provocateur are back with a beautifully bound collection of their most erotic tales yet. Ever ready to please and amuse, these tales of lust and adventure will take you out of your daily life and into the sensuous world of Agent Provocateur. 69 is a flip-sided volume. Open the first ''pink'' half and titillating tales of the boudoir will delight and amuse. Turn the book over and delve into the ''black'' side and tales of a darker nature ensue. Illustrated throughout with erotic line drawings, this book is truly an object of desire. Written for the modern woman, these stories allow the reader to live vicariously through the scantily clad and ever changing erotic world of Agent Provocateur. Positively bursting with erotic short stories to tantalise and enthrall, we will broaden your sexual fantasies, and may even inspire your next adventure.
In Bones around My Neck, Tamara Loos recounts the personal and political adventures of Prince Prisdang Chumsai (1852-1935), who served as Siam's first diplomat to Europe during the most dramatic moment of Siam's political history.