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E. M. Delafield's 'The Provincial Lady Series' is a quintessential portrayal of the life of an English middle-class woman in the early 20th century. Written in the form of a diary, the series consists of five novels that elegantly capture the challenges, humor, and social norms of the time. Delafield's witty and satirical style, combined with her sharp observations of the minutiae of daily life, make these novels both entertaining and insightful. The series stands as a valuable piece of literature that offers a window into the domestic and social dynamics of the era. Readers will find themselves engrossed in the Provincial Lady's world, laughing at her mishaps and sympathizing with her frustrations. E. M. Delafield, herself a middle-class woman living in England during the early 20th century, drew inspiration from her own experiences to create this beloved series. Her keen insight into the social conventions and gender roles of the time adds depth and authenticity to the Provincial Lady's narrative. I highly recommend 'The Provincial Lady Series' to readers interested in classic literature, women's writing, and social history. Delafield's skillful storytelling and perceptive commentary make this collection a must-read for anyone looking to explore the nuances of everyday life in the early 20th century.
E. M. Delafield's 'The Diary of a Provincial Lady (Illustrated Edition)' offers readers a delightful and humorous glimpse into the life of a middle-class woman living in a provincial English town in the early 20th century. Written in a diary format, the book provides a satirical commentary on the societal expectations and limitations placed on women during that time. Delafield's writing style is witty, engaging, and filled with subtle irony, making this novel a must-read for anyone interested in early 20th-century literature. The illustrated edition adds an extra layer of charm to the already delightful narrative. Delafield's ability to capture the nuances of daily life and the inner thoughts of her protagonist sets this book apart from others of its time. The diary format allows for a deep exploration of the protagonist's emotions and experiences, making her a relatable and endearing character for readers of all backgrounds.
In 'The Collected Novels of E. M. Delafield,' readers are immersed in a collection of six influential novels that tackle themes of domestic life, social class, and gender roles in early 20th century Britain. Delafield's literary style is marked by sharp wit, subtle satire, and keen observations of human behavior. Her works provide a window into the evolving societal norms and challenges faced by women during this era. Each novel offers a nuanced exploration of the complexities of relationships and the struggles of navigating societal expectations. Delafield's prose is both engaging and thought-provoking, making this collection a must-read for those interested in feminist literature and the historical context of women's experiences in the early 1900s. E. M. Delafield, a prolific British author known for her incisive social commentary and keen insight into the human psyche, drew inspiration from her own experiences as a married woman in upper-middle-class society. Her ability to capture the nuances of domestic life with humor and empathy cemented her reputation as a significant voice in early feminist literature. Delafield's novels continue to resonate with readers today for their timeless themes and enduring relevance. I highly recommend 'The Collected Novels of E. M. Delafield' to readers interested in exploring the complexities of gender, class, and domestic life in early 20th century Britain through the lens of a gifted storyteller. Delafield's works offer a captivating blend of social commentary and character-driven narratives that are sure to leave a lasting impact.
"She could never, looking backwards, remember a time when she had not known that a woman's failure or success in life depended entirely upon whether or not she succeeded in getting a husband" When in the company of a young man a dutiful daughter should immediately assume an air of fresh, sparkling enjoyment. She should not speak of "being friends" with him-a young man is either eligible or he is not-and never, but never, should she get herself talked about, for a young girl who does so is doomed. "Men may dance with her, or flirt with her, but they don't propose." It would be quite a coup for a girl to find a husband during her first season, but if, God forbid, three seasons pass without success, she must join the ranks of those sad women who are a great embarrassment to society and, above all, to their disappointed mothers . . . With such thoughts in mind, how can Monica fail to look forward to her first ball?
PREFACE. THE Author of this very practical treatise on Scotch Loch - Fishing desires clearly that it may be of use to all who had it. He does not pretend to have written anything new, but to have attempted to put what he has to say in as readable a form as possible. Everything in the way of the history and habits of fish has been studiously avoided, and technicalities have been used as sparingly as possible. The writing of this book has afforded him pleasure in his leisure moments, and that pleasure would be much increased if he knew that the perusal of it would create any bond of sympathy between himself and the angling community in general. This section is interleaved with blank shects for the readers notes. The Author need hardly say that any suggestions addressed to the case of the publishers, will meet with consideration in a future edition. We do not pretend to write or enlarge upon a new subject. Much has been said and written-and well said and written too on the art of fishing but loch-fishing has been rather looked upon as a second-rate performance, and to dispel this idea is one of the objects for which this present treatise has been written. Far be it from us to say anything against fishing, lawfully practised in any form but many pent up in our large towns will bear us out when me say that, on the whole, a days loch-fishing is the most convenient. One great matter is, that the loch-fisher is depend- ent on nothing but enough wind to curl the water, -and on a large loch it is very seldom that a dead calm prevails all day, -and can make his arrangements for a day, weeks beforehand whereas the stream- fisher is dependent for a good take on the state of the water and however pleasant and easy it may be for one living near the banks of a good trout stream or river, it is quite another matter to arrange for a days river-fishing, if one is looking forward to a holiday at a date some weeks ahead. Providence may favour the expectant angler with a good day, and the water in order but experience has taught most of us that the good days are in the minority, and that, as is the case with our rapid running streams, -such as many of our northern streams are, -the water is either too large or too small, unless, as previously remarked, you live near at hand, and can catch it at its best. A common belief in regard to loch-fishing is, that the tyro and the experienced angler have nearly the same chance in fishing, -the one from the stern and the other from the bow of the same boat. Of all the absurd beliefs as to loch-fishing, this is one of the most absurd. Try it. Give the tyro either end of the boat he likes give him a cast of ally flies he may fancy, or even a cast similar to those which a crack may be using and if he catches one for every three the other has, he may consider himself very lucky. Of course there are lochs where the fish are not abundant, and a beginner may come across as many as an older fisher but we speak of lochs where there are fish to be caught, and where each has a fair chance. Again, it is said that the boatman has as much to do with catching trout in a loch as the angler. Well, we dont deny that. In an untried loch it is necessary to have the guidance of a good boatman but the same argument holds good as to stream-fishing...
Im at a bit of an impasse here. I dont have spare copies of the books, so I cant be specific (ie delete pages xi, xii etc)! I simply cant do that. With regards to the prelim pages, thats rather similar. I sent two prelim pages for each title, which I can set out again if needed. One is a title page, and one is a copyright page. All I want is for premedia to delete the scored out pages, and insert my two in title page, copyright page order at the start of the book. Can you advise on how I can set this out so that they will accept this?
Tuesday, 23rd 'Late nights do not suit me. Try to think I look interestingly haggard but have to admit that Unkempt Blowsiness is fitter description' Way before that city slicker, Bridget Jones, there was the Provincial Daughter -- an intelligent woman juggling too little money with too many kids in rural obscurity. In between taking deliveries of coal and attending ghastly provincial parties, our heroine makes tentative forays into the bright lights of London, seeking literary fame and fortune.
'Diary of a Provincial Lesbian' juggles funny encounters with next-door neighbours, Dierdre and Martin, work colleagues like Tom, who's thinking of coming out, and Miriam a 'semi-retired' lesbian.
Following the success of her literary efforts, The Provincial Lady abandons the daily domestic grind of leaking ceilings and dead rodents in the bathroom for a publicity trip to America. Though initially nervous - as Miss S. of the Post-Office sagely advises, the country is, after all, A Long Way Off - she takes the plunge and sets off. From mixing with the literati to negotiating an unaccustomed number of bath-taps, rebuffing assumptions about England's perpetual fog to visiting her first night-club, our heroine determinedly immerses herself in both living, and providing wry commentary upon, the American Way.