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Two young princes, Pyrocles and Musidorus, disguise themselves as an Amazon and a shepherd to gain access to the Arcadian Princesses, who have been taken into semi-imprisonment by their father to avoid the dangers foretold by an oracle. The text was a vehicle for Sidney's ideas on versification.
Feuillerat's edition of the complete works of Sir Philip Sidney in the series Cambridge English Classics has long been out of print. It has however been reissued with the omission of the poetical works. The prose works are divided among the four volumes as follows: volume 1, Arcadia, 1590; volume 2, Arcadia, 1593 and The Lady of May; volume 3, The Defences of Poesie, Political Discourses, Correspondence and Translation; volume 4, Arcadia (original version).
Feuillerat's edition of the complete works of Sir Philip Sidney in the series Cambridge English Classics has long been out of print. It has however been reissued with the omission of the poetical works. The prose works are divided among the four volumes as follows: volume 1, Arcadia, 1590; volume 2, Arcadia, 1593 and The Lady of May; volume 3, The Defences of Poesie, Political Discourses, Correspondence and Translation; volume 4, Arcadia (original version).
This book traces the progress of Renaissance romance from a genre addressed to women as readers to a genre written by women. Exploring this crucial transitional period, Helen Hackett examines the work of a diverse range of writers from Lyly, Rich and Greene to Sidney, Spenser and Shakespeare. Her book culminates in an analysis of Lady Mary Wroth's Urania (1621), the first romance written by a woman, and considers the developing representation of female heroism and selfhood, especially the adaptation of saintly roles to secular and even erotic purposes.
The first romance written by an Englishwoman, Mary Wroth's Countess of Montgomery's Urania is a literary tour de force in its own right. As the niece of Sir Philip Sidney, Mary Wroth was ideally situated as an observer and reporter of the social, literary, and political milieu of her time. This abridged modern-spelling edition, with a useful introduction and index of characters, makes this work newly accessible to general readers, students, and scholars.
Wood reads Philip Sidney's New Arcadia in the light of the ethos known as Philippism after the followers of the Protestant theologian, Philip Melanchthon. He uses a critical paradigm previously used to discuss Sidney's Defence of Poesy and narrows the gap often found between Sidney's theory and literary practice.