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The old, distinguished Propp family originated in the eighteenth century in Shkudvil and Tauroggen, in Lithuania. The Propp Family History traces the family from the earliest known member, Shimon ben Tzvi (Hirsh), also known as Shimel Girshevich Probnovich. He was born in about 1765 and died in about 1837. The family is now widely dispersed throughout Europe, the USA, and Israel. The book has two sections. The first contains some historical information on the family and in particular the origin of the name 'Propp', and also various stories written by Propp family members. These include first hand accounts of the family's sufferings during the Holocaust, in which many lost their lives, as well as the happier experiences of life in America, including the network of the Cousins Clubs the family established. The second section is an extensive descendants database, detailing the known family from Shimon, through his eight children, and down to the present day. Many photographs of places and people, collected from family members, make for a vivid recollection of some of that family story.
Vladimir Propp is the Russian folklore specialist most widely known outside Russia thanks to the impact of his 1928 book Morphology of the Folktale-but Morphology is only the first of Propp's contributions to scholarship. This volume translates into English for the first time his book The Russian Folktale, which was based on a seminar on Russian folktales that Propp taught at Leningrad State University late in his life. Edited and translated by Sibelan Forrester, this English edition contains Propp's own text and is supplemented by notes from his students. The Russian Folktale begins with Propp's description of the folktale's aesthetic qualities and the history of the term; the history of folklore studies, first in Western Europe and then in Russia and the USSR; and the place of the folktale in the matrix of folk culture and folk oral creativity. The book presents Propp's key insight into the formulaic structure of Russian wonder tales (and less schematically than in Morphology, though in abbreviated form), and it devotes one chapter to each of the main types of Russian folktales: the wonder tale, the "novellistic" or everyday tale, the animal tale, and the cumulative tale. Even Propp's bibliography, included here, gives useful insight into the sources accessible to and used by Soviet scholars in the third quarter of the twentieth century. Propp's scholarly authority and his human warmth both emerge from this well-balanced and carefully structured series of lectures. An accessible introduction to the Russian folktale, it will serve readers interested in folklore and fairy-tale studies in addition to Russian history and cultural studies.
This seminal work by the renowned Russian folklorist presents his groundbreaking structural analysis of classic fairytales and their genres. One of the most influential works of 20th century literary criticism, Vladimir Propp’s Morphology of the Folk Tale is essential reading for anyone interested in examining the structural characteristics of fairytales. Since it first appeared in English in 1958, this groundbreaking study has had a major impact on the work of folklorists, linguists, anthropologists, and literary critics. “Propp’s work is seminal…[and], now that it is available in a new edition, should be even more valuable to folklorists who are directing their attention to the form of the folktale, especially those structural characteristics which are common to many entries coming from different cultures.”—Choice
Featuring contributions from a wide array of international scholars, the book explores the variety of representational strategies used to depict female traumatic experiences in texts by or about women, and in so doing articulates the complex relation between trauma, gender and signification.
Building on recent critical work, this volume offers a comprehensive consideration of the nature and forms of medieval and early modern childhoods, viewed through literary cultures. Its five groups of thematic essays range across a spectrum of disciplines, periods, and locations, from cultural anthropology and folklore to performance studies and the history of science, and from Anglo-Saxon burial sites to colonial America. Contributors include several renowned writers for children. The opening group of essays, Educating Children, explores what is perhaps the most powerful social engine for the shaping of a child. Performing Childhood addresses children at work and the role of play in the development of social imitation and learning. Literatures of Childhood examines texts written for children that reveal alternative conceptions of parent/child relations. In Legacies of Childhood, expressions of grief at the loss of a child offer a window into the family’s conceptions and values. Finally, Fictionalizing Literary Cultures for Children considers the real, material child versus the fantasy of the child as a subject.
Twenty-four bestselling female writers explore life's most challenging and rewarding relationships. Revealing the myriad ways in which women navigate the bumpy terrain of everything from infidelity to who does the dishes, this collection will speak to any woman who's been in a long-term relationship.
The Familial Occult addresses the presence of occult experiences in some scholars' families and how that has affected their epistemological and ontological worlds, as well as their identities as scholars. Those with backgrounds in the familial occult often experience a series of conflicting relationships and different ways of interacting with binaries such as the subjective and objective, a powerful conceptual couple still governing academic thinking. While much has been written on encountering the occult in fieldwork or becoming an apprentice in an occult practice, little yet has been published in the academic literature about growing up with the occult.