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This text discusses how W. B. Yeats, Aleister Crowley, Ezra Pound and Robert Graves had access to the forbidden knowledge of the Goddess. These four poets experienced a confrontation with their unconscious and let the grace of the Goddess touch their heart strings. Consequently, through this surrendering, they created avant-garde poetry and were inspired to write seditious manifestos that would teach humanity an esoteric creed. This creed, based on humans’ eternal divine essence, aspires to liberate the eternal feminine. These poets became the instruments of the Goddess. As defenders of the Light, they took arms against the forces of inertia and proclaimed the eleusis of a new faith. This creed pledges to overthrow the anachronistic religious and social institutions and initiate a new world order and a new divinity based on the ancient rites of the Great Goddess. No matter how disparate these four were in character, they shared the vision of transmitting esoteric knowledge to profane humanity. They were specifically chosen by the Goddess as Her troubadours and they pave Her way to the religious consciousness of the people.
Ninth century BCE. In the middle of a severe drought, a young Phoenician widow named Arishat is on the brink of starvation. When she prays to her goddess, Asherah, for help, Elijah, a prophet of Israel arrives at her door with bread, oil, and an allegiance to the god Yahweh. Willing to accept Elijah's help, but not his god or his vow of celibacy, Arishat follows him to Israel determined not only to win his love but also to convince him of his need for a goddess. However, as she becomes embroiled in Elijah's mission against the corrupt King Ahab, she soon discovers a cause of her own among Israelite women trying to keep goddess traditions alive against the opposition of their men. Arishat will soon have to choose between her love for a man who rejects the goddess, and her loyalty to her own beloved Asherah. Brimming over with vibrant period detail and peopled with characters who bring these ancient times to life, The Prophet's Woman is a wonderful story and a fresh, well-needed addition to the genre of biblical historical fiction.
Why Were the Teachings of the Original Christians Brutally Suppressed by the Roman Church? • Because they portray Jesus and Mary Magdalene as mythic figures based on the Pagan Godman and Goddess • Because they show that the gospel story is a spiritual allegory encapsulating a profound philosophy that leads to mythical enlightenment • Because they have the power to turn the world inside out and transform life into an exploration of consciousness Drawing on modern scholarship, the authors of the international bestseller The Jesus Mysteries decode the secret teachings of the original Christians for the first time in almost two millennia and theorize about who the original Christians really were and what they actually taught. In addition, the book explores the many myths of Jesus and the Goddess and unlocks the lost secret teachings of Christian mysticism, which promise happiness and immortality to those who attain the state of Gnosis, or enlightenment. This daring and controversial book recovers the ancient wisdom of the original Christians and demonstrates its relevance to us today.
Reveals the tradition of goddess worship in early Judaism and how Jesus attempted to restore the feminine side of the faith • Provides historical and archaeological evidence for an earlier form of Hebrew worship with both male and female gods, including a 20th-century discovery of a Hebrew temple dedicated to both Yahweh and the warrior goddess Anat • Explores the Hebrew pantheon of goddesses, including Yahweh’s wife, Asherah, goddess of fertility and childbirth • Shows how both Jesus and his great rival Simon Magus were attempting to restore the ancient, goddess-worshipping religion of the Israelites Despite what Jews and Christians--and indeed most people--believe, the ancient Israelites venerated several deities besides the Old Testament god Yahweh, including the goddess Asherah, Yahweh’s wife, who was worshipped openly in the Jerusalem Temple. After the reforms of King Josiah and Prophet Jeremiah, the religion recognized Yahweh alone, and history was rewritten to make it appear that it had always been that way. The worship of Asherah and other goddesses was now heresy, and so the status of women was downgraded and they were blamed for God’s wrath. However, as Lynn Picknett and Clive Prince reveal, the spiritual legacy of the Jewish goddesses and the Sacred Feminine lives on. Drawing on historical research, they examine how goddess worship thrived in early Judaism and included a pantheon of goddesses. They share new evidence for an earlier form of Hebrew worship that prayed to both male and female gods, including a 20th-century archaeological discovery of a Hebrew temple dedicated to both Yahweh and the goddess Anat. Uncovering the Sacred Feminine in early Christianity, the authors show how, in the first century AD, both Jesus and his great rival, Simon Magus, were attempting to restore the goddess-worshipping religion of the Israelites. The authors reveal how both men accorded great honor to the women they adored and who traveled with them as priestesses, Jesus’s Mary Magdalene and Simon’s Helen. But, as had happened centuries before, the Church rewrote history to erase the feminine side of the faith, deliberately ignoring Jesus’s real message and again condemning women to marginalization and worse. Providing all the necessary evidence to restore the goddess to both Judaism and Christianity, Picknett and Prince expose the disastrous consequences of the suppression of the feminine from these two great religions and reveal how we have been collectively and instinctively craving the return of the Sacred Feminine for millennia.
Over 35 International contributors reflect on finding Goddess within (and without) Christianity and Islam. "By altering tradition -- and amending the translation from the (now) traditional "He" to "She" -- does the collective consciousness of the Ummah shift? Do we authentically reclaim The Divine Feminine inside Allah that was acknowledged 1400 years ago? Do we eliminate the neo-patriarchal paradigm that infects the Islam of our "modern" era?" -Shahla Khan Salter Contributors include: Dr. Amina Wadud, Andrew Gurevich, Anna Ruiz, Bonnie Odiorne, PhD, Carol P. Christ, PhD, Dominique Christina, Donna Snyder, Glenys Livingstone, PhD, Helen Hye-Sook Hwang, PhD, Rev. Dr. Karen Tate, Kelly Stewart Hall, Kim Mohiuddin, Laurence Galian, Liona Rowan, Lisa Artis, Marianne Widmalm, Marilyn McFarlane, Mary Petiet, Mary Saracino, Monette Chilson, Rev. Nano Boye Nagle, Nicola O'Hanlon, Noor-un-nisa Gretasdottir, Patty Kay, Penny-Anne Beaudoin, Poet on Watch, Rachael Patterson, Shahla Khan Salter, Shehnaz Zindabad, Susan Klahr, Susan Morgaine, Susannah Gregan, Tamara Albanna, Trista Hendren, Vanessa Rivera de la Fuente, Victoria A. Brownworth and Wynn Manners
A few ideas, which are only vaguely described or fleetingly hinted at in the footnotes, deserve more attention than they are given in Smiths and Prophets. The two articles in this volume are meant to fill out the gaps and they are also readable without referring to the book. The subjects discussed range from metallurgy to astronomy* and they are illustrated with an iconic figure that is engraved on numerous rock faces in the Negev Desert. The author calls it "The Goddess". * Includes a glossary of astronomical terms and definitions
Here, archaeologically documented,is the story of the religion of the Goddess. Under her, women’s roles were far more prominent than in patriarchal Judeo-Christian cultures. Stone describes this ancient system and, with its disintegration, the decline in women’s status.
38 International contributors reflect on finding Goddess within (and without) Christianity and Islam. "How did we go from a place where women were honored and respected and rape was inconceivable, to a place where women are treated as little more than intelligent animals to be used and tossed away?" -Liona Rowan "Why would God create half of humanity only to be subjugated, and then give that oppressed half the divine spark in our wombs?" -Tamara Albanna "Can You Kill the Spirit? What Happened to Female Imagery for God in Christian Worship?" -Carol P. Christ, PhD "My father was not love, so how could I even think of the male deity and its offshoots: Lord, King...Kingdom...? How can the triune God be in community with nothing but men or masculine archetypes?" -Bonnie Odiorne, PhD "Why do I need Jesus to mediate what conversations I have with God? How is it reasonable to posit that those who do not profess a belief in him are condemned to hell? Explain how God is a three-personed deity who imposes a set of rules we are to follow but who also sets certain biological instincts in opposition to those rules? And what the hell is all this business about God creating man, but man creating woman?" -Dominique Christina "By altering tradition - and amending the translation from the (now) traditional "He" to "She" - does the collective consciousness of the Ummah shift? Do we authentically reclaim The Divine Feminine inside Allah that was acknowledged 1400 years ago? Do we eliminate the neo-patriarchal paradigm that infects the Islam of our "modern" era?" -Shahla Khan Salter "When was the last time we experienced true prophecy? The last prophets gave us patriarchy. Since then, our connection to the divine has seemingly ceased while mainstream religion continues to regurgitate the old destructive message. Simultaneously, current low rates of church attendance attest to the irrelevance of that message. We clearly need a new message." -Mary Petiet Contributors include: Dr. Amina Wadud, Andrew Gurevich, Anna Ruiz, Bonnie Odiorne, Ph.D., Carol P. Christ, Ph.D., Dominique Christina, Donna Snyder, Glenys Livingstone, Ph.D., Helen Hye-Sook Hwang, Ph.D., Rev. Dr. Karen Tate, Kelly Stewart Hall, Kim Mohiuddin, Laurence Galian, Liona Rowan, Lisa Artis, Marianne Widmalm, Marilyn McFarlane, Mary Petiet, Mary Saracino, Monette Chilson, Nano Boye Nagle, Nicola O'Hanlon, Noor-un-nisa Gretasdottir, Patty Kay, Penny-Anne Beaudoin, Poet on Watch, Rachael Patterson, Shahla Khan Salter, Shehnaz Zindabad, Susan Klahr, Susan Morgaine, Susannah Gregan, Tamara Albanna, Trista Hendren, Vanessa Rivera de la Fuente, Victoria A. Brownworth and Wynn Manners.
The Hidden Goddess delves into the Bible to uncover the goddesses that have been buried within it. As well as discussing familiar figures such as Eve and Mary, the book also features Asherah, Sophia, Lilith, and others, exploring their histories, their roles in early Judaic Christian belief and their subsequent suppression. '...a readable and accessible antidote to the stereotype that the divine feminine is absent in the biblical traditions. A great resource for women and men seeking the Goddess in unlikely places. Professor Mary Ann Beavis, Ph.D., St. Thomas More College
This is an open access title available under the terms of a CC BY-NC-ND 4.0 International licence. It is free to read at Oxford Scholarship Online and offered as a free PDF download from OUP and selected open access locations. Ancient Prophecy: Near Eastern, Biblical, and Greek Perspectives is the first monograph-length comparative study on prophetic divination in ancient Near Eastern, biblical, and Greek sources. Prophecy is one of the ways humans have believed to become conversant with what is believed to be superhuman knowledge. The prophetic process of communication involves the prophet, her/his audience, and the deity from whom the message allegedly comes from. Martti Nissinen introduces a wealth of ancient sources documenting the prophetic phenomenon around the ancient Eastern Mediterranean, whether cuneiform tablets from Mesopotamia, the Hebrew Bible, Greek inscriptions, or ancient historians. Nissinen provides an up-to-date presentation of textual sources, the number of which has increased substantially in recent times. In addition, the study includes four analytical comparative chapters. The first demonstrates the altered state of consciousness to be one of the central characteristics of the prophets' public behavior. The second discusses the prophets' affiliation with temples, which are the typical venues of the prophetic performance. The third delves into the relationship between prophets and kings, which can be both critical and supportive. The fourth shows gender-inclusiveness to be one of the peculiar features of the prophetic agency, which could be executed by women, men, and genderless persons as well. The ways prophetic divination manifests itself in ancient sources depend not only on the socio-religious position of the prophets in a given society, but also on the genre and purpose of the sources. Nissinen contends that, even though the view of the ancient prophetic landscape is restricted by the fragmentary and secondary nature of the sources, it is possible to reconstruct essential features of prophetic divination at the socio-religious roots of the Western civilization.