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The sequel to the first promise ring.
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A new fantasy, born with resonating passionate potential to be a classic. Sure to capture the imaginations of the young and old alike.
Cora one of the popular cheerleaders is struggling with social pressures that go against her morals. She makes a promise to her father and she is determined to keep it. Along the way Cora struggles with pressures from Jim, her football player boyfriend who wishes to advance their relationship to the next level. He tries to convince her with manipulation, using jealousy of the new French girl, and intimidation; when all these steps fail he takes more drastic measures. Cora creates a blog to get answers. The blog allows her and others to open up freely while hiding behind their user names until she slips up by making a post that revels her identity to the new French girl she despises. Meanwhile, Cora's childhood friend Clark has been hiding a secret from her. He chooses to confess his secret the night of the party; the one night she can't remember. Where will Cora's search to find answers lead her? What does Clark knows about the night of the party? What did he have to hide?
From the concert stage to the dressing room, from the recording studio to the digital realm, SPIN surveys the modern musical landscape and the culture around it with authoritative reporting, provocative interviews, and a discerning critical ear. With dynamic photography, bold graphic design, and informed irreverence, the pages of SPIN pulsate with the energy of today's most innovative sounds. Whether covering what's new or what's next, SPIN is your monthly VIP pass to all that rocks.
Nothing Feels Good: Punk Rock, Teenagers, and Emo tells the story of a cultural moment that's happening right now-the nexus point where teen culture, music, and the web converge to create something new. While shallow celebrities dominate the headlines, pundits bemoan the death of the music industry, and the government decries teenagers for their morals (or lack thereof) earnest, heartfelt bands like Dashboard Confessional, Jimmy Eat World, and Thursday are quietly selling hundreds of thousands of albums through dedication, relentless touring and respect for their fans. This relationship - between young people and the empathetic music that sets them off down a road of self-discovery and self-definition - is emo, a much-maligned, mocked, and misunderstood term that has existed for nearly two decades, but has flourished only recently. In Nothing Feels Good, Andy Greenwald makes the case for emo as more than a genre - it's an essential rite of teenagehood. From the '80s to the '00s, from the basement to the stadium, from tour buses to chat rooms, and from the diary to the computer screen, Nothing Feels Good narrates the story of emo from the inside out and explores the way this movement is taking shape in real time and with real hearts on the line. Nothing Feels Good is the first book to explore this exciting moment in music history and Greenwald has been given unprecedented access to the bands and to their fans. He captures a place in time and a moment on the stage in a way only a true music fan can.
American Cultural Studies is a conversation among scholars about the sometimes contentious issue of what a specifically American cultural studies might look like. Assembling some of the field's most eloquent commentators, this volume stresses the importance of a historically informed cultural studies and delves into the discipline's roots in pragmatism, social activism, and radical politics. It also considers the moral and social responsibilities of citizen-intellectuals in the United States. Throughout these spirited discussions, the emphasis is on moving from theory to practice: from text-based to experience-based research, from spectator- to conversation-based models of narrative production, from a historical to historically informed analysis, and from political detachment to political engagement. Speaking from a variety of perspectives, contributors advocate ways to integrate private scholarship with public participation: by incorporating the lessons of feminist methodologies grounded in dialogue and ethnographic fieldwork, by recentering cultural studies on issues of economic opportunity and job equity, or by physically returning as a participant to one's home community. Offering fresh perspectives from within and outside the field, American Cultural Studies calls for intellectuals to engage in the cultures they study. By doing so, practitioners of cultural studies may succeed in affecting, rather than merely describing, the tensions and forces at work in the United States--its policies, its media structures, and its disintegrating democracy.