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*IPPY Award Silver Medalist Young Adult Fiction - General A medium desperate to save his town, a grieving brother wanting revenge, and a girl who's decided to end ghosts once and for all, converge in the town of St. Hilaire, where the spirits of the dead roam the streets and there's no such thing as resting in peace. Russ Griffin has always wanted to be a fantastic medium. Growing up in the town of St. Hilaire, where most residents make their living by speaking to the dead, means there's a lot of competition, and he's always held his own. But Russ knows the town he loves is corrupt, and he's determined to save it before the sinister ruling body, The Guild, ruins all he's ever wanted. Willow Rogers is St. Hilaire royalty. An orphan, raised by The Guild, she's powerful and mysterious. But she has secrets that might change everyone's fate. She's done with St. Hilaire, done with helping spirits move on. She wants to end the cycle for good and rid the town of ghosts, even if that means destroying the only home she's ever known. Asher Mullen lost his sister, and his parents can't get over her death. They sought answers in St. Hilaire and were turned away. Now they want revenge. Asher is tasked with infiltrating the town, and he does that by getting to know Russ. The only problem is, he might be falling for him, which will make betraying him that much harder. Russ, Willow, and Asher all have their own agendas for St. Hilaire, but one thing's for certain, no one will be resting in peace. Perfect for readers looking for: ghost town books young adult lgbt books atmospheric stories Praise for Prelude for Lost Souls: "Ghost story, love story, and mystery in equal measure, Helene Dunbar's Prelude for Lost Souls is filled with unforgettable characters who reveal the many ways a life can be haunted. Perfect for fans of The Raven Boys."—Lisa Maxwell, New York Times bestselling author of The Last Magician series "Dunbar invokes small-town intrigue and plentiful atmosphere with this haunting, romantic tale."—Publishers Weekly "A quietly compelling story."—Kirkus Reviews "Mesmerizing and haunting, Dunbar invites readers into a world of family secrets, anxious ghosts and a society's ruthless grasp for power that will leave you wanting more."—The Nerd Daily "Fantastic elements layered in with poignant, human moments of grief make this ghost story a solid sequel. "— Bulletin of the Center for Children's Books (BCCB)
"Ghost story, love story, and mystery in equal measure, Helene Dunbar's Prelude for Lost Souls is filled with unforgettable characters who reveal the many ways a life can be haunted. Perfect for fans of The Raven Boys."—Lisa Maxwell, New York Times bestselling author of The Last Magician series From acclaimed author Helene Dunbar comes a spellbinding young adult book about a small town filled with spiritualists and one boy who wants out, perfect for readers who want teen ghost books and fans of Maggie Stiefvater, Maureen Johnson, and Nova Ren Suma. In the town of St. Hilaire, most make their living by talking to the dead. In the summer, the town gates open to tourists seeking answers while all activity is controlled by The Guild, a sinister ruling body that sees everything. Dec Hampton has lived there his entire life, but ever since his parents died, he's been done with it. He knows he has to leave before anyone has a chance to stop him. His best friend Russ won't be surprised when Dec leaves—but he will be heartbroken. Russ is a good medium, maybe even a great one. He's made sacrifices for his gift and will do whatever he can to gain entry to The Guild, even embracing dark forces and contacting the most elusive ghost in town. But when the train of Annie Krylova, the piano prodigy whose music has been Dec's main source of solace, breaks down outside of town, it sets off an unexpected chain of events. And in St. Hilaire, there are no such things as coincidences. Perfect for readers looking for: ghost town books young adult lgbt books atmospheric stories Praise for Prelude for Lost Souls: "Dunbar invokes small-town intrigue and plentiful atmosphere with this haunting, romantic tale."—Publishers Weekly "A quietly compelling story."—Kirkus Reviews "Mesmerizing and haunting, Dunbar invites readers into a world of family secrets, anxious ghosts and a society's ruthless grasp for power that will leave you wanting more."—The Nerd Daily Also by Helene Dunbar: We Are Lost and Found
From "the queen of heartbreaking prose" (Paste) Helene Dunbar, We Are Lost and Found is a young adult realistic fiction novel in the vein of The Perks of Being a Wallflower about three friends coming-of-age against the backdrop of the AIDS crisis in the early 1980s. Michael is content to live in the shadow of his best friends, James and Becky. Plus, his brother, Connor, has already been kicked out of the house for being gay and laying low seems to be Michael's only chance at avoiding the same fate. To pass the time before graduation, Michael hangs out at The Echo where he can dance and forget about his father's angry words, the pressures of school, and the looming threat of AIDS, a disease that everyone is talking about, but no one understands. Then he meets Gabriel, a boy who actually sees him. A boy who, unlike seemingly everyone else in New York City, is interested in him and not James. And Michael has to decide what he's willing to risk to be himself. This book is perfect for: Readers who want stories centering gay boys coming of age Parents and educators looking for realistic historical fiction for teens Fans of Becky Albertalli, Adam Silvera, and Stephen Chbosky Praise for We Are Lost and Found: "Dunbar painstakingly populates the narrative with 1980s references—particularly to music—creating a vivid historical setting... A painful but ultimately empowering queer history lesson."—Kirkus Reviews "It's a certain type of magic that Helene Dunbar managed with this story... A hauntingly beautiful, yet scarring story that captures the struggles of figuring out who you are while facing the uncertainties of the world, a story that should be mandatory reading for all."—The Nerd Daily "We Are Lost and Found absolutely sparkles... she so perfectly, so evocatively captures the angst, uncertainty, and shaky self-confidence of adolescence that it might make you wince."—Echo Magazine Optioned for a major motion picture adaptation by Nikolaj Coster-Waldau's production company, Ill Kippers!
A comic novel about a Midwestern professor who tries to prop up his failing prospects for happiness by setting out on the Journey of a Lifetime. Louie Hake is forty-three and teaches architectural history at a third-rate college in Michigan. His second marriage is collapsing, and he's facing a potentially disastrous medical diagnosis. In an attempt to fend off what has become a soul-crushing existential crisis, he decides to treat himself to a tour of the world's most breathtaking architectural sites. Perhaps not surprisingly, Louie gets waylaid on his very first stop in Rome--ludicrously, spectacularly so--and fails to reach most of his other destinations. He embarks on a doomed romance with a jilted bride celebrating her ruined marriage plans alone in London. And in the Arctic he finds that turf houses and aluminum sheds don't amount to much of an architectural tradition. But it turns out that there's another sort of architecture there: icebergs the size of cathedrals, bobbing beside a strange and wondrous landscape. It soon becomes clear that Louie's grand journey is less about where his wanderings have taken him and more about where his past encounters with romance have not. Whether pursuing his first wife, or his estranged current wife, or the older woman he kissed just once a quarter-century ago, Louie reveals himself to be endearing, deeply touching, wonderfully ridiculous . . . and destined to find love in all the wrong places.
Fiction. Winner of the Florida Authors and Publishers Association Award. Winner of a Royal Palm Literary Award. Winner of the Chicago Public Library's 21st Century Award. Winner of a Phillis Wheatley Book Award in Fiction. Winner of the International Latino Book Award in Most Inspirational Fiction. Amina Gautier's THE LOSS OF ALL LOST THINGS won the Elixir Press 2014 Fiction Award. It is a short story collection that illuminates the beauty that can be found in inconsolable loss. Gautier leads us through terrible reality but leaves us with the promise of hope and redemption. Contest judge, Phong Nguyen had this to say about it: "Literary fiction that grips us and won't let us go is notoriously rare. To offer us complex emotional experience and riveting narrative momentum, and then to leave the reader in contemplation of its sophisticated themes and subtle weave of objective correlatives... that is the stuff of literary greatness, of art that demands to be read in conversation with the canon....Gautier's stories have you by the throat, and they surprise you with their mercy."
Winner, 2023 Choice Outstanding Academic Title Our relationship with things abounds with paradoxes. People assign value to objects in ways that are often deeply personal or idiosyncratic yet at the same time rooted in specific cultural and historical contexts. How do things become meaningful? How do our connections with the world of things define us? In Ming and Qing China, inquiry into things and their contradictions flourished, and its depth and complexity belie the notion that material culture simply reflects status anxiety or class conflict. Wai-yee Li traces notions of the pleasures and dangers of things in the literature and thought of late imperial China. She explores how aesthetic claims and political power intersect, probes the objective and subjective dimensions of value, and questions what determines authenticity and aesthetic appeal. Li considers core oppositions—people and things, elegance and vulgarity, real and fake, lost and found—to tease out the ambiguities of material culture. With examples spanning the late sixteenth to the mid-eighteenth centuries, she shows how relations with things can both encode and resist social change, political crisis, and personal loss. The Promise and Peril of Things reconsiders major works such as The Plum in the Golden Vase, The Story of the Stone, Li Yu’s writings, and Wu Weiye’s poetry and drama, as well as a host of less familiar texts. It offers new insights into Ming and Qing literary and aesthetic sensibilities, as well as the intersections of material culture with literature, intellectual history, and art history.
Kirkus Reviews calls The Promise one of the Best Books of Fiction, and of Literature in Translation, of the year! * Voted one of the Big Fall Books from Indies by Publishers Weekly & LitHub's Most Anticipated Books of 2019 "The world is ready for her blend of insane Angela Carter with the originality of Clarice Lispector."—Mariana Enriquez, LitHub "Both her debut story collection, Forgotten Journey, and her only novel, The Promise, are strikingly 20th-century texts, written in a high-modernist mode rarely found in contemporary fiction."—Lily Meyer, NPR A dying woman's attempt to recount the story of her life reveals the fragility of memory and the illusion of identity. "Of all the words that could define her, the most accurate is, I think, ingenious."—Jorge Luis Borges "I don't know of another writer who better captures the magic inside everyday rituals, the forbidden or hidden face that our mirrors don't show us."—Italo Calvino "Few writers have an eye for the small horrors of everyday life; fewer still see the everyday marvelous. Other than Silvina Ocampo, I cannot think of a single writer who, at any time in any language, has chronicled both with such wise and elegant humor."—Alberto Manguel "Art is the cure for death. A seminal work by an underread master. Required for all students of the human condition."—Starred Review, Kirkus Reviews "This haunting and vital final work from Ocampo, her only novel, is about a woman's life flashing before her eyes when she's stranded in the ocean. . . . the book’s true power is its depiction of the strength of the mind and the necessity of storytelling, which for the narrator is literally staving off death. Ocampo’s portrait of one woman’s interior life is forceful and full of hope."—Gabe Habash, Starred Review, Publishers Weekly "Ocampo is beyond great—she is necessary."—Hernan Diaz, author of In the Distance "I don't know of another writer who better captures the magic inside everyday rituals, the forbidden or hidden face that our mirrors don't show us."—Italo Calvino "These two newly translated books could make her a rediscovery on par with Clarice Lispector. . . . there has never been another voice like hers."—John Freeman, Executive Editor, LitHub "Like William Blake, Ocampo's first voice was that of a visual artist; in her writing she retains the will to unveil immaterial so that we might at least look at it if not touch it."—Helen Oyeyemi, author of Gingerbread A woman traveling on a transatlantic ship has fallen overboard. Adrift at sea, she makes a promise to Saint Rita, "arbiter of the impossible," that if she survives, she will write her life story. As she drifts, she wonders what she might include in the story of her life—a repertoire of miracles, threats, and people parade tumultuously through her mind. Little by little, her imagination begins to commandeer her memories, escaping the strictures of realism. Translated into English for the very first time, The Promise showcases Silvina Ocampo at her most feminist, idiosyncratic and subversive. Ocampo worked quietly to perfect this novella over the course of twenty-five years, nearly up until the time of her death in 1993.
Five years after his mother killed herself and three of his siblings, Gordie lives with his halfbrother Kevin. It is an ideal arrangement, until Gordie’s absentee father comes back into the picture, demanding a place in his life. Now the only one who can help Gordie is himself ... if he can confront the past and take back his future.
Readers once believed in Proust’s madeleine and in Wordsworth’s recollections of his boyhood—but that was before literary culture began to defer to Freud’s questioning of adult memories of childhood. In this first sustained look at childhood memories as depicted in literature, Lorna Martens reveals how much we may have lost by turning our attention the other way. Her work opens a new perspective on early recollection—how it works, why it is valuable, and how shifts in our understanding are reflected in both scientific and literary writings. Science plays an important role in The Promise of Memory, which is squarely situated at the intersection of literature and psychology. Psychologists have made important discoveries about when childhood memories most often form, and what form they most often take. These findings resonate throughout the literary works of the three writers who are the focus of Martens’ book. Proust and Rilke, writing in the modernist period before Freudian theory penetrated literary culture, offer original answers to questions such as “Why do writers consider it important to remember childhood? What kinds of things do they remember? What do their memories tell us?” In Walter Benjamin, Martens finds a writer willing to grapple with Freud, and one whose writings on childhood capture that struggle. For all three authors, places and things figure prominently in the workings of memory. Connections between memory and materiality suggest new ways of understanding not just childhood recollection but also the artistic inclination, which draws on a childlike way of seeing: object-focused, imaginative, and emotionally intense.
After a terrible accident, Cal Ryan loses his promising baseball career and Lizzie, one of his best friends. Everyone expects him to pick up the pieces and move on, but all that remains for Cal is an overwhelming sense that her death was his fault. Cal thought he could overcome any obstacle. But grief might be the one exception.