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Prometheus Bound was accepted without question in antiquity as the work of Aeschylus, and most modern authorities endorse this ascription. But since the nineteenth century several leading scholars have come to doubt Aeschylean authorship. Dr Griffith here provides a thorough and wide-ranging study of this problem, and concludes: 'Had Prometheus Bound been newly dug up from the sands of Oxyrhynchus... few scholars would regard it as the work of Aeschylus.' After a preliminary assessment of the external evidence, Dr Griffith examines minutely the idiosyncrasies of metre, dramatic technique, vocabulary, syntax and expression to be found in the play, applying the same tests to other plays of Aeschylus, Sophocles and Euripides in order to provide a control for his methods. In his final chapter he discusses how the conditions surrounding the ancient transmission and cataloguing of texts may have led to the ascription to Aeschylus.
Henry David Thoreau's translation of "Prometheus Bound" was published in 1843 in the "Dial," the most important magazine of the American transcendentalist movement. This edition makes it available to a wide audience in book form for the first time. This edition also includes descriptions and fragments of the other two plays of Aeschylus' Prometheus trilogy. "Prometheus Bound" has been one of the most influential of the classical Greek tragedies, inspiring poems by Goethe, Shelly, Byron and others. But it is often misunderstood, because it is read in isolation. Read by itself, "Prometheus Bound" seems to tell the story of Prometheus' heroic resistance to Zeus' tyranny. But when we read the entire trilogy, we can see that the relation between Zeus and Prometheus is far more complex. "Prometheus Bound" has always been considered one of the greatest Greek tragedies-and this book lets us see that the Prometheus trilogy as a whole is more powerful than this one play. This edition includes an introduction by the great classical scholar, Nikolaus Wecklein, which has long been out of print. It also includes commentary by Charles Siegel, which makes an important new contribution to scholarship about reconstructing the Prometheus trilogy.
This book includes two works: 1. Prometheus Bound by Aeschylus, translated by Thomas Medwin & Percy Bysshe Shellsy, and 2. Prometheus Unbound by Percy Bysshe Shelley.
Three classic Greek tragedies are translated and critically introduced by Edith Hamilton.
Few Greek tragedies confront the critic with more varied difficulties than the Suppliants, and perhaps no other tragedy has been the subject of such diverse interpretation. In this book Professor Murray demonstrates that the web of imagery woven around Io, the ancestress of the Danaids, is a vitally important vehicle of meaning, indispensable to a correct interpretation of the trilogy. Originally published in 1958. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
(Applause Books). A collection of eight plays along with accompanying critical essays. Includes: "The Oresteia" Aeschylus; "Prometheus Bound" Aeschylus; "Oedipus the King" Sophocles; "Antigone" Sophocles; "Medea" Euripides; "The Bakkhai" Euripides; "Oedipus" Seneca; "Medea" Seneca.