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World War III is over, and nomad soldier Duenan Knute and her cyborg partner Briareos struggle to survive in the abandoned cities and demilitarized zones of the post-war wasteland, the "Badside." Matters appear on the upswing, however, when they are found and brought to Olympus, an urban utopia and centerpiece for the reconstruction of civilization. Duenan and Bri join the Olympus police, a force that seems hardly necessary in such a paradise. But, like in most pretty pictures, perfection is an illusion, and Olympus's peaceful facade hides a dark secret, a violent struggle between human and cyborg that could once again plunge the world into war . . . and genocide. * Shirow is well known and critically acclaimed internationally, and is responsible for numerous classic anime/manga titles, such as Appleseed, Dominion, Ghost in the Shell, Orion, and Black Magic. * Produced in the authentic right-to-left reading format, as originally published in Japan. * A New York Times Bestselling series!
Change is a powerful idea which inspires hope and fear, excitement and dread. From the panta rhei of Heraclitus to Darwinian evolutionary theory, nobel laureate Bob Dylans The times they are a-changin, the Obama campaign slogan Change we can believe in, and the current advertising mantra change is good, it recurs as a challenge to the status quo. The present volume contains essays on the topic of change in English language, literature and culture. Some are based on papers presented at the 2017 SAUTE conference, which took place at the Université de Neuchâtel, while others have been specially written for this volume.
With the advent of liquid modernity, the society of producers is transformed into a society of consumers. In this new consumer society, individuals become simultaneously the promoters of commodities and the commodities they promote. They are, at one and the same time, the merchandise and the marketer, the goods and the travelling salespeople. They all inhabit the same social space that is customarily described by the term the market. The test they need to pass in order to acquire the social prizes they covet requires them to recast themselves as products capable of drawing attention to themselves. This subtle and pervasive transformation of consumers into commodities is the most important feature of the society of consumers. It is the hidden truth, the deepest and most closely guarded secret, of the consumer society in which we now live. In this new book Zygmunt Bauman examines the impact of consumerist attitudes and patterns of conduct on various apparently unconnected aspects of social life politics and democracy, social divisions and stratification, communities and partnerships, identity building, the production and use of knowledge, and value preferences. The invasion and colonization of the web of human relations by the worldviews and behavioural patterns inspired and shaped by commodity markets, and the sources of resentment, dissent and occasional resistance to the occupying forces, are the central themes of this brilliant new book by one of the worlds most original and insightful social thinkers.
The myth of Prometheus has inspired countless generations of humanists throughout the ages. Prometheus -- who stole fire from the gods and gave it to humans to help them survive -- remains a symbol for those who reject theistic orthodoxies and who fearlessly challenge accepted beliefs. Artists such as Byron, Goethe, Beethoven and Wagner have been influenced by this story. Most importantly, Prometheus is a symbol for selfless love. In this collection of essays, the Promethean myth and its relationship to the philosophy of love is explored from its origins in Ancient Greece, to its similarities and contrasts with the figure of Christ. Special emphasis is given to the work and writings of Paul Kurtz, the foremost contemporary defender of humanism as a worldview, who has made the figure of Prometheus a special part of his own philosophy.
A Companion to Science Fiction assembles essays by an international range of scholars which discuss the contexts, themes and methods used by science fiction writers. This Companion conveys the scale and variety of science fiction. Shows how science fiction has been used as a means of debating cultural issues. Essays by an international range of scholars discuss the contexts, themes and methods used by science fiction writers. Addresses general topics, such as the history and origins of the genre, its engagement with science and gender, and national variations of science fiction around the English-speaking world. Maps out connections between science fiction, television, the cinema, virtual reality technology, and other aspects of the culture. Includes a section focusing on major figures, such as H.G. Wells, Arthur C. Clarke, and Ursula Le Guin. Offers close readings of particular novels, from Mary Shelley's Frankenstein to Margaret Atwood's The Handmaid's Tale.
World War III is over, but for nomad soldier Deunan Knute and her cyborg lover, Briareos, the greatest challenge lies ahead. Not in the abandoned cities and DMZs of a post-war battlefield, but on the streets of a new "utopia." Shirow Masamune's visionary Appleseed is widely regarded not only as one of the lynchpin works of graphic fiction, but one of the most influential science-fiction stories in recent memory, culminating in the astonishing 2005 animated adaptation. Appleseed: Hypernotes, never before collected in America, features an over eighty page Appleseed tale, plus reams of detailed information and art of the characters, machines, and weapons of Appleseed.
This book’s key purpose is to contribute to the ongoing "theoretical" discussion in the field of international relations (IR) concerning the status of grand theories. However, it also has a wider, critical mission: to challenge mainstream social science and its dominant methodology, as well as the unfettered optimism that the problem of social order can be solved by the "application" of scientific knowledge to our practical problems. The author uses rigorous philosophical analysis to focus on the unexamined assumptions that form the bedrock of many contemporary scholars in IR and demonstrates the unavailability of a universal "scientific" procedure for finding the facts, when we face practical choices and issues of social reproduction. This book will be of interest to upper-level students of IR, sociology, history, and philosophy of science; it will also speak to students of security, foreign policy making, migration, and political economy, in addressing the basis of their attitudes in thinking about the world and the role of scholarship.
Argues that competition is inherently destructive and that competitive behavior is culturally induced, counter-productive, and causes anxiety, selfishness, self-doubt, and poor communication.
The ancient Greek myth of Prometheus, the primordial Titan who defied the Olympian gods by stealing fire from the heavens as a gift for humanity, enjoyed unprecedented popularity during the Romantic era. An international coterie of writers such as Goethe, Monti, Byron, the Shelleys, Sainte-H ne, Coleridge, Browning, and Bridges engaged with the legend, while composers such as Beethoven, Reichardt, Schubert, Wolf, Liszt, Hal Saint-Sa Holm Faur Parry, Goldmark, and Bargiel based works of diverse genres on the fable. Romantic authors and composers developed a unique perspective on the myth, emphasizing its themes of rebellion, punishment for transgression and creative autonomy, in great contrast to artists of the preceding era, who more characteristically ignored the tribulations of Prometheus and depicted him as the animator of a na Arcadian mankind who, when awakened from their spiritual dormancy, expressed astonishment at the wonders of nature and paid homage to the Titan as a new god. Paul Bertagnolli charts the progress of the myth during the nineteenth century, as it articulates an extraordinary variety of issues pertaining to culture, society, aesthetics, and philosophy. Drawing on archival research, dance history, sketch studies, literary theory, linear analysis, topos theory, and reception history, individual chapters demonstrate that the legend served as a vehicle to express opinions on subjects as diverse as aristocratic patronage, movements of the body on the public stage, rebellion against political and religious authority, outright atheism, humanitarianism of the German Enlightenment, interest in the music of Greek antiquity, industrialization, nationalism inflamed by war, populism, and the aesthetics of musical form. Composers often resorted to varied and unorthodox musical techniques in order to reflect such remarkable subjects: Beethoven outraged critics by implying a key other than the tonic at the outset of the overture to