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Where do science fiction writers get their inspiration from? Some of the leading authors in the field tackle this fascinating subject in a series of essays reprinted from one of the genre's most respected critical journals, Foundation Whether veterans like octogenarian Jack Williamson, acclaimed literary personalities like Ursula K. Le Guin or younger, upcoming authors like Gwyneth Jones, a wide variety of SF craftsmen reveal their secrets, both personal and analytical. This is a collection of essays of great attraction to anyone interested in SF or, for that matter, creative writing.
The author of Empire of the Sun and other acclaimed novels and stories, British science fiction writer J. G. Ballard is here given a penetrating analysis, his work being explored in terms of its internal coherence, its continuity and development, and its mythic and metaphysical aspects. Ballard's fiction is widely considered to be a critique of our secular, rational, technological culture, but this study departs from earlier ones that label him a fatalistic or nihilistic writer obsessed with entropy, devolution, and dissolution in showing him, instead, to be most deeply concerned with the redemption and regeneration of the human psyche. With Ballard's focus so much on visionary perception and mystical transcendence, Gregory Stephenson argues for his placement in the Romantic visionary tradition. A comprehensive examination of Ballard's work, this study traces his output and accomplishments over four decades, exploring their thematic development. Ballard is considered in relation to a number of British and American writers of the post-World War II era--within and beyond the often too-rigidly applied categorization of science fiction, as well as to poets and novelists of the past.
An explosive and perceptive biography of the British novelist J.G. Ballard To many people, J.G. Ballard will always be the schoolboy in Steven Spielberg's movie Empire of the Sun, struggling to survive as an internee of the Japanese during World War II. Others remember him as the author of CRASH, a meditation on the eroticism of the automobile and the car crash, which also became a film and a cause celebre for its frank depiction of a fetish which, as this book reveals, was no literary conceit but a lifelong preoccupation. In this first biography, John Baxter draws on an admiration of and acquaintance with Ballard that began when they were writers for the same 1960s science fiction magazines. With the help of the few people whom he admitted to his often hermit-like existence, it illuminates the troubled reality behind the urbane and amiable facade of a man who was proud to describe himself as 'psychopathic'.
Peter Brigg examines the life and work of British author J.G. Ballard, from his science fiction to his mainstream fiction. Starmont Reader's Guide 26.