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Gerald Eades Bentley assembles and analyzes the extant theatrical materials of the sixteenth and seventeenth centuries. His discussion of the working conditions of professional dramatists like Thomas Heywood, John Fletcher, and Philip Massinger as well as William Shakespeare rounds out the fascinating picture of the professionalism that developed in the great days of Elizabethan and Jacobean theatre. Originally published in 1972. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
The Description for this book, The Professions of Dramatist and Player in Shakespeare's Time, 1590-1642, will be forthcoming.
This book is a comprehensive study of the customary practices of English players of the period--how they lived and worked and were paid, organized, and cast for parts in the phenomenally popular theaters of England. Gerald Bentley discusses sharers, hired men, boy apprentices, musicians, touring groups, and managers, showing that players in general led difficult but seriously professional lives. Originally published in 1984. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
The only authoritative, one-volume book to describe all the main features of the original staging of Shakespearean drama.
Playing Companies and Commerce in Shakespeare's Time, first published in 2011, examines the nature of commercial relations among the theatre companies in London during the time of Shakespeare. Roslyn Knutson argues that the playing companies cooperated in the adoption of business practices that would enable the theatrical enterprise to flourish. Suggesting the guild as a model of economic cooperation, Knutson considers the networks of fellowship among players, the marketing strategies of the repertory, and company relationships with playwrights and members of the book trade. The book challenges two entrenched views about theatrical commerce: that companies engaged in cut-throat rivalry to drive one another out of business and that companies based business decisions on the personal and professional quarrels of the players and dramatists with whom they worked. This important contribution to theatre history will be of interest to scholars as well as historians.
The Signet Classics edition of William Shakespeare's comedic play about two enduring human illusions—the dream of a simple life and the ideal of romantic love. Banished from her uncle's court, young princess Rosalind disguises herself as a farmer and encounters a memorable cast of characters—including her love Orlando—in the Forest of Arden in this witty, subversive comedy. This revised Signet Classics edition includes unique features such as: • An overview of Shakespeare's life, world, and theater • A special introduction to the play by the editor, Albert Gilman • Selections from Thomas Lodge's Rosalynd, the source from which Shakespeare derived As You Like It • Dramatic criticism from Arthur Colby Sprague, Helen Gardener, and others • A comprehensive stage and screen history of notable actors, directors, and productions • Text, notes, and commentaries printed in the clearest, most readable text • And more...