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Death and tennis meet in one of impossible crime master John Dickson Carr's most memorable cases.
Death and tennis meet in one of impossible crime master John Dickson Carr’s most memorable cases. John Dickson Carr is famous for his puzzling “impossible crime” plots in which corpses are discovered in scenarios that seem to lack any logical explanation. Among all of Carr’s ingenious crime scenes, the present case is one of the best known: a dead man is found strangled in the middle of a clay tennis court just after a storm. In the damp dirt, there is one set of footsteps—his own—leading back to the grass; the court is otherwise untouched. It seems like a case of sudden death but, in order to find who’s at fault, the authorities must first solve the mystery of the body’s puzzling position. The bafflement has reached a harried volley by the time ace amateur sleuth Dr. Gideon Fell gets involved, bringing to the case a wit capable of cutting through the racket and discovering the truth. With brilliant deductive reasoning and plenty of humor, Fell untethers a confounding set of clues in search of a diabolical killer and a bizarre murder method, serving up a dazzling stroke of genius to expose whodunit. Reissued for the first time this century, The Problem of the Wire Cage is an atmospheric and amusing Golden Age mystery with a memorable puzzle at its center, perfect for both long-time fans and first-time readers of John Dickson Carr.
An inheritance hangs in the balance in a case of stolen identities, imposters, and murder Banished from the idyllic English countryside he once called home and en route to live with his cousin in America, Sir John Farnleigh, black sheep of the wealthy Farnleigh clan, nearly perished in the sinking of the Titanic. Though he survived the catastrophe, his ties with his family did not, and he never returned to England—not even for the funerals of his mother, his father, or, most recently, his older brother Dudley. Now, nearly 25 years since he was first sent away, Sir John has finally returned home to claim his inheritance. But another “Sir John” soon follows, an unexpected man who insists he has absolute proof of his identity and of his claim to the estate. Before the case can be settled, however, one of the two men is murdered, and Dr. Gideon Fell, who happens to be passing through the village, finds himself facing one of the most challenging cases of his career. To solve it, he’ll have to confront a series of bizarre and chilling phenomena, diving deep into the realm of the occult and brushing up against witchcraft, magic, and a sinister automaton to explain a seemingly impossible crime. Selected by a panel of twelve mystery luminaries as one of the ten best locked-room mysteries of all time, The Crooked Hinge is a creepy and atmospheric puzzle inspired by a real life case. It is the ninth installment in the Dr. Gideon Fell series, which may be read in any order.
Everything you could ever want in a Golden Age of Detective Fiction novel. — Booklist Also known by its US title The Problem of the Green Capsule, this classic novel is widely regarded as one of John Dickson Carr's masterpieces and remains among the greatest impossible crime mysteries of all time. A sinister case of deadly poisoned chocolates from Sodbury Cross's high street shop haunts the group of friends and relatives assembled at Bellegarde, among the orchards of 'peach-fancier' Marcus Chesney. To prove a point about how the sweets could have been poisoned under the nose of the shopkeeper, Chesney stages an elaborate memory game to test whether any of his guests can see beyond their 'black spectacles'; that is, to see the truth without assumptions as witnesses. During the test – which is also being filmed – Chesney is murdered by his accomplice, dressed head to toe in an 'invisible man' disguise. The keen wits of Dr, Gideon Fell are called for to crack this brazen and bizarre murder committed in full view of an audience.
"CAGES is a haunting and revealing novel that concerns the ethics and motives of scientific inquiry in which two neurologists are engaged in divergent quests: one to locate the source of memory and the other to study speech patterns in humans by analyzing and manipulating bird vocalization. Both men use experiments on live songbirds in a laboratory on a university campus, and both become romantically intertwined with a woman lab assistant who takes issue with their methods, and argues for the "agency" of all living things. Overshadowing this trio are significant figures from their individual pasts--a distant mother, a former girlfriend, a best friend and ornithological expert who dies tragically while conducting field research in the Amazon, and a mentor turned lover and nemesis. This is a subtly layered novel rich in natural description and sense of place that grapples with serious philosophical and moral themes, peopled by characters who must confront the emotional truths in their lives in order to be released from their own, individual cages"--
Jimmy Answell is summoned for an audience with Avory Hume. The two men are later discovered after witnesses break into Hume's study - a room with bolted steel shutters and a heavy door locked on the inside. Answell is found lying unconscious and Hume stabbed to death with an arrow. How can young Answell not be guilty? Sir Henry Merrivale investigates and reconstructs the crime in the courtroom.
John Cage's disdain for records was legendary. He repeatedly spoke of the ways in which recorded music was antithetical to his work. In Records Ruin the Landscape, David Grubbs argues that, following Cage, new genres in experimental and avant-garde music in the 1960s were particularly ill suited to be represented in the form of a recording. These activities include indeterminate music, long-duration minimalism, text scores, happenings, live electronic music, free jazz, and free improvisation. How could these proudly evanescent performance practices have been adequately represented on an LP? In their day, few of these works circulated in recorded form. By contrast, contemporary listeners can encounter this music not only through a flood of LP and CD releases of archival recordings but also in even greater volume through Internet file sharing and online resources. Present-day listeners are coming to know that era's experimental music through the recorded artifacts of composers and musicians who largely disavowed recordings. In Records Ruin the Landscape, Grubbs surveys a musical landscape marked by altered listening practices.
The most famous of all locked-room mysteries - a classic in the crime genre. 'The first deadly walking of the hollow man took place when the side streets of London were quiet with snow and the three coffins of the prophecy were filled at last...' The murderer of Dr Grimauld walked through a locked door, shot his victim and vanished. He killed his second victim in the middle of an empty street, with watchers at each end, yet nobody saw him, and he left no footprints in the snow. And so it is up to the irrepressible, larger-than-life Dr Gideon Fell to solve this most famous and taxing of locked-room mysteries.