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The great Romantic poet Lord Byron starved himself compulsively for most of his life. His behaviour mystified his friends and other witnesses, yet he never imagined he was ill. Instead, he rationalised his behaviour as a fight for spiritual freedom and made it the cornerstone of his heroic ideal, which was central to his work and to his life and his death. This fresh biographical study aims to explore neglected or misunderstood aspects of his private life to illuminate his writing, his affairs with women, his passion for Napoleon and his conflicted friendships with Coleridge and Shelley. This in turn leads to a new understanding of his masterpiece, Don Juan. 15 July 2019 marks the 200th anniversary of its first publication. Antony Peattie situates these patterns of behaviour in a vividly rendered contemporary world, culminating in Byron’s last days in Greece, where he tried to starve himself into heroic leadership but damaged his constitution, resulting in his death at the age of thirty-six.
Fiona MacCarthy makes a breakthrough in interpreting Byron's life and poetry drawing on John Murray's world-famous archive. She brings a fresh eye to his early years: his childhood in Scotland, embattled relations with his mother, the effect of his deformed foot on his development. She traces his early travels in the Mediterranean and the East, throwing light on his relationships with adolescent boys - a hidden subject in earlier biographies. While paying due attention to the compelling tragicomedy of Byron's marriage, his incestuous love for his half-sister Augusta and the clamorous attention of his female fans, she gives a new importance to his close male friendships, in particular that with his publisher John Murray. She tells the full story of their famous disagreement, ending as a rift between them as Byron's poetry became more recklessly controversial. Byron was a celebrity in his own lifetime, becoming a 'superstar' in 1812, after the publication of Childe Harold. The Byron legend grew to unprecedented proportions after his death in the Greek War of Independence at the age of thirty-six. The problem for a biographer is sifting the truth from the sentimental, the self-serving and the spurious. Fiona MacCarthy has overcome this to produce an immaculately researched biography, which is also her refreshing personal view.
Diaries keep secrets, harbouring our fantasies and fictional histories. They are substitute boyfriends, girlfriends, spouses and friends. But in this age of social media, the role of the diary as a private confidante has been replaced by a culture of public self-disclosure. The Private Life of the Diary: from Pepys to Tweets is an elegantly-told story of the evolution – and perhaps death – of the diary. It traces its origins to seventeenth-century naval administrator, Samuel Pepys, and continues to twentieth-century diarist Virginia Woolf, who recorded everything from her personal confessions about her irritation with her servants to her memories of Armistice Day and the solar eclipse of 1927. Sally Bayley explores how diaries can sometimes record our lives as we live them, but that we often indulge our fondness for self-dramatization, like the teenaged Sylvia Plath who proclaimed herself 'The Girl Who Would be God'. This book is an examination of the importance of writing and self-reflection as a means of forging identity. It mourns the loss of the diary as an acutely private form of writing. And it champions it as a conduit to self-discovery, allowing us to ask ourselves the question: Who or What am I in relation to the world?
Benita Eisler's Byron is a masterful portrait of the poet who dazzled an era and pre-figured the modern age of celebrity--an absorbing, illuminating, and wonderfully entertaining account of Lord Byron's spectacular life, monumental work, and lasting heroic legacy. Drawing on previously unavailable material--including family papers only recently brought to light--Eisler offers us a more complex vision of Byron than any we've had before: a man who rose from the depths of poverty and the humiliation of childhood lameness to a pinnacle of success and fame unlike anything the world had ever seen, and whose bravura identity as renegade aristocrat, political revolutionary, mythic lover, and Romanticism's galvanizing hero and antihero was surpassed in brilliance only by his poetic genius. With grace, erudition, and insight, Eisler captures the passions and obsessions that consumed Byron, the fierce devotions and the outsized ego that fired his work, and the despair and self-loathing that plagued his short life. Eisler gives us a richly detailed drama of a childhood of abandonment and shame; of Byron's early days at Harrow and Cambridge; of his humiliating entry into the House of Lords at eighteen; of his adventures in the East, where he consorted with pashas and prostitutes; of his relationships with his contemporaries, among them the twenty-four-year-old Shelley and his wife, Mary; of the instant celebrity that attended the publication of the first cantos of Childe Harold's Pilgrimage; and of the almost vengeful determination with which Byron recast himself as the elegant figure that glided through Regency drawing rooms, plotted with Italian Carbonari, loved men and women, and drewsensation to him like a cloak until his death, alone and in exile, at the age of thirty-six. Here also are the first in-depth portraits of the women--and men--Byron loved: his guilty relations with John Edleston, a young Cambridge chorister; his tempestuous affair with Lady Caroline Lamb, who was driven to madness by her love for him; his catastrophic marriage to the lovely Annabella Milbanke; his passionate incestuous relationship with his half sister, Augusta, and the tormented menage a trois they shared with his young wife; and the gentler love of his later life, Teresa Guiccioli, whom he abandoned for his life's last adventure in Missolonghi. Throughout, Eisler offers incisive analysis of Byron's poetry in the context of his extraordinary life--as hero and martyr, aristocratic aesthete and dandy, transgressive rebel fueled by forbidden substances and exiled for forbidden passions--examining in detail the stanzas that inspired his own and succeeding generations as no other writer has since Shakespeare. A magnificent record of a towering figure, sure to stand as the definitive biography for years to come.
"How long it’s taken for these two mad, bad and dangerous writers to get together!" —Alan Cheuse, San Francisco Chronicle Acclaimed biographer of James Joyce, Edna O’Brien has written a "jaunty" (The New Yorker) biography that suits her fiery and charismatic subject. She follows Byron from the dissipations of Regency London to the wilds of Albania and the Socratic pleasures of Greece and Turkey, culminating in his meteoric rise to fame at the age of twenty-four. With "a novelist’s understanding of tempo and characterization" (Miami Herald), O’Brien captures the spirit of the man and creates an indelible portrait that explodes the Romantic myth. Byron, as brilliantly rendered by O’Brien, is the poet as rebel, imaginative and lawless, and defiantly immortal.
In this masterful portrait of the poet who dazzled an era and prefigured the modern age of celebrity, noted biographer Benita Eisler offers a fuller and more complex vision than we have yet been afforded of George Gordon, Lord Byron. Eisler reexamines his poetic achievement in the context of his extraordinary life: the shameful and traumatic childhood; the swashbuckling adventures in the East; the instant stardom achieved with the publication ofChilde Harold's Pilgrimage; his passionate and destructive love affairs, including an incestuous liaison with his half-sister; and finally his tragic death in the cause of Greek independence. This magnificent record of a towering figure is sure to become the new standard biography of Byron.
In 1815, the clever and courted Annabella Milbanke married the notorious and brilliant Lord Byron. Just one year later, she fled, taking with her their baby daughter, Ada Lovelace. Byron himself escaped into exile and died as a revolutionary hero in 1824. Brought up by a mother who became one of the most progressive reformers of Victorian England, Byron’s little girl was introduced to mathematics as a means of calming her wild spirits. As a child invalid, Ada dreamed of building a steam-driven flying horse. As an exuberant and boldly unconventional young woman, she amplified her explanations of Charles Babbage’s unbuilt calculating engine to predict the dawn of the modern computer age.During her life, Lady Byron was praised as a paragon of virtue; within ten years of her death, she was vilified as a disgrace to her sex. Well over a hundred years later, Annabella Milbanke is still perceived as a prudish wife and cruelly controlling mother. But her hidden devotion to Byron and her tender ambitions for his mercurial, brilliant daughter reveal a deeply complex but unexpectedly sympathetic personality.Drawing on fascinating new material, Seymour reveals the ways in which Byron, long after his death, continued to shape the lives and reputations both of his wife and his daughter.
A startling reevaluation of Lady Byron’s marriage and the untold story of her complex life as single mother and progressive force. The center of public attention after her tumultuous marriage to Lord Byron, Annabella Milbanke transformed herself from a neglected wife into a figure of incredible resilience and social vision. After she and her infant child were cast out of their home, she was left to navigate the stifling and unsupportive social environment of Regency England. Far from a victim or an obstacle to Byron’s work, however, Lady Byron was a rebel against the fashionable snobbery of her class, founding the first Infants School and Co-Operative School in England. A poet and talented mathematician, Lady Byron supported the education of her precocious daughter, Ada Lovelace, now recognized and lauded as a pioneer of computer science, and saved from death her “adoptive daughter” Medora Leigh, the child of Lord Byron’s incest with his sister. Lady Byron was adored by the younger abolitionist Harriet Beecher Stowe and by many notable friends. Yet her complex relationships with her family, including the sister Byron loved, runs like a live wire through this skillfully told and groundbreaking biography of a remarkable woman who made a life for herself and became a leading light in her century.
One was the mother who bore him; three were women who adored him; one was the sister he slept with; one was his abused and sodomized wife; one was his legitimate daughter; one was the fruit of his incest; another was his friend Shelley's wife, who avoided his bed and invented science fiction instead. Nine women; one poet named George Gordon, Lord Byron – mad, bad and very very dangerous to know. The most flamboyant of the Romantics, he wrote literary bestsellers, he was a satirist of genius, he embodied the Romantic love of liberty (the Greeks revere him as a national hero), he was the prototype of the modern celebrity – and he treated women (and these women in particular) abominably. In BYRON'S WOMEN, Alex Larman tells their extraordinary, moving and often shocking stories. In so doing, he creates a scurrilous 'anti-biography' of one of England's greatest poets, whose life he views – to deeply unflattering effect – through the prism of the nine damaged woman's lives.