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Collected poems from 2000 to 2013. The collection is organized in seven groups, each corresponding to one of the seven emotions, expressed by the poems in that group: hope, joy, humour, love, sadness, anger and despair. These feelings are also represented by the rainbow: from the happy warm colours to the sad cool ones. In addition, the poems also comment on the most important lessons the author learned in a long and adventurous life
In a world where magic is tightly controlled, the most powerful man in history must choose between his kingdom and his son in the first book in the epic NYT bestselling Lightbringer series. Guile is the Prism. He is high priest and emperor, a man whose power, wit, and charm are all that preserves a tenuous peace. Yet Prisms never last, and Guile knows exactly how long he has left to live. When Guile discovers he has a son, born in a far kingdom after the war that put him in power, he must decide how much he's willing to pay to protect a secret that could tear his world apart. If you loved the action and adventure of the Night Angel trilogy, you will devour this incredible epic fantasy series by Brent Weeks.
Exploring the creativity of mind through children's language: how the tiniest utterances can illustrate the simple but abstract principles behind modern grammar—and reveal the innate structures of the mind. Every sentence we hear is instantly analyzed by an inner grammar; just as a prism refracts a beam of light, grammar divides a stream of sound, linking diverse strings of information to different domains of mind—memory, vision, emotions, intentions. In The Prism of Grammar, Tom Roeper brings the abstract principles behind modern grammar to life by exploring the astonishing intricacies of child language. Adult expressions provide endless puzzles for the child to solve. The individual child's solutions ("Don't uncomfortable the cat" is one example) may amuse adults but they also reveal the complexity of language and the challenges of mastering it. The tiniest utterances, says Roeper, reflect the whole mind and engage the child's free will and sense of dignity. He offers numerous and novel "explorations"—many at the cutting edge of current work—that anyone can try, even in conversation around the dinner table. They elicit how the child confronts "recursion"—the heartbeat of grammar—through endless possessives ("John's mother's friend's car"), mysterious plurals, contradictory adjectives, the marvels of ellipsis, and the deep obscurity of reference ("there it is, right here"). They are not tests of skill; they are tools for discovery and delight, not diagnosis. Each chapter on acquisition begins with a commonsense look at how structures work—moving from the simple to the complex—and then turns to the literary and human dimensions of grammar. One important human dimension is the role of dialect in society and in the lives of children. Roeper devotes three chapters to the structure of African-American English and the challenge of responding to linguistic prejudice. Written in a lively style, accessible and gently provocative, The Prism of Grammar is for parents and teachers as well as students—for everyone who wants to understand how children gain and use language—and anyone interested in the social, philosophical, and ethical implications of how we see the growing mind emerge.
Infinite Starts and Ends Up with Me The Infinite, Omnipresent, Omnipotent, And Omniscient, we all know, Is beyond all calculations And measurements. It cannot be seen, measured, Or weighed with limited capacity And tools of finite senses of body. But after proper alignment And complete merger of The self into super, I came to realize That the One Whom we all seek And pray in fact Starts from me And ends up with me. The day I recognized my real self And my real worth I would have seen Him And known Him. I Sometime Ask Him to Wait When sometimes I feel sad and lonely, Tired or exhausted, Because of any reason Whatsoever, I take a little cup of wine. After the very first sip I see Him opening the doors Of His kingdom for me And asking me With folded hands To please get in. I sometimes ask Him to wait, Not disturb, And let me first finish the drink!
A revealing look at how user behavior is powering deep social divisions online—and how we might yet defeat political tribalism on social media In an era of increasing social isolation, platforms like Facebook and Twitter are among the most important tools we have to understand each other. We use social media as a mirror to decipher our place in society but, as Chris Bail explains, it functions more like a prism that distorts our identities, empowers status-seeking extremists, and renders moderates all but invisible. Breaking the Social Media Prism challenges common myths about echo chambers, foreign misinformation campaigns, and radicalizing algorithms, revealing that the solution to political tribalism lies deep inside ourselves. Drawing on innovative online experiments and in-depth interviews with social media users from across the political spectrum, this book explains why stepping outside of our echo chambers can make us more polarized, not less. Bail takes you inside the minds of online extremists through vivid narratives that trace their lives on the platforms and off—detailing how they dominate public discourse at the expense of the moderate majority. Wherever you stand on the spectrum of user behavior and political opinion, he offers fresh solutions to counter political tribalism from the bottom up and the top down. He introduces new apps and bots to help readers avoid misperceptions and engage in better conversations with the other side. Finally, he explores what the virtual public square might look like if we could hit "reset" and redesign social media from scratch through a first-of-its-kind experiment on a new social media platform built for scientific research. Providing data-driven recommendations for strengthening our social media connections, Breaking the Social Media Prism shows how to combat online polarization without deleting our accounts.
Whether the relationship is business, personal, social, organizational, or political, man's history has given ample evidence getting along is a challenge of enormous difficulty. Cain killed Abel and smugly asked if he was his brother's keeper. In 2020 President Donald Trump was in an ongoing battle with the news media. Clergy have come under fire for abuse of power and malfeasance from the pulpit in religious circles. Men and women appear to be involved in a gender war, as roles once considered traditional and normal are being challenged, flipped, and redefined. Rodney King once sheepishly asked, "Can we all just get along?" The profundity of his lament resonates today more than ever. People are not getting along, and no greater example exists than romantic relationships. This book will explore relationships with a slightly different twist to the commentary. As you read this book, consider three dimensions: my voice, society's voice, and your voice or the voice inside your head, as we explore my poetic response to the questions "Why This Book?" and "Can we all just get along?""Boy meets girl" is not so simple in the twenty-first century. Many factors contribute to the complexity of relationships, including the advancement of technology, the fluidity and transformation of values in America as Eastern and Western values blend, and the evolution of gender identities and roles in modern society. This book does not delve into the complexities of the micro issues, but rather, it attempts to use the "boy meets girl" dynamic to explain relationships of any kind that must address the same core concerns: how to meet, what's done when you meet, how to progress to the next level, commit, and make the relationship everlasting. Love is part of the equation, but this is not exclusively a book about love. It may take you there, but you may not stay. This book is as much about your journey as it is mine.Many years ago, I thought I would be the boy who'd meet the girl, court the girl, marry the girl, and live happily ever after. Happily ever after didn't happen, but this book did.I hope you find perspective in this book as I have found wisdom through the experiences. Most of all, I hope you find and listen to the voice inside your head as I have discovered the voice inside mine.
The most intriguing stories of creative endeavor, volatile relationships, excessive lifestyles, and bizarre events from the world of rock, as told by Hipgnosis cofounder, creative designer, photographer, and filmmaker Aubrey Powell. Founded in 1967 by Aubrey “Po” Powell, Storm Thorgerson, and Peter Christopherson, graphic design firm Hipgnosis gained legendary status by transforming the look of album art through their designs for AC/DC, Black Sabbath, the Police, Genesis, Led Zeppelin, Pink Floyd, Paul McCartney, Syd Barrett, and the Who. In this lively volume, Powell presents brutally honest, entertaining, and revealing insider stories from the world of rock, featuring an eclectic cast of pop stars, comedians, actors, managers, gangsters, and inspirational world gures from 1966 on. His thrilling narrative is packed with anecdotes—from the founding of Hipgnosis to surviving drugs busts—and is richly illustrated with Hipgnosis artwork and Powell’s own photographs. Drama and creativity are the common threads throughout this unique account. With candor and insightful reflection, Powell reveals how the final color artwork for Led Zeppelin’s Houses of the Holy was created; how the most iconic album cover of all time—Dark Side of the Moon—came about; and how the 2017 Pink Floyd retrospective became the most successful music exhibition ever mounted by the Victoria and Albert Museum, despite the deeply antagonistic and dysfunctional relationship between Roger Waters and David Gilmour. Throughout, Powell exposes how the trappings of fame and glory upset the balance of everyday life, bringing creativity and destruction in equal measure. Packed with exciting insider stories and anecdotes featuring famous musicians, managers, and actors, Through the Prism is a must-have for music and pop-culture fans.
Art Marsicano shares the inspiring story of his wifes five-year battle with ovarian cancer in this tribute to God, marriage, and the power of love. In Jeans final years, she smiled more than she cried and reached out to help others when she was the one in trouble. While cancer may have destroyed her body, it did not destroy her mind, soul or her essence. But as cancer took its toll, Art was forced to think about a life of living alone. One day, a verse of poetry fixed itself into his mind: theres a place in my mind that so clearly I see and when I go there I think of thee there are mountains and rivers and the wind blows free yet I feel great sorrow, for there is only me When Jean died, Art found comfort by relying on Gods strength and thinking about the sunny days of the past, including four women that he wanted to reconnect withdiscovering that two of them had died. But one of the women, Mary, would find him by sending a condolence card in the mail. Soon, Art would discover that his life could still have magic and love.