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An intriguing and vibrant study of an innovative and lesser-known facet of contemporart art. Identifies significant strategies exploited by European artists to extend their aesthetic vision within the mediums of prints, books and multiples. Exploring commercial techniques, confrontational approaches and language and the expressionist impulse. Showcases the creativity being channelled into printed art by todays generation.
This book was put together to show how artist printmakers from all over the world might interpret the September 11, 2001 terror attacks and translate those impressions and feelings to paper. The world will never forget that tragic day and the horrific events that unfolded right before our eyes. This book is in memory of all those fallen friends and family.
When a reclusive printmaker dies, his friend inherits the thousands of etchings and drawings he has stored in his house over the years. Overwhelmed by the task of sorting and exhibiting this work, she seeks the advice of a curator. What compulsion drove the printmaker to make art for four decades, and why did he so seldom show his prints? When the curator discovers a single, sealed box addressed to a man in Zimbabwe, she feels compelled to go in search of him to present him with the package, hoping to find an answer to the enigma of the printmaker's solitary life. Bronwyn Law-Viljoen’s subtle and sophisticated novel reflects on one man’s obsessive need to make meaning through images and to find, in art, the traces of love and friendship.
William Seltzer Rice (American, 1873-1963) was a young artist of twenty-seven when he stepped off a train in Stockton, California, in 1900; he had left his home in Pennsylvania to take the job of assistant art supervisor for the Stockton public schools. California became not only his lifelong home but also his muse, inspiring a prolific career in art. Rice soon moved to the San Francisco Bay Area, where the region's Arts and Crafts movement was flowering. He was talented in several mediums, but block printing ultimately became his favorite, for it gave him the opportunity to combine draftsmanship, carving, and printing. California's flora, fauna, and landscapes-from the Sierra Nevada to the Pacific-were the subjects that fed his creativity. William S. Rice: California Block Prints is the first book published on the artist's work and presents more than sixty of his color block prints dating from 1910 to 1935. Among the prints featured are scenes from Yosemite, Mt. Shasta, Monterey, Carmel, the San Francisco Bay Area, Lake Tahoe, and other California landmarks. An essay by Roberta Rice Treseder, Rice's daughter, recounts his life and achievements, with special emphasis on his block printing methods and materials. William S. Rice's works are in many private and public collections, including the Smithsonian American Art Museum, the Oakland Museum of California, the Achenbach Foundation for Graphic Arts, the New York Public Library, and the Worcester Art Museum.
This beautifully illustrated book looks at printmaking from 1550 to the last days before mechanization in the 1860s, explaining the process and technique involved and the fantastic results achieved by early printers.
"An exploration of historical and contemporary fine art printmaking, with an emphasis on the roles and processes of the artist, master printer, and publisher"--
The essays in this volume complement the recent exhibition of Printmakers of the Baroque: 17th-Century Explorations of Space and Light at La Salle University Art Museum during winter 2013-2014. Co-curated by La Salle Associate Professor of Art History Dr. Susan Dixon, the exhibition also provided a foundation for a Baroque art history course taught in spring 2014. This catalogue includes essays and labels written by undergraduate students enrolled in the course, along with reproductions of all 40 artworks included in the exhibition.
At over 400 pages and packed with 1000 full-color photos and illustrations, this is truly the category-defining book on the subject of printmaking. Perfect for students and casual and professional artists, with lots of great reference information for print collectors as well, this is the ultimate guide to the ins and outs of every variety of printmaking practiced today. In addition to in-depth step-by-step instructions, The Printmaking Bible features artist profiles that take you behind the scenes to show how professionals in the field create their work. You'll also find historical information on printmaking techniques, troubleshooting tips, and an extensive resource section. The revised edition includes new and original material, bringing it up to date with the latest methods and technologies utilized all over the world. Far outpacing other printmaking books on the market, The Printmaking Bible is the ultimate volume for anyone interested or involved in this evergreen creative field. BACK AND BETTER THAN EVER!: With 25% new and updated content, the revised edition of The Printmaking Bible more than delivers on the promise of the original—it exceeds it. THE DEFINITIVE GUIDE: Featuring step-by-step instructions for a myriad of techniques, more than 1000 full-color images, and profiles and interviews with prominent printmakers, this volume is more comprehensive than any other on the subject. And the deluxe package and elevated design make it a gorgeous addition to your coffee table book collection, too! AN ART BOOK FOR MODERN PRINTMAKERS: The arts and crafts renaissance is alive and well! Whether you're a regular at a printmaking studio, an avid collector of limited-edition prints, or considering enrolling in a class or a workshop, the new and improved edition of this uniquely comprehensive compendium will soon become your new best friend. Make room on your shelf because The Printmaking Bible is not to be missed. Perfect for: Art students interested in screen printing, letterpress, typography, graphic design, and more Art Instructors and teachers Printmakers Print collectors Birthday, holiday, or graduation gift for anyone interested in the art of printing and printmaking
A leading art historian presents a new grammar for understanding the meaning and significance of print In process and technique, printmaking is an art of physical contact. From woodcut and engraving to lithography and screenprinting, every print is the record of a contact event: the transfer of an image between surfaces, under pressure, followed by release. Contact reveals how the physical properties of print have their own poetics and politics and provides a new framework for understanding the intelligence and continuing relevance of printmaking today. The seemingly simple physics of printmaking brings with it an array of metamorphoses that give expression to many of the social and conceptual concerns at the heart of modern and contemporary art. Exploring transformations such as reversal, separation, and interference, Jennifer Roberts explores these dynamics in the work of Christiane Baumgartner, David Hammons, Edgar Heap of Birds, Jasper Johns, Corita Kent, Glenn Ligon, Julie Mehretu, Robert Rauschenberg, and many other leading artists who work at the edge of the medium and beyond. Focusing on the material and spatial transformations of the printmaking process rather than its reproducibility, this beautifully illustrated book explores the connections between print, painting, and sculpture, but also between the fine arts, industrial arts, decorative arts, and domestic arts. Throughout, Roberts asks what artists are learning from print, and what we, in turn, can learn from them. Published in association with the Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington