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Catalogue of an exhibition held at the Kitchener-Waterloo Art Gallery, June 9-July 17; Macdonald Stewart Art Centre, Guelph, Ont., July 30-Aug. 28; and The Art Gallery of Brant, Brantford, Ont., Nov. 3-26, 1983.
An entertaining coming-of-age memoir from Steven Heller, award-winning designer, writer, and former senior art director at the New York Times. Featuring 100 color photographs, Growing Up Underground takes readers on a visually inspired look back on being at the center of New York's youth culture in the 1960s and 1970s. Steven Heller's memoir is no chronological trek through the hills and valleys of his comparatively "normal" life, but instead, a coming-of-age tale whereby, with luck and circumstance, he found himself in curious and remarkable places at critical times during the 1960s and ‘70s in New York City. Heller's delightful account of his life between the ages of 16 and 26 shows his ambitious journey from the start of his illustrious career as a graphic designer, cartoonist, and writer. Follow his journey through stints at the New York Review of Sex, Screw, and the New York Free Press, until he became the youngest art director (and occasional illustrator) for the New York Times Op-Ed page at age twenty-three.
This book was put together to show how artist printmakers from all over the world might interpret the September 11, 2001 terror attacks and translate those impressions and feelings to paper. The world will never forget that tragic day and the horrific events that unfolded right before our eyes. This book is in memory of all those fallen friends and family.
When a reclusive printmaker dies, his friend inherits the thousands of etchings and drawings he has stored in his house over the years. Overwhelmed by the task of sorting and exhibiting this work, she seeks the advice of a curator. What compulsion drove the printmaker to make art for four decades, and why did he so seldom show his prints? When the curator discovers a single, sealed box addressed to a man in Zimbabwe, she feels compelled to go in search of him to present him with the package, hoping to find an answer to the enigma of the printmaker's solitary life. Bronwyn Law-Viljoen’s subtle and sophisticated novel reflects on one man’s obsessive need to make meaning through images and to find, in art, the traces of love and friendship.
This beautifully illustrated book looks at printmaking from 1550 to the last days before mechanization in the 1860s, explaining the process and technique involved and the fantastic results achieved by early printers.
A definitive survey of Minnesota's vibrant printmaking scene in the first half of the twentieth century that features almost two hundred artists.