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//The text is arranged in order for the Japanese original to come first and the English translation to follow page by page. It contains the complete Japanese original. The readers can see the linearity of the Japanese script.//Motoki Tokieda had a sense that the traditional view of language estranged itself either from the essential theory of language or the methodology for systematic organization of the national language. He found Akira Suzuki's theory on SHI and JI in a historical study of the national language which had been sunk in waves of modernization on and after the Meiji era, and tried to theoretically re-construct it, which is the origin of this book. //The expressive process theory of language regards a subject's process of expression up to sounds or characters itself as language. The theory on sounds, SHI and JI, and the nest form structure are assumed to be an index to the systematic organization of the national language, though they are developed along a traditional paradigm like phonetics, morphology, and syntax.
This book is a cross-linguistic and interdisciplinary exploration of modality within systemic functional linguistics (SFL). Drawing upon the broad SFL notion of modality that refers to the intermediate degrees between the positive and negative poles, the individual papers probe into the modality systems in English and Japanese. The papers cover issues such as the conceptual nature of modality in both languages, the characterization of modulation in Japanese, the trans-grammatical aspects of modality in relation to mood and grammatical metaphor in both languages, and the modality uses and pragmatic impairment by individuals with a developmental disorder from a neurocognitive perspective. The book demonstrates a functional account of Japanese within an SFL model of language with a fresh perspective to Japanese linguistics. It also refers to cross-linguistic issues concerning how the principles and theories of SFL serve to empirically elaborate descriptions of individual languages, which will lead to the enrichment of the theory and practice of linguistics and beyond.
"Conventional grammars tell us when we can use given grammatical patterns. However, they almost invariably fail to tell us when we cannot use them. Many of the chapters of this book are concerned with the latter problem. They attempt to explain why some sentences that should be grammatical according to the explanations given in conventional grammars are in fact ungrammatical. In this sense, the book can be called a grammar of ungrammatical sentences.... It deals only with those problems of Japanese—and only a handful of them—that are either completely ignored or erroneously treated in conventional grammars. For these features I hope that the book will give the reader a revealing account of a kind seldom found in other Japanese grammars or in grammars of any other languages." —from the author's Preface Some features of Japanese are peculiarities of the language, while others are shared by English and various other languages of the world. At times two features, one in Japanese and one, for example, in English, that may look totally unrelated on casual inspection turn out to be a manifestation of the same principle, either syntactic or semantic, which governs the two languages. Whenever possible each feature of Japanese that the book discusses is contrasted with the features in English that are overtly or covertly related to it, and the similarities and differences that exist between the two languages with respect to this feature are examined. Thus the book can also be called a contrastive grammar of Japanese and English. The book reveals a wide variety of semantic and syntactic factors (some of them not very well known to linguists working on English) that control the usage of certain grammatical patterns. It also shows what kinds of sentences the linguist working on a nonnative language should check with native speakers of the language to prove or disprove his initial hypothesis. So in a third sense, Professor Kuno's study might be called a textbook of field methods in linguistic analysis. Because The Structure of the Japanese Language is both descriptive and analytical (the generalizations given in the book have been developed within the framework of the theory of transformational grammar but are presented without recourse to the complex formalisms of the theory), it will prove useful both as a basic handbook of supplementary reading for second-year or more advanced courses in Japanese and as a source of material for students and researchers doing work in Japanese or non-Indo-European linguistics. This is volume three in the series, Current Studies in Linguistics.
The core data is laid out, followed by critical discussion of the various approaches found in the literature. Each chapter ends with a section on how the study of the particular phenomenon in Japanese contributes to our knowledge of general linguistic theory.
An introduction to Japanese linguistics, which is designed to introduce students to the areas of Japanese linguistics. This book contains chapters, which contains an explanation of the key concepts of the subject, followed by activities, which are designed to promote the students' active understanding of the forms and functions of the language.
Using theoretical concepts of self, perspective, and voice as an interpretive guide, and based on the Place of Negotiation theory, this volume explores the phenomenon of linguistic creativity in Japanese discourse, i.e., the use of language in specific ways for foregrounding personalized expressive meanings. Personalized expressive meanings include psychological, emotive, interpersonal, and rhetorical aspects of communication, encompassing broad meanings such as feelings of intimacy or distance, emotion, empathy, humor, playfulness, persona, sense of self, identity, rhetorical effects, and so on. Nine analysis chapters explore the meanings, functions, and effects observable in the indices of linguistic creativity, focusing on discourse creativity (style mixture, borrowing others' styles, genre mixture), rhetorical creativity (puns, metaphors, metaphors in multimodal discourse), and grammatical creativity (negatives, demonstratives, first-person references). Based on the analysis of verbal and visual data drawn from multiple genres of contemporary cultural discourse, this work reveals that by creatively expressing in language we share our worlds from multiple perspectives, we speak in self's and others' many voices, and we endlessly create personalized expressive meanings as testimony to our own sense of being.
The third edition of this established textbook has been thoroughly updated and revised. It maintains its broad coverage of topics from phonetics to language variation, and increases its accessibility by incorporating a more descriptive, less theoretical approach. A fully updated new edition of this successful textbook introducing students to a wide range of issues, phenomena, and terminology in Japanese linguistics Includes extensive revisions to the chapters on phonetics, syntax and phonology, and incorporates a less theoretical, more descriptive approach Features the author’s own data, examples and theoretical analyses throughout Offers an original approach by discussing first and/or second language acquisition within each chapter Includes exercises exploring descriptive and theoretical issues and reading lists which introduce students to the research literature, both of which have been updated in this new edition
This book clarifies some of the central issues in Japanese syntax, pointing the wayto solving several long-standing problems. It presents an alternative to the Standard Theory, amodel which has dominated Japanese linguistics for a number of years.Following the study of thesyntactic and lexical levels of representation in Japanese, the book brings the same theoreticalperspective to bear on English. Although Japanese, a so-called nonconfigurational language, istypologically far removed from Indo-European languages, Farmer shows that Modular Grammar, which wasprimarily developed to account for an "exotic" language, yields insights into English as well, Inparticular, she examines the status of pronouns and anaphors. Aspects of Government Binding theoryare adapted for both Japanese and English, providing significant evidence that still-evolvingtheories have wide and possibly universal validity.Modularity in Syntax concludes by comparingJapanese and English, speculating on the extent to which the typological differences between themare a function of the nature of the rules and principles that mediate between the syntax and thelexical structure of the two languages.Ann Farmer is an Assistant Professor in the Department ofLinguistics, at the University of Arizona. This book is the ninth in the series, Current Studies inLinguistics, edited by Samuel Jay Keyser.
The architecture of the human language faculty has been one of the main foci of the linguistic research of the last half century. This branch of linguistics, broadly known as Generative Grammar, is concerned with the formulation of explanatory formal accounts of linguistic phenomena with the ulterior goal of gaining insight into the properties of the 'language organ'. The series comprises high quality monographs and collected volumes that address such issues. The topics in this series range from phonology to semantics, from syntax to information structure, from mathematical linguistics to studies of the lexicon. To discuss your book idea or submit a proposal, please contact Birgit Sievert
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