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Carefully edited for modern readers to allow for easier reading In this sequel to "The Princess and the Goblin," Princess Irene's great-great-grandmother sends Curdie to save the kingdom with only a hideous creature to aid him.
Have you ever wanted to read a book published in the 19th century, but found the language too outdated or difficult to read? This edition of "The Princess and the Goblin" updates the vocabulary and language style of the original 1872 book, making it easier to read for a modern audience, all while preserving the author's unique voice. Young Princess Irene lives in a castle on a wild and lonely mountainside. One day she discovers a staircase leading to a maze of unused passages with closed doors behind which lie shadowy caverns, goblins, and a world of untold mysteries. Can she save her kingdom from the plans of the menacing goblins who lurk just below the mountainside?
A little princess is protected by her friend Curdie from the goblin miners who live beneath the castle. Copyright © Libri GmbH. All rights reserved.
THE PRINCESS AND THE GOBLIN - A BOOK THAT INSPIRED TOLKIEN. With original illustrations. THE PROFESSOR'S BOOKSHELF #5: Professor J.R.R. Tolkien, author of The Lord of the Rings and The Hobbit, was a great admirer of George MacDonald's fairy-stories. When his children were young, he used to read The Princess and the Goblin to them in the evenings, before they went to bed. 'Tolkien knew well MacDonald's children's books "The Princess and the Goblin" and "The Princess and Curdie", both of which influenced Tolkien's depiction of goblins in The Hobbit, ' writes Douglas A. Anderson in 'Tales Before Tolkien: The Roots of Modern Fantasy'. Dart-Thornton's introduction notes similarities between this story and Tolkien's works, for example: 'The wise, magical, prescient grandmother of the Princess Irene, seems to be a literary ancestor of Galadriel; centuries old and yet looking young, a queen, a healer, a beautiful, golden-haired woman associated with water. 'Princess Irene has a magic ring which is associated with invisibility, being linked to a semi-visible thread. This ring aids her in an escape from the Goblin Underground, much as The One Ring aids Bilbo.' This new edition contains ten illustrations by Jessie Willcox-Smith from the 1920 edition, which was published when Tolkien was aged 28, his eldest child John was three years old and his second child Michael had just been born. The delicately beautiful drawings of Willcox-Smith have been loved by generations of children to this very day. Also included is an illustration by Arthur Hughes from the 1911 edition.
A young Jewish intellectual who hears voices and her Latino artist admirer who hallucinates conversations with the likes of Leonardo da Vinci and Picasso begin a relationship that draws both of them into the world and takes the reader on a fun ride through 1960's New York and beyond.
The Princess and the Goblin is a children's fantasy novel by George MacDonald. It was published in 1872 by Strahan & Co.Anne Thaxter Eaton writes in A CriticalHistoryof Children's Literature that The Princess and the Goblin and its sequel "quietly suggest in every incident ideas of courage and honor."[1] Jeffrey Holdaway, in the New Zealand Art Monthly, said that both books start out as "normal fairytales but slowly become stranger", and that they contain layers of symbolism similar to that of Lewis Carroll's work
In this important and timely study Murray Knowles and Kirstin Malmjkaer examine the work of some of our most popular children's writers, from this and the last century, in order to expose the persuasive power of literature.
This eBook edition of "The Complete Novels of George MacDonald (Illustrated Edition)" has been formatted to the highest digital standards and adjusted for readability on all devices. Table of Contents: Fantasy Fiction: The Princess and the Goblin The Princess and Curdie Phantastes At the Back of the North Wind The Lost Princess: A Double Story The Day Boy and the Night Girl The Flight of the Shadow Lilith: A Romance Realistic Fiction: David Elginbrod (The Tutor's First Love) Alec-Forbes of Howglen (The Maiden's Bequest) Robert Falconer (The Musician's Quest) Ranald Bannerman's Boyhood Wilfrid Cumbermede Gutta Percha Willie St. George and St. Michael Mary Marston (A Daughter's Devotion) Warlock o' Glenwarlock (The Laird's Inheritance) Weighed and Wanting (A Gentlewoman's Choice) What's Mine's Mine (The Highlander's Last Song) Home Again (The Poet's Homecoming) The Elect Lady (The Landlady's Master) A Rough Shaking Heather and Snow (The Peasant Girl's Dream) Salted with Fire (The Minister's Restoration) Far Above Rubies Malcolm The Marquis of Lossie (The Marquis' Secret) Sir Gibbie (The Baronet's Song) Donal Grant (The Shepherd's Castle) Annals of a Quiet Neighbourhood The Seaboard Parish The Vicar's Daughter Thomas Wingfold, Curate (The Curate's Awakening) Paul Faber, Surgeon (The Lady's Confession) There and Back (The Baron's Apprenticeship) George MacDonald (1824-1905) was a Scottish author, poet, and Christian minister. He was a pioneering figure in the field of fantasy literature and the mentor of fellow writer Lewis Carroll. His writings have been cited as a major literary influence by many notable authors including W. H. Auden, C. S. Lewis, J. R. R. Tolkien, Walter de la Mare, E. Nesbit and Madeleine L'Engle. G. K. Chesterton cited The Princess and the Goblin as a book that had "made a difference to my whole existence". MacDonald has been credited with founding the "kailyard school" of Scottish writing.