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In the magical kingdom of Evergreen, beautiful Princess Elena is suddenly whisked away by an old woman. Undefeated champion Gallant and shy bookworm Earnest go on a quest to find “the greatest treasure in the land” so one of them can save and marry the princess. Along the way, Earnest and Gallant realize “the greatest treasure in the land” is not what they expected. This is a 28-page, full-color, illustrated children's adventure picture book with a same-sex marriage.
BOOK ONE OF THE PERILOUS QUEST FOR LYONESSE In the year of Our Lord 1403, as England smoulders with suppressed rebellion, young Simon Branthwaite sets sail across the Atlantic in search of the lost realm of Lyonesse. His quest will take him to Rockall, a land wreathed in legend; a land of weird beasts and wondrous happenings, of great beauties and terrible dangers. And there begin adventures stranger than the wildest of Simon's imaginings; adventures that will change the course of his life and reshape that land for ever... Princes of Sandastre is the first in Anthony Swithin's fantastical Lyonesse sequence, edited by Mark Sebanc.
This modern-day novel tells the story of Jonathan, Israel’s first king, and David, the man who captured his heart.
The enchanting second book in New York Times bestselling author Jessica Day George's Twelve Dancing Princesses series is a Cinderella retelling that will sweep you off your feet! Hoping to escape the troubles in her kingdom, Princess Poppy reluctantly agrees to take part in a royal exchange program, where young princes and princesses travel to each other's countries in the name of better political alliances--and potential marriages. It's got the makings of a fairy tale--until a hapless servant named Eleanor is tricked by a vengeful fairy godmother into competing with Poppy for the eligible prince. Ballgowns, cinders, and enchanted glass slippers fly in this romantic and action-packed happily-ever-after quest from an author with a flair for embroidering tales in her own delightful way. Don't miss these other stories from New York Times bestselling author Jessica Day George: The Twelve Dancing Princesses series Princess of the Midnight Ball Princess of Glass Princess of the Silver Woods Sun and Moon, Ice and Snow Silver in the Blood The Rose Legacy series The Rose Legacy Tuesdays at the Castle series Tuesdays at the Castle Wednesdays in the Tower Thursdays with the Crown Fridays with the Wizards Saturdays at Sea Dragon Slippers series Dragon Slippers Dragon Flight Dragon Spear
Ah, the Quest! The sight of chivalric knights setting forth on heroic tasks to win the hand of the fair princess stirs any heart. This fourth installment in the Roesia Chronicles explores the dark and violent beginnings of the Quest up to its pragmatic and often humorous present. Amidst all the game playing, will true love and genuine respect still triumph? Therein lies quite the tale.
The figure of the woman as hero in pastoral romance is shown to grow in importance and complexity in this important new study. The genre of pastoral romance flourished dramatically in Renaissance England between 1590 and 1650. One of its key elements is that it is the daughter, not the son, of the gentle family who increasingly becomes the subject of theromance's attempt to define and illustrate heroism. The pastoral heroine's task is paradoxical: to break out of her pastoral paradise in order to ensure its reconstitution. She is the princess, the shepherdess, the Lady, or the virtuous daughter who becomes a repository of honor and virtue in a changing society where traditional chivalric definitions of honor hold decreasing purchase. This groundbreaking book examines the typical challenges facedby the pastoral romance heroine as she matures within the pastoral locus amoenus: the foundling dilemma; the loop-shaped quest: the rhetorical battle; the chastity threat; the reconciliation of beauty to virtue; and familial reunification. It illustrates how the allegorical, symbolic, and psychological characterizations of pastoral heroines in the works of Sidney, Spenser, Wroth, Fletcher, Milton, and Marvell anticipate developments in the representation of female subjectivities normally associated with the novel. SUE P. STARKE is Associate Professor of English at Monmouth University, New Jersey.
The second book in an Air Awakens prequel trilogy about the Golden Guard. The Empire has declared war against its neighbor to the north, the country of Shaldan. Prince Baldair is summoned to lead, but the untested royal harbors secret reservations about his ability to inspire confidence in troops his senior in both age and experience. The memory of his first kills the summer prior still weigh heavy on his shoulders, and he flees to his friend Erion's home near the Crossroads to wait for the army before marching north. Raylynn Westind had never held a responsibility in her life. After losing her mother years ago, she wanders from town to town in search of a challenge, honoring the sacred song of the sword her mother taught her. She never backs down from a fight, not when her opponents are the deadly Knights of Jadar, mysteriously insistent upon her death. And certainly not when the opponent is the Empire's young playboy prince. Baldair has never met another person as gifted with the sword as he, and is insistent on seeing a golden bracer grace Raylynn's forearm. But the woman lives a mercenary's life, and Baldair quickly learns that her loyalty comes at a high price. When he discovers the bounty on her head, the prince must choose between his responsibilities to his father's Empire, and the woman who has captured his heart as a soldier, and as a man.
In the Kingdom of Sholveria the once happy and contented royal household is thrown into shambolic uproar. Jimskinov has been kidnapped, the little princes are on his trail . . . and the Potion has GONE! There are plenty of snot-licking, foot-stamping, lip-smacking giggle moments as the dynamic Dukes and Perfect Princesses join forces with a host of glorious characters to outwit evil Prince John to once again restore harmony. “The children squirmed as Maria’s whole body began to shake. She was like a volcano that was about to erupt, but somehow and very unusual for Maria, she didn’t erupt. For although she wanted to rant and rave and screech and squabble and stamp her feet and wave her arms, she knew that at this time it was important, if their plan was to succeed, to stay calm and quiet.”