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In the second novel in Joanna Shupe’s the Uptown Girl series, a ruthless casino owner bent on revenge finds his plans upended by a beautiful woman who proves to be more determined than he is--and too irresistible to deny. Powerful casino owner. Ruthless mastermind. Destroyer of men. He lives in the shadows . . . As the owner of the city’s most exclusive casino, Clayton Madden holds the fortunes of prominent families in the palms of his hands every night. There is one particular family he burns to ruin, however, one that has escaped his grasp . . . until now. She is society’s darling . . . Florence Greene is no one’s fool. She knows Clayton Madden is using her to ruin her prestigious family . . . and she’s using him right back. She plans to learn all she can from the mysterious casino owner—then open a casino of her own just for women. With revenge on his mind, Clay agrees to mentor Florence. However, she soon proves more adept—and more alluring—than Clay bargained for. When his plans are threatened, Clay must decide if he is willing to gamble his empire on love.
A complete look at the career of one of Broadway's most influential producer/directors. The elements of Prince's signature--his convention-challenging subject matter and use of music, the revitalizing theatricality of his production designs--are discussed in detail. Illustrated with photos from the hit shows which show his innovative concepts in decor and state movement.
Broadway's top orchestrators - Robert Russell Bennett, Don Walker, Philip J. Lang, Jonathan Tunick - are names well known to musical theatre fans, but few people understand precisely what the orchestrator does. The Sound of Broadway Music is the first book ever written about these unsung stars of the Broadway musical whose work is so vital to each show's success. The book examines the careers of Broadway's major orchestrators and follows the song as it travels from the composer's piano to the orchestra pit. Steven Suskin has meticulously tracked down thousands of original orchestral scores, piecing together enigmatic notes and notations with long-forgotten documents and current interviews with dozens of composers, producers, conductors and arrangers. The information is separated into three main parts: a biographical section which gives a sense of the life and world of twelve major theatre orchestrators, as well as incorporating briefer sections on another thirty arrangers and conductors; a lively discussion of the art of orchestration, written for musical theatre enthusiasts (including those who do not read music); a biographical section which gives a sense of the life and world of twelve major theatre orchestrators, as well as incorporating briefer sections on another thirty arrangers and conductors; and an impressive show-by-show listing of more than seven hundred musicals, in many cases including a song-by-song listing of precisely who orchestrated what along with relevant comments from people involved with the productions. Stocked with intriguing facts and juicy anecdotes, many of which have never before appeared in print, The Sound of Broadway Music brings fascinating and often surprising new insight into the world of musical theatre.
In this fast-moving, candid, conversational, and entertaining memoir, Harold Prince, the most honored director in the history of the American theater (22 Tony Awards and counting), looks back over his 70-year (and counting!) career. Featuring original material from Contradictions: Notes on Twenty-Six Years in the Theatre, Prince provides a fresh, new perspective on his writing from the vantage point of today. Sense of Occasion gives an insider's recollection of the making of such landmark musicals as West Side Story, Fiddler on the Roof, Cabaret, Company, Follies, Sweeney Todd, Evita, and Phantom of the Opera, with Prince's perceptive comments about his mentor George Abbott and his many celebrated collaborators, including Leonard Bernstein, Jerome Robbins, Stephen Sondheim, John Kander, Boris Aronson, Andrew Lloyd Webber, Angela Lansbury, Elizabeth Taylor, Zero Mostel, Carol Burnett, and Joel Grey. As well as detailing his titanic successes that changed the form and content of the American musical theater, Prince even-handedly reflects on the shows that didn't work, most memorably and painfully Merrily We Roll Along. Throughout, he offers insights into the way business is conducted on Broadway, drawing sharp contrasts between past and present. This thoughtful, complete account of one of the most legendary and long-lived careers in theater history, written by the man who lived it, is an essential work of personal and professional recollection.
Whether you're coming to Broadway fresh faced or are an old hand, you'll enjoy these 150+ profiles of the great musicals to hit the stage--including Hamilton!
"A new interpretation of the l965 Broadway musical"--Cover, p. 3.
The heartwarming story of a man primed to go far in life, who first must find his way home Teddy is a successful Los Angeles lawyer whose charm and political skills have made him a leading U.S. Senate candidate. But behind the golden public persona lie some darker truths: his teenage daughter has barely spoken to him since his divorce from her mother and he has long been bitterly estranged from his own mother. When his sister asks Teddy to come back to Nantucket before Alzheimer's steals their mother's mind entirely, his campaign manager sees it as the perfect opportunity for a mother-son photo op, and Teddy reluctantly agrees to the trip. Once on Nantucket, Teddy struggles with his mother's illness and his daughter's disdain, uncovers some stunning family secrets, and meets a woman who challenges everything he thought he understood about relationships-unexpectedly finding the life he never knew he wanted. "Recalls another Massachusetts dynasty-a clan of wild boys with political dreams and personal demons. Novelist Jan Goldstein is a wise and wry observer of what has changed beneath the face of American governance, and what never will." --Jacquelyn Mitchard, author of The Deep End of the Ocean
Strouse composed some of the most successful shows in Broadway history (Annie, Bye Bye Birdie, Applause, and Golden Boy); wrote the film score for Bonnie and Clyde as well as the theme song for All in the Family; has been sampled by one of today's biggest rap stars (Jay-Z, in the Grammy-winning Hard Knock Life); and his songs have been sung by musical greats from Frank Sinatra to Ray Charles to Barbra Streisand. Timed to coincide with public celebrations of his 80th birthday, this memoir grants an insider's glimpse of Broadway, Hollywood, and beyond. Strouse relates the behind-the-curtain stories of his remarkable achievements, and tells about the people he's worked with along the way, including Butterfly McQueen, Gower Champion, Sammy Davis Jr., Lauren Bacall, Mel Brooks, Clifford Odets, Warren Beatty, Hal Prince and Carol Burnett.--From publisher description.
With the founding of the Shubert Organization some ninety years ago, the Shubert brothers set the stage for Broadway as we know it today. Indeed, their name has become virtually synonymous with the Great White Way. The heart of Manhattan's theatre district--Forty-forth and Forty-fifth Streets between Broadway and Eighth Avenue--is lined with monuments to their extraordinary careers, including the Imperial, Majestic, Booth, Plymouth, and Broadhurst theatres and, of course, Shubert Alley itself. Legendary for their eccentric behavior and their uncanny ability to turn a profit even during the industry's toughest times, the Shuberts are part and parcel of Broadway's colorful lore. In The Shuberts of Broadway, Brooks McNamara combs the holdings of the newly created Shubert Archive--a remarkable collection of some four million papers, playbills, architectural plans, photographs, press clips, scripts, costume designs, letters, and other Shubert memorabilia--to re-create the lives of Sam, Lee, and J. J. Shubert. In lively prose and more than 200 fully captioned illustrations, McNamara follows the Shuberts from their early years, when the teen-aged Sam became head of the box office at the Wieting Theatre in downtown Syracuse, through the building of their empire and the Broadway boom of the 1920s (when the Shuberts owned or operated 104 theatres and booked nearly a thousand more), and on to their last days, when their producing careers ended amid controversy. We see the often-stormy relations among the frail, charismatic Sam (who died in a train crash in 1905), the aloof Lee (dubbed "The Wooden Indian"), and their mercurial brother J.J., and their collective, continual battle against the Syndicate that dominated the theatre scene. Here we learn the real stories behind the popular entertainment that rolled off their theatrical assembly line and earned them fame: La Belle Paree, which featured Al Jolson at the Winter Garden; The Passing Show, a "girlie" revue that was full of such talents as Ed Wynn, Fred and Adele Astaire, George Jessel, and a chorus girl named Lucille Le Sueur, who later became known as Joan Crawford; Blossom Time, one of operetta's greatest hits; and The Student Prince, a theatrical bonanza composed by the great Sigmund Romberg. Filled with real-life plots, intrigues, and characters that capture the imagination, the story of the Shuberts is every bit as entertaining as the Broadway they helped to create.
Silver-tongued lawyer. Keeper of secrets. Breaker of hearts. He can solve any problem . . . In serving the wealthy power brokers of New York society, Frank Tripp has finally gained the respectability and security his own upbringing lacked. There’s no issue he cannot fix . . . except for one: the beautiful and reckless daughter of an important client who doesn’t seem to understand the word danger. She’s not looking for a hero . . . Excitement lies just below Forty-Second Street and Mamie Greene is determined to explore all of it—while playing a modern-day Robin Hood along the way. What she doesn’t need is her father’s lawyer dogging her every step and threatening her efforts to help struggling families in the tenements. However, she doesn’t count on Frank’s persistence . . . or the sparks that fly between them. When fate upends all her plans, Mamie must decide if she’s willing to risk it all on a rogue . . .