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In the second novel in Joanna Shupe’s the Uptown Girl series, a ruthless casino owner bent on revenge finds his plans upended by a beautiful woman who proves to be more determined than he is--and too irresistible to deny. Powerful casino owner. Ruthless mastermind. Destroyer of men. He lives in the shadows . . . As the owner of the city’s most exclusive casino, Clayton Madden holds the fortunes of prominent families in the palms of his hands every night. There is one particular family he burns to ruin, however, one that has escaped his grasp . . . until now. She is society’s darling . . . Florence Greene is no one’s fool. She knows Clayton Madden is using her to ruin her prestigious family . . . and she’s using him right back. She plans to learn all she can from the mysterious casino owner—then open a casino of her own just for women. With revenge on his mind, Clay agrees to mentor Florence. However, she soon proves more adept—and more alluring—than Clay bargained for. When his plans are threatened, Clay must decide if he is willing to gamble his empire on love.
Typescript, undated. Without music. Extensively marked with red and blue ink by videographer. Used by The New York Public Library's Theatre on Film and Tape Archive on Oct. 20, 2017, when videorecording the stage production at the Samuel J. Friedman Theatre, 261 West 47th Street, New York, N.Y. The production about the life and career of Harold Prince, with songs by various composers, opened Aug. 24, 2017, and was directed by Harold Prince, co-directed and choreographed by Susuan Stroman.
"Foster Hirsch has updated the original edition of this book adding new interviews with Prince. He analyzes Prince's more recent work, including Kiss of the Spider Woman, Parade, and the award-winning revival of Show Boat. He provides a detailed account of the creation and fortunes of Bounce, the 2003 musical that reunited Prince and Sondheim for the first time in twenty years. Illustrated with numerous rare photos, it is a must for any theatre fan."--BOOK JACKET.
Whether you're coming to Broadway fresh faced or are an old hand, you'll enjoy these 150+ profiles of the great musicals to hit the stage--including Hamilton!
The Book of Broadway Musical Debates, Disputes and Disagreements is purposely meant to start arguments and to settle them. Broadway musical fans won’t always agree with the conclusions musical theater judge Peter Filichia reaches, but the best part of any drama is the conflict. Among lovers of musical theater, opinions are never in short supply, and Filichia addresses the most dividing questions and opinions in one book. What will you say when he asks, “What is the greatest opening number of a Broadway musical?” Will your answer be “The Circle of Life” from The Lion King, “Heaven on Their Minds” from Jesus Christ Superstar, or “Beautiful Girls” from Follies? Will you agree with his answer to “Whose Broadway performance in a musical was later best captured on film?” Did you immediately think of Robert Preston in The Music Man or Barbra Streisand in Funny Girl? More questions that will add to the fire include “What song from a musical is the most beloved?” and “What’s the worst song that a Broadway musical ever inflicted on us?” They’re all in The Book of Broadway Musical Debates, Disputes and Disagreements. Let the arguments begin!
"The story of Prince's career is inseparable from the history of the American musical theatre for the past 40 years...In-depth accounts of musicals Fiddler on the Roof, West Side Story, Cabaret, Company, and Sweeney Todd will be of interest to any musical theatre buff." -American Theatre
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
More of a Man presents the only known diaries of a skilled craft-worker in Victorian Canada: Andrew McIlwraith, a Scottish journeyman who migrated to North America during a tumultuous period marked by economic depression and early industrial change. McIlwraith's journals illuminate his quest to succeed financially and emotionally amidst challenging circumstances. The diaries trace his transformations, from an immigrant newcomer to a respected townsman, a wage worker to an entrepreneur, and a bachelor to a married man. Carefully edited and fully annotated by historians Andrew C. Holman and Robert B. Kristofferson, More of a Man features an introduction providing historical context for McIlwraith's life and an epilogue detailing what happened to him after the diaries end. Historians of labour, gender, and migration in the North Atlantic world will find More of a Man a valuable primary document of considerable insight and depth. All readers will find it a lively story of life in the nineteenth century.