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Jamin Asay's book offers a fresh and daring perspective on the age-old question 'What is truth?', with a comprehensive articulation and defence of primitivism, the view that truth is a fundamental and indefinable concept. Often associated with Frege and the early Russell and Moore, primitivism has been largely absent from the larger conversation surrounding the nature of truth. Asay defends primitivism by drawing on a range of arguments from metaphysics, philosophy of language and philosophy of logic, and navigates between correspondence theory and deflationism by reviving analytic philosophy's first theory of truth. In its exploration of the role that truth plays in our cognitive and linguistic lives, The Primitivist Theory of Truth offers an account of not just the nature of truth, but the foundational role that truth plays in our conceptual scheme. It will be valuable for students and scholars of philosophy of language and of metaphysics.
Jamin Asay's book offers a fresh and daring perspective on the age-old question 'What is truth?', with a comprehensive articulation and defence of primitivism, the view that truth is a fundamental and indefinable concept. Often associated with Frege and the early Russell and Moore, primitivism has been largely absent from the larger conversation surrounding the nature of truth. Asay defends primitivism by drawing on a range of arguments from metaphysics, philosophy of language and philosophy of logic, and navigates between correspondence theory and deflationism by reviving analytic philosophy'
What is truth? What role does truth play in the connections between language and the world? What is the relationship between truth and being? The Metaphysics of Truth tackles these fundamental philosophical questions and develops a distinctive metaphysical worldview. Moreover, it does so in a climate where the traditionally central issue of the nature of truth has diminished in significance due to the rise of deflationary and primitivist views, which deny that there are interesting and informative things to say about truth. Douglas Edwards responds to these views, and demonstrates the importance of the metaphysics of truth with regard to both the study of truth itself, and metaphysical debates more generally. He also develops a detailed pluralist metaphysical approach, which starts with the diversity of different subject areas, and holds that there are different relationships between language and the world in different areas, or 'domains'. He develops a pluralist approach which explains what domains are; how different domains are individuated; which metaphysical frameworks apply in different domains; and how truth plays a key role in the picture. The picture is extended to incorporate ontological pluralism - the idea that there are different ways of being - which increases the explanatory power of the view. Edwards gives particular attention to important domains which have not yet received a great deal of attention in debates about truth, namely the institutional and social domains, and thus connects work on the metaphysics of truth and being to key issues in social construction.
Demonstrates how truthmaking can be used to make progress all across philosophy, but without its usual theoretical baggage.
The definitive and essential collection of classic and new essays on analytic theories of truth, revised and updated, with seventeen new chapters. The question "What is truth?" is so philosophical that it can seem rhetorical. Yet truth matters, especially in a "post-truth" society in which lies are tolerated and facts are ignored. If we want to understand why truth matters, we first need to understand what it is. The Nature of Truth offers the definitive collection of classic and contemporary essays on analytic theories of truth. This second edition has been extensively revised and updated, incorporating both historically central readings on truth's nature as well as up-to-the-moment contemporary essays. Seventeen new chapters reflect the current trajectory of research on truth.
This book defends the correspondence theory of truth by developing a new account of the relationship between truth and reality.
Mark Jago offers a new metaphysical account of truth. He argues that to be true is to be made true by the existence of a suitable worldly entity. Truth arises as a relation between a proposition - the content of our sayings, thoughts, beliefs, and so on - and an entity (or entities) in the world.
This book marks the first publication of celebrated philosopher Donald Davidson's 1970 Locke Lectures. In detailing his work on the theory of meaning, the role of a truth theory, the ontological commitments of a truth theory, and the notion of logical form, these lectures offer a rare insight into Davidson's thought at a key moment in his career.
In the book If Tropes, the author attempts to approach and then deal with some of the most basic problems for a theory of tropes. The investigation proceeds from three basic assumptions: (i) tropes (i.e. particular properties) exist, (ii) only tropes exist (that is, tropes are the only basic or fundamental kind of entities), and (iii) the main-function for tropes is to serve as truth-makers for atomic propositions. Provided that one accepts these assumptions the author finds that the trope-theorist will have to deal with two important matters. Some atomic propositions seem to require universal truth-makers and others seem to require concrete truth-makers. This means that universals and concrete particulars will need to be constructed from the material of tropes. Such constructions are attempted and it is argued that it is possible to deal at least with these basic issues while staying squarely within the boundaries of a purely trope-theoretical framework. The book is written in an untechnical language but requires some prior understanding of basic metaphysics.
This Cambridge History of Modernism is the first comprehensive history of modernism in the distinguished Cambridge Histories series. It identifies a distinctive temperament of 'modernism' within the 'modern' period, establishing the circumstances of modernized life as the ground and warrant for an art that becomes 'modernist' by virtue of its demonstrably self-conscious involvement in this modern condition. Following this sensibility from the end of the nineteenth century to the middle of the twentieth, tracking its manifestations across pan-European and transatlantic locations, the forty-three chapters offer a remarkable combination of breadth and focus. Prominent scholars of modernism provide analytical narratives of its literature, music, visual arts, architecture, philosophy, and science, offering circumstantial accounts of its diverse personnel in their many settings. These historically informed readings offer definitive accounts of the major work of twentieth-century cultural history and provide a new cornerstone for the study of modernism in the current century.