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Beautiful illustrations and engaging text explain the world of snakes and how they serve as an essential component of the web of life. 300 color illustrations throughout.
“The Snakes is many things—a parable and an ancient drama where a father’s greed devours his children, a police procedural, an avid take on tabloid venality, and a bitter comedy, superbly observed, where behind a woman’s eyes she is ‘all movement inside herself, like a wasp in a glass.’ I admit that I’m still shaken by parts of this novel. Sadie Jones writes with pitiless aplomb and corrosive intelligence.”—Louise Erdrich A chilling page-turner and impossible to put down, THE SNAKES is Sadie Jones at her best: breathtakingly powerful, brilliantly incisive, and utterly devastating. The new novel by Sadie Jones tells the tense and violent story of the Adamsons, a dysfunctional English family, with exceptional wealth, whose darkest secrets come back to bite them. Set mostly in rural France during contemporary times, THE SNAKES is an all-consuming read and a devastating portrait of how money corrupts, and how chance can deal a deadly hand. THE SNAKES exposes the damage wreaked by parents on children as observed by a new member of the family, Dan, a mixed-race man from Peckham who marries Bea, the daughter who refuses to take any of her father’s filthy money. But when Bea’s brother Alex (who runs a shabby hotel in Paligny, France) dies suddenly in unexplained circumstances, the confusion and suspicion which arise bring other dark family secrets—and violence—to the surface. And none of the family, even the good members, go untouched.
Dead bodies are appearing all over town. The murderer likes playing games. In this game, the loser ends up dead. Eliza Kingston moved back to her home town to feel safe again. When a woman bearing a striking resemblance to Eliza is murdered, it becomes clear that evil lurks around every corner. Evan Harding can’t deny that the recent murder is a threat to Eliza. He just got her back into his life and now he is determined to protect her, even if it means risking his own life. While Evan works to solve the present-day murder, Eliza is pulled deeper into the past. She is more convinced than ever that her brother wrongfully confessed to the murder of five of their classmates. As she begins to put together the pieces to what happened that day 20 years ago, Eliza discovers that Michael isn’t the only one guarding secrets that have the potential to destroy the town.
Full of sibilant sounds and other wordplay, Kathryn Dennis's picture book, Snakes on the Job, is a sssssweet story that's sure to be a read-aloud hit. Off to work the snakes will go. They slide into trucks and roll out slow. Hisssssssh goes the sound of the brakes. The busy snakes are back! This time, they are operating a variety of construction vehicles—bulldozers, diggers, backhoes and more—and what they are building is a surprise. It’s so fun, that new friends want to join them!
An adorable picture book full of sibilant sounds and other word play, Snakes on a Train is as fun for parents as it is for kids, and sure to be a read-aloud hit. The conductor takes the tickets as the snakes start crawling on. The tracks are checked, the whistle blows. It's time to move along. Hissssssssssss goes the sound of the train.
FROM MULTI-PUBLISHED AUTHOR OF LGBTQIA ROMANCE FICTION L.A. DAY Book two in the Inclusion MC series Pride won't stop Snake from submitting to the alpha male. Snake prides himself on his reputation as a tough biker until he finds out his best friend is bi-sexual. Accepting Spade' s choices enables Snake to explore his long-denied desires. For years, Snake has been attracted to Ruger, a biker from another club. It' s an attraction that will never be returned because Ruger is straight. Even if he wasn' t, he' s always disliked Snake. Emboldened by his friends, Snake joins them at a gay club and runs into Ruger. Ruger isn' t straight. His dislike had always been a cover to hide his attraction to Snake. However, Ruger is very much a dominant man. Snake must wrestle with his pride in order to submit to the other man. Snake' s heart won' t let pride stand in the way and he realizes submission doesn' t make him less of a man. Members of Ruger' s club aren' t pleased to discover his sexual orientation and jump him. However, other members aren' t so judgmental and rescue him before much damage is done. Inclusion Motorcycle Club is gaining members but they' re also gaining enemies.
Voyageur Naturally is your one-stop resource for books about nature and country sports. We have one of the largest selections available for both adult and young adult and readers. Zoos and aquariums, natural history museums, gift shops, sporting book retailers, and other booksellers all appreciate the depth and quality of our series and our commitment to providing up-to-date information from leading naturalists and scientists.
This landmark study is a detailed textual and thematic analysis of one of Nietzsche’s most important but least understood works. Stanley Rosen argues that in Zarathustra Nietzsche lays the groundwork for philosophical and political revolution, proposing a change in humanity’s condition that would be achieved by eliminating the decadent existing race and breeding a new race to take its place. Rosen discusses Nietzsche’s systematically duplicitous rhetoric of esoteric messages in Zarathustra, and he places the book in the contexts of Greek, Christian, Enlightenment, and postmodernist thought.
The text is a conversation between the author and himself mediated by the text of Friedrich Nietzsche’s Thus Spoke Zarathustra. The text is a pre-text, a reading both before and after that frames the art work. What is that? Let us say, in the spirit of inquiry, that of knowing thyself. What, then, of this strange hyphenation? The present text is a pre-text because it is before the Text, the text which the author is always writing but which manifests itself, in sporadic, impulsive bursts, in the form of actual works. The book is the pre-text because it is an excuse, a rationale, a piece of pretension. The book is not about Nietzsche but what it is for someone to read Nietzsche’s text, a book for everyone and no one. How then does one read a book meant for oneself, if oneself is everyone, and not at all for oneself, if oneself is none? Or is it that the real task of reading is for the reader to read what reading is? Then again, need one distinguish between book and text? Perhaps, it is impossible to read a book such as Thus Spoke Zarathustra without invoking the text --or even sub-text – that continually slips away. If one can read a book, one cannot the text for this reason: the text is what the reader has to write through the reading. This has been my experience with Nietzsche’s text, an experience I share with my readers. The very possibility of reading invokes the need to re-write the text. Only in the space between reading and writing can the reader/re-writer hope to stand and understand the discursive grounds. Is that the play which this couplet performs? There, does not the reader enters upon the playground. Read then and play! The author's thanks go to Mr. Andrew Fuyarchuk for the fine editing job that he did. His contribution allowed further clarifications of the argument.
Gilmore has presented children's sermons at her church for a number of years. After many requests from pastors and listeners, she began to collect her sermons built around the Revised Common Lectionary. This book, for Year C, is the first in RCL's cycle. The accompanying CD-ROM lets users personalize each sermon for their own usage.