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'In the same way as there's a partner for every person, there's a place. All you have to do is find the one that's yours among the billions that belong to someone else, you have to be awake, you have to choose.' With this conviction in mind, acclaimed Swedish writer Bodil Malmsten abandons her native country at the age of fifty-five and settles in Brittany. At the heart of this memoir is the conviction that the happiness to be found in Finistère will not allow itself to be, cannot be, expressed in writing. Embroidered around this seeming paradox are poignant, outraged and thought-provoking observations on the widest range of subjects: how not to buy plants, the elicit pleasures of bargain-hunting, the misery of writer's block, social democracy, racism, tulipomania, the stubbornness of bank managers, the controlling of moles and slugs, death, political hypocrisy, the delights of wild weather. Malmsten's passion and humour shine through every episode she describes, however minor, offering the reader a window onto a solitary life at once touching, thought-provoking and, occasionally, hilarious.
Author and teacher Mark Greenside recounts his struggles to fit into the life of a small Celtic village in Brittany.
Every 3rd issue is a quarterly cumulation.
For millennia, the passing seasons and their rhythms have marked our progress through the year. But what do they mean to us now that we lead increasingly atomized and urban lives and our weather becomes ever more unpredictable or extreme? Will it matter if we no longer hear, even notice, the first cuckoo call of spring or rejoice in the mellow fruits of harvest festival? How much will we lose if we can no longer find either refuge or reassurance in the greater natural—and meteorological—scheme of things? Nick Groom's splendidly rich and encyclopedic book is an unabashed celebration of the English seasons and the trove of strange folklore and often stranger fact they have accumulated over the centuries. Each season and its particular history are given their full due, and these chapters are interwoven with others on the calendar and how the year and months have come to be measured, on important dates and festivals such as Easter, May Day and, of course, Christmas, on that defining first cuckoo call, on national attitudes to weather, our seasonal relationship with the land and horticulture and much more. The author expresses the hope that his book will not prove an elegy: only time will tell.
The Poetical gazette; the official organ of the Poetry society and a review of poetical affairs, nos. 4-7 issued as supplements to the Academy, v. 79, Oct. 15, Nov. 5, Dec. 3 and 31, 1910
"Roll over, Maigret. Commissaire Dupin has arrived."—M.C. Beaton Commissaire Georges Dupin, a cantankerous, Parisian-born caffeine junkie recently relocated from the glamour of Paris to the remote (if picturesque) Breton coast, is dragged from his morning croissant and coffee to the scene of a curious murder. The local village of Pont-Aven—a sleepy community by the sea where everyone knows one other and nothing much seems to happen—is in shock. The legendary ninety-one-year-old hotelier Pierre-Louis Pennec, owner of the Central Hotel, has been found dead. A picture-perfect seaside village that played host to Gaugin in the nineteenth century, Pont-Aven is at the height of its tourist season and is immediately thrown into uproar. As Dupin delves into the lives of the victim and the suspects, he uncovers a web of secrecy and silence that belies the village's quaint image. A delectable read, Jean-Luc Bannalec's Death in Brittany transports readers to the French coast, where you can practically smell the sea air and taste the perfectly cooked steak frites in an expertly crafted, page-turning mystery for fans of Martin Walker.