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The Adman's Dilemma is a cultural biography that explores the rise and fall of the advertising man as a figure who became effectively a licensed deceiver in the process of governing the lives of American consumers. Apparently this personage was caught up in a contradiction, both compelled to deceive yet supposed to tell the truth. It was this moral condition and its consequences that made the adman so interesting to critics, novelists, and eventually filmmakers. The biography tracks his saga from its origins in the exaggerated doings of P.T. Barnum, the emergence of a new profession in the 1920s, the heyday of the adman's influence during the post-WW2 era, the later rebranding of the adman as artist, until the apparent demise of the figure, symbolized by the triumph of that consummate huckster, Donald Trump. In The Adman's Dilemma, author Paul Rutherford explores how people inside and outside the advertising industry have understood the conflict between artifice and authenticity. The book employs a range of fictional and nonfictional sources, including memoirs, novels, movies, TV shows, websites, and museum exhibits to suggest how the adman embodied some of the strange realities of modernity.
The Dictionary of Modern American Philosophers includes both academic and non-academic philosophers, anda large number of female and minority thinkers whose work has been neglected. It includes those intellectualsinvolved in the development of psychology, pedagogy, sociology, anthropology, education, theology, politicalscience, and several other fields, before these disciplines came to be considered distinct from philosophy in thelate nineteenth century.Each entry contains a short biography of the writer, an exposition and analysis of his or her doctrines and ideas, abibliography of writings, and suggestions for further reading. While all the major post-Civil War philosophers arepresent, the most valuable feature of this dictionary is its coverage of a huge range of less well-known writers,including hundreds of presently obscure thinkers. In many cases, the Dictionary of Modern AmericanPhilosophers offers the first scholarly treatment of the life and work of certain writers. This book will be anindispensable reference work for scholars working on almost any aspect of modern American thought.
This handbook brings together past and current research on all aspects of lying and deception, from the combined perspectives of linguistics, philosophy, and psychology. It will be an essential reference for students and researchers in these fields and will contribute to establishing the vibrant new field of interdisciplinary lying research.
What are the predominant aesthetics of the twenty-first century? Thorsten Botz-Bornstein argues that deculturation, embodied by the conspicuous vulgarity of kitsch, is the overriding visual language of our times. Drawing on the work of Islam scholar Olivier Roy, who argued that religious fundamentalism arises when religion is separated from the indigenous cultural values, Botz-Bornstein shows that the production of 'absolute' truths through deculturation also exists in contemporary education. The neoliberal environment has separated learning from culture by emphasizing standardization and quantified learning outcomes. In a globalized environment, the idea of culture is no longer available as a referent; instead we are taught to rely on the culturally neutral term 'excellence'. For Botz-Bornstein, this is an absolute value similar to the 'truth' of religious fundamentalists. Similarly, kitsch is what happens when aesthetic values are separated from cultural contexts. Kitsch is aesthetic fundamentalism. Kitsch aesthetics are an aesthetics of excellence. The consumption of kitsch can be understood as an intrinsically narcissistic impulse, reinforced by social media, individuals recycling their own selves without being confronted with the culture of the “other.” The existence of self-centred “alternative truths”, fake news and conspiracy theories and selfies are linked together in the fundamentalism–neoliberalism–kitsch pattern. Including analysis of the intersections of 'cute', 'excellent', 'sublime', and 'interesting' in contemporary aesthetic culture, this is a journey through philosophy, psychology and cultural theory, redefining a new aesthetics of deculturation.
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Victims of the Holocaust were faced with moral dilemmas for which no one could prepare. Yet many of the life-and-death situations forced upon them required immediate actions and nearly impossible choices. In Problems Unique to the Holocaust, today's leading Holocaust scholars examine the difficult questions surrounding this terrible chapter in world history. Is it ever legitimate to betray others to save yourself? If a group of Jews is hiding behind a wall and a baby begins to cry, should an adult smother the child to protect the safety of the others? How guilty are the bystanders who saw what was happening but did nothing to aid the victims of persecution? In addition to these questions, one contributor considers whether commentators can be objective in analyzing the Holocaust or if this is a topic to be left only to Jews. In the final essay, another scholar assesses the challenge of ethics in a post-Holocaust world. This singular collection of essays, which closes with a meditation on Daniel Goldhagen's controversial book Hitler's Willing Executioners, asks bold questions and encourages readers to look at the tragedy of the Holocaust in a new light.
Prestigious board of advisory editors and contributors
While lying has been a topic in the philosophy of language, there has been a lack of genuine linguistic analysis of lying. Exploring lying at the semantics-pragmatics interface, this book takes a contextualist stand by arguing that untruthful implicatures and presuppositions are part of the total signification of the act of lying.
The essays included in this collection deal with a wide and diverse range of problems and issues: namely, Cultural Complexity; Globalization; Glocalization; Relativism; Bullshit; Embodied and Situated Cognition; Capabilities Approach; Moral Universalism; Solidarity; Cosmopolitanism; Pluralism; Human Rights; Justice; and “Philosophy” after the end of Philosophy. This work takes its main title from the last essay, in which the author makes an effort to rethink the nature and purpose of “philosophy” for our times, sketching a proposal for a new beginning for philosophy as “critical philosophy.” Such a philosophy would have a clear and compelling emancipatory thrust. At this point in human history, it would have to be underwritten by an ethical universalism that is pluralistic, historically enlightened and non-ethnocentric. In addition, it would take seriously the consequences of complexity in a world that is increasingly interconnected and interdependent, yet still so far apart, and would be prepared to draw the full implications of the embodied and situated cognition paradigm shift which has taken place in the past few decades. It would, furthermore, take aim at the bullshit, in all of its manifestations, that is so pervasive in various quarters throughout the whole of culture and society. Finally, it would effectively contribute to the articulation and elaboration of the kinds of concepts, frameworks, narratives and practices, generally speaking, which could somehow enable humans to rise to the next level in their understanding of the globalizing and glocalizing world in which they live, and which is, as is common knowledge, dramatically confronted by a number of serious challenges, grave risks and threats, dismal shortcomings and failures. This work offers compelling analyses and diagnostics, and makes some sketch-proposals to urgently grapple with them.