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Betrayal, abduction, reconciliation. Among the stories of Rome's founding is the tale of the women from the beautiful region of Sabina-stolen, forced to marry the Roman men, and ultimately brokering peace between two nations to become matriarchs of the Roman Empire. The poems of The Sabine Women explore this complicated story through the imagined voices of the women, and through examining the works that artists, inspired by this story, have made through the ages.
After spending a year in the African village of Kiboyo, Adam Moxley ventures to another small village in the Ugandan bush. There, he assists a local pastor at a small orphanage,coming face to face with children dying of AIDS.Before heading back to the United States, Adam stops in Venice, where he meets up with his good friend Tom. While Tom and Adam enjoy the richness of Venice, Adam soon forgets about thetragedy in Uganda when he meets and falls in love with Jade, an American studying abroad.Adam's attention is quickly pulled back to the Ugandan orphans, however, when he learns that the children are being sold into slavery and child prostitution. Adam is shattered when hediscovers the one behind the exploitation, and he becomes determined to bring an end to the tragedy.Referencing the history behind Giambologna's 1574 sculpture The Capture of the Sabine Women, Kilgore's novel floats the reader down the waterways of Venice, leaving passion andjustice in its wake.Edited by Corene Israel
She’s funny, creative, and impulsive; an artist with spray paint and advanced weapons. She’s also a 16-year-old girl who happens to be flying around the universe, wreaking havoc on the Imperial army. Read the private diary of Sabine Wren, the awesome new heroine of the Star Wars Rebels television series! Wren is one of the most compelling and interesting female character in Star Wars since Princess Leia! She’s an explosives expert supreme, and a master of advanced weapons. She’s also a crazy artist, gifted at graffiti and sketching. She’s strong, bold, confident, cool – and only 16! Get to know Sabine through her own words and artistic expression in this replica journal filled with sketches, photos of her best work, stories, doodles and her observations of her fellow rebels. In Sabine's own writing, relive events that occur during the first 10 episodes of Star Wars Rebels, plus discover details about Sabine’s life and the rebel team.
ONE OF WASHINGTON POST'S NOTABLE NONFICTION BOOKS OF THE YEAR A bracingly honest exploration of why there are still so few women in STEM fields—“beautifully written and full of important insights” (Washington Post). In 2005, when Lawrence Summers, then president of Harvard, asked why so few women, even today, achieve tenured positions in the hard sciences, Eileen Pollack set out to find the answer. A successful fiction writer, Pollack had grown up in the 1960s and ’70s dreaming of a career as a theoretical astrophysicist. Denied the chance to take advanced courses in science and math, she nonetheless made her way to Yale. There, despite finding herself far behind the men in her classes, she went on to graduate summa cum laude, with honors, as one of the university’s first two women to earn a bachelor of science degree in physics. And yet, isolated, lacking in confidence, starved for encouragement, she abandoned her ambition to become a physicist. Years later, spurred by the suggestion that innate differences in scientific and mathematical aptitude might account for the dearth of tenured female faculty at Summer’s institution, Pollack thought back on her own experiences and wondered what, if anything, had changed in the intervening decades. Based on six years interviewing her former teachers and classmates, as well as dozens of other women who had dropped out before completing their degrees in science or found their careers less rewarding than they had hoped, The Only Woman in the Room is a bracingly honest, no-holds-barred examination of the social, interpersonal, and institutional barriers confronting women—and minorities—in the STEM fields. This frankly personal and informed book reflects on women’s experiences in a way that simple data can’t, documenting not only the more blatant bias of another era but all the subtle disincentives women in the sciences still face. The Only Woman in the Room shows us the struggles women in the sciences have been hesitant to admit, and provides hope for changing attitudes and behaviors in ways that could bring far more women into fields in which even today they remain seriously underrepresented.
In this "provocative" book (New York Times), a contrarian physicist argues that her field's modern obsession with beauty has given us wonderful math but bad science. Whether pondering black holes or predicting discoveries at CERN, physicists believe the best theories are beautiful, natural, and elegant, and this standard separates popular theories from disposable ones. This is why, Sabine Hossenfelder argues, we have not seen a major breakthrough in the foundations of physics for more than four decades. The belief in beauty has become so dogmatic that it now conflicts with scientific objectivity: observation has been unable to confirm mindboggling theories, like supersymmetry or grand unification, invented by physicists based on aesthetic criteria. Worse, these "too good to not be true" theories are actually untestable and they have left the field in a cul-de-sac. To escape, physicists must rethink their methods. Only by embracing reality as it is can science discover the truth.