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Serves as both visual and textual record of the exhibition of the same name, surveying the art of the Middle Byzantine period from the restoration of the use of icons by the Orthodox Church in 843 to the occupation of Constantinople by the Crusader forces from the West from 1204 to 1261. Conceived as a sequel to the 1976 exhibition "Age of Spirituality," which focused on the first centuries of Byzantium. Preceding the catalogue, 17 essays treat the historical context, religious sphere, and secular courtly realm of the empire, and the interactions between Byzantium and other medieval cultures. Abundantly illustrated. Annotation copyrighted by Book News, Inc., Portland, OR
Byzantine art has been an underappreciated field, often treated as an adjunct to the arts of the medieval West, if considered at all. In illustrating the richness and diversity of art in the Byzantine world, this handbook will help establish the subject as a distinct field worthy of serious inquiry. Essays consider Byzantine art as art made in the eastern Mediterranean world, including the Balkans, Russia, the Near East and north Africa, between the years 330 and 1453. Much of this art was made for religious purposes, created to enhance and beautify the Orthodox liturgy and worship space, as well as to serve in a royal or domestic context. Discussions in this volume will consider both aspects of this artistic creation, across a wide swath of geography and a long span of time. The volume marries older, object-based considerations of themes and monuments which form the backbone of art history, to considerations drawing on many different methodologies-sociology, semiotics, anthropology, archaeology, reception theory, deconstruction theory, and so on-in an up-to-date synthesis of scholarship on Byzantine art and architecture. The Oxford Handbook of Byzantine Art and Architecture is a comprehensive overview of a particularly rich field of study, offering a window into the world of this fascinating and beautiful period of art.
Table of Contents Pavel Serafimov – Sparotok. 3 The ancient history of the Bulgarians in the Balkans 4 The Ancient History of the Bulgarians in the Balkans.. 4 INTRODUCTION: 4 THE MYTHS OF "THRACIANS", "SLAVS" AND "PROTO-BULGARIANS". 4 BULGARIANS AND NEIGHBORS – ALIENS OR INDIGENOUS INHABITANTS. 9 THE AGE OF THE THRACIANS. 32 MEMORIES IN FOLKLORE BEFORE ASPARUCH.. 52 THE RACIAL APPEARANCE OF THE PROTO-BULGARIANS. 78 ORIGIN [THE MYTH] OF THE SLAVS. 91 THE FOREIGN ORIGIN OF THE OFFICIAL HISTORICAL SCHOOL IN BULGARIA.. 116 In the Footsteps of the Bulgarian Alphabet. 131 THE SEMITIC ORIGIN OF THE GREEKS. 147 THE BULGARIAN CHURCH IN THE FIRST CENTURIES. 180 MYSIA, THRACE, MACEDONIA.. 201 BAPTISM BY BORIS I 215 THE JUDAISATION OF BYZANTINE ORTHODOX.. 238 Evidence for the Balkan origin of the Bulgarians. 262 THE ORIGIN OF THE TURKS. 327 THE WORLD'S OLDEST LETTER HAS BEEN DECODED.. 344 Bulgaria that we lost. 359 JEWISH GENOCIDE.. 393 Who's who from the top in Bulgaria. 393 Bulgarians in Asia Minor. 400 The properties of Thracians in a Euroreport. 431 WHO FOUNDED ATHENS?. 434
In Khazaria in the Ninth and the Tenth Centuries Boris Zhivkov offers a new view on Khazaria by scrutinizing the different visions offered by recent scholarship. The paucity of written sources has made it necessary to turn to additional information about the steppe states in this period, and to analyze exceptional cases not directly related to the Khazars. In re-examining the Khazars, he thus uses not only the known documentary sources and archaeological finds but also what we know from history of religions (comparative mythology), history of art, structural anthropology and folklore studies. In this way the book draws together a synthesis of conclusions, information and theory.
The best new research on medieval clothing and textiles, drawing from a range of disciplines. The studies collected here range through art, artifacts, documentary text, and poetry, addressing both real and symbolic functions of dress and textiles. John Block Friedman breaks new ground with his article on clothing for pets and other animals, while Grzegorz Pac compares depictions of sacred and royal female dress and evaluates attempts to link them together. Jonathan C. Cooper describes the clothing of scholars in Scotland's three pre-Reformation universities and the effects of the Reformation upon it. Camilla Luise Dahl examines references to women's garments in probates and what they reveal about early modern fashions. Megan Cavell focuses on the treatment of textiles associated with the Holy of Holies in Old English biblical poetry. Frances Pritchard examines the iconography, heraldry, and inscriptions on a worn and repaired set of embroidered fifteenth-century orphreys to determine their origin.Finally, Thomas M. Izbicki summarizes evidence for the choice of white linen for the altar and the responsibilities of priests for keeping it clean and in good repair.
Photos with descriptions and dimensions of the Migration period and Viking material in the Ashmolean.
Gems have been used in the manufacture of jewellery and as ornaments since antiquity. Considering gems, recent statistics have shown that about 15 billion Euros are annually at stake. Nowadays, gemmology, i.e., the study of gem materials, is one of the most expanding fields in the earth sciences, positioned between academia and industry. As an applied science, in gemmology, the instruments used should be non- or microdestructive, and their cost should be reasonable both in terms of equipment and time consumption. Gemmology can also be used contribute to the development of pure science and in some cases, destructive techniques may have to be used. Taking into account the fact that gems are albeit rarely available for scientific research, this compilation of 20 articles by around 100 researchers from over 30 different institutions situated in 20 countries from around the globe, presented in the Special Issue entitled “Mineralogy and Geochemistry of Gems”, offers very good examples on the application of various methods for their study which will hopefully contribute to our better understanding of gem formation in general and will enhance scientific debates attracting more scientists from various disciplines to get involved in this field.