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In "The Present State of Ecclesiastical Architecture in England," Pugin gives minutely detailed accounts with illustrations of his churches up to the year 1842. But his most revealing autobiographical writing is to be found in "Some Remarks," published in 1850, which can be seen as essential for understanding the man and his collapse.
Excerpt from The Present State of Ecclesiastical Architecture in England HE revival of our ancient parochial church architecture is a subject which occupies much attention at the present time; after three centuries of demolition and neglect, the solemn structures raised by our Catholic ancestors are being gradually restored to somewhat of their original appearance, and buildings which but a few years since were considered as unsightly and barbarous erections of ignorant times, are now become the theme for general eulogy, and models for imita tion. To the English Catholic there is no class of religious edifices of greater interest than the ancient parish churches of this country. The are admirably suited to the present wants and necessities of the Church, nor is it possible to adopt, con sistently, any other models for the greater portion of our ecclesiastical buildings. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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True Principles of Pointed or Christian Architecture was first published in 1841, when Pugin was 29 years old. Here he presents coherent arguments for the revival of the Gothic style, the case for which he had made pictorally in his sensational book Contrasts (1836). For Pugin, the Gothic Revival was 'not a style, but a principle' and this he laid down in his most influential architectural treatise, True Principles, which introduced functionalist and rationalist as well as moral criteria into architectural discourse, much of it still resonant in the twentieth-century Modern Movement. It is reprinted together with his Apology for the Revival of Christian Architecture, first printed in 1843. Much of his thought here is on architectural education, and in shuffling off the straitjacket of neoclassical architectural principles Pugin exercised a great influence in mid-Victorian architecture and the applied arts, and in a wider design reform movement. These two seminal books, presented in one volume, are introduced by the architectural historian and Pugin authority Dr Roderick O'Donnell