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Have you settled for far less of God than He wants to reveal? Do you feel close to God in your everyday life . . . or does He too often seem distant and silent? Maybe, like many Christians, you live somewhere between those two extremes. You occasionally sense God's presence, but at other times feel as if He's a million miles away. The wonder of closeness with God is available to you here and now. In The Presence, Alec Rowlands reveals the ways God makes His presence known, how you can prepare for it, and how experiencing it will transform everything. As you draw near to God—as you are consumed by His love and your life is rearranged by His grace—you'll find fulfillment, purpose, and an unmatched sense of adventure. If you're feeling a hunger for more of God, you are already on your way to discovering: He is good. He is powerful. He is here.
MORE THAN HALF A MILLION COPIES SOLD: Learn the simple techniques you'll need to approach your biggest challenges with confidence. Have you ever left a nerve-racking challenge and immediately wished for a do over? Maybe after a job interview, a performance, or a difficult conversation? The very moments that require us to be genuine and commanding can instead cause us to feel phony and powerless. Too often we approach our lives' biggest hurdles with dread, execute them with anxiety, and leave them with regret. By accessing our personal power, we can achieve "presence," the state in which we stop worrying about the impression we're making on others and instead adjust the impression we've been making on ourselves. As Harvard professor Amy Cuddy's revolutionary book reveals, we don't need to embark on a grand spiritual quest or complete an inner transformation to harness the power of presence. Instead, we need to nudge ourselves, moment by moment, by tweaking our body language, behavior, and mind-set in our day-to-day lives. Amy Cuddy has galvanized tens of millions of viewers around the world with her TED talk about "power poses." Now she presents the enthralling science underlying these and many other fascinating body-mind effects, and teaches us how to use simple techniques to liberate ourselves from fear in high-pressure moments, perform at our best, and connect with and empower others to do the same. Brilliantly researched, impassioned, and accessible, Presence is filled with stories of individuals who learned how to flourish during the stressful moments that once terrified them. Every reader will learn how to approach their biggest challenges with confidence instead of dread, and to leave them with satisfaction instead of regret. "Presence feels at once concrete and inspiring, simple but ambitious — above all, truly powerful." —New York Times Book Review
Why is it so difficult to simply be present? The reason is that our deeply suppressed emotional imprints from childhood which Eckhart Tolle calls the pain-body distract from an awareness of the present moment. We re not broken and don t need to be healed but rather, our discomfort needs to be integrated. The Presence Process is a journey that guides readers into taking responsibility for our emotional integration. It is a way to consciously grow up and become responsible for determining the quality of our personal experience. The book teaches readers how to exercise authentic personal responsibility in a practical manner and reveals the mechanics that shape the way they feel about their lives. It offers a simple, practical approach to accomplishing and maintaining personal peace in the midst of globally accelerating change, discomfort, conflict, and chaos."
The ultimate moneymaking plan—buy the ancient, run-down Scottish castle and turn it into a tourist destination. Toni Fraser and her friends will put on reenactments combining fact and fiction, local history, murder and an imaginary laird named Bruce MacNiall. Just as someone arrives, claiming to actually be Laird MacNiall—a tall, dark, formidable Scot somehow familiar to Toni—the bodies of young women are found, dumped and forgotten in the nearby town. But even stranger, how is it possible this laird exists? Toni invented Bruce MacNiall for the performance…yet sinister, lifelike dreams suggest he's connected to the recent deaths. Bruce claims he wants to help catch the murderer. But even if she wants to, can Toni trust him…when her visions seem to be coming from within the very eyes of the killer himself?
During the 1950s and early 1960s Flannery O'Connor wrote more than a hundred book reviews for two Catholic diocesan newspapers in Georgia. This full collection of these reviews nearly doubles the number that have appeared in print elsewhere and represents a significant body of primary materials from the O'Connor canon. We find in the reviews the same personality so vividly apparent in her fiction and her lectures--the unique voice of the artist that is one clear sign of genius. Her spare precision, her humor, her extraordinary ability to permit readers to see deeply into complex and obscure truths-all are present in these reviews and letters.
“Enough smoothly crafted suspense to keep readers turning pages long after dark.”—The Seattle Times Beyond the sparkling Hawiian beaches, masked by the deceptive beauty of the rainforest, evil awaits sixteen-year-old Michael Sundquist and his mother, Katharine, and anthropologist who has come to the Islands to study the unusual skeletal remains unearthed on the volcanic flanks of Halekala, Maui. Yet far below the black depths of the Pacific a mysterious substance snakes through undiscovered fissures in the ocean floor, as nature itself seems to portend the terror to come. Then, with the sudden, unexpected death of Michael’s friend, a disturbing truth dawns: the corporation that is funding Katherine’s dig has a far greater investment than she ever imagined—an investment in medical terror. And her son may be part of their hideous grand plan. . . . “A suspenseful thriller . . . provocative . . . Nicely done, indeed.”—Kirkus Reviews “Classic Saul . . . A potent brew.”—Publishers Weekly
Winner of the 2012 National Translation Award “What Sinan [Antoon] has done with In the Presence of Absence is a kind of miraculous work of dedication and love. Reading this volume is sheer enjoyment and sublimity.” —Saadi Yousef “There are two maps of Palestine that politicians will never manage to forfeit: the one kept in the memories of Palestinian refugees, and that which is drawn by Darwish’s poetry.” —Anton Shammas One of the most transcendent poets of his generation, Darwish composed this remarkable elegy at the apex of his creativity, but with the full knowledge that his death was imminent. Thinking it might be his final work, he summoned all his poetic genius to create a luminous work that defies categorization. In stunning language, Darwish’s self-elegy inhabits a rare space where opposites bleed and blend into each other. Prose and poetry, life and death, home and exile are all sung by the poet and his other. On the threshold of im/mortality, the poet looks back at his own existence, intertwined with that of his people. Through these lyrical meditations on love, longing, Palestine, history, friendship, family, and the ongoing conversation between life and death, the poet bids himself and his readers a poignant farewell.
In the Presence of My Enemies, the gripping true story of American missionaries Martin and Gracia Burnham’s year as hostages in the Philippine jungle, was a New York Times best seller and has sold nearly 350,000 copies. This updated edition contains never-before-published information on the capture and trial of the Burnhams’ captors; Gracia’s secret return trip to the Philippines; and updates on recent events in Gracia’s life, ministry, and family.
This provocative exploration of the nature and history of the word in some of its social, psychological, literary, phenomenological, and religious dimensions argues that the word is initially aural and in the last analysis always remains sound; it cannot be reduced to any other category. Father Ong contends that sound is essentially an event manifesting power and personal presence, and his descriptive analysis of the development of the media of verbal expression, from their oral sources through the laborious transfer to the visual world and then to contemporary means of electronic communication, shows that the predicament of the human word is the predicament of man himself. Examining the close alliance of the spoken word with the sense of the sacred, particularly in the Hebreo-Christian tradition, he reveals that in a world where presence has penetrated time and space as never before, modern man must find the God who has given himself in the Word which brings man more into the world of sound than of sight.