Download Free The Precious Dreadful Book in PDF and EPUB Free Download. You can read online The Precious Dreadful and write the review.

Combining romance and humor with elements of the paranormal, this is a profound novel about one teenage girl’s decision to redefine her life in the wake of supernatural events. Teddi Alder is just trying to figure out her life. When she joins SUMMERTEENS, a library writing group, she’s only looking to keep herself busy, not go digging around in her subconscious. But as she writes, disturbing memories of her lost childhood friend Corey bubble to the surface, and Teddi begins to question everything: her friendship with her BFF Willa, how much her mom really knows, and even her own memories. Teddi fears she’s losing her grip on reality—as evidenced by that mysterious ghost-girl who emerges from the park pool one night, the one who won’t leave Teddi alone. To top it all off, she finds herself juggling two guys with potential, a quirky new boy named Joy and her handsome barista crush Aidan, who has some issues of his own. As the summer unfolds, Teddi is determined to get to the bottom of everything—her feelings, the mysterious ghost-girl, and the memories of Corey that refuse to be ignored.
Gifted artist? Standout student? All his teachers are sure certain that Evan Galloway can be the graduate who brings glory to small, ordinary St. Sebastian's School. As for Evan, however, he can't be bothered anymore. Since the shock of his young father's suicide last spring, Evan no longer cares about the future. In fact, he believes that he spent the first fifteen years of his life living a lie. Despite his mother's encouragement and the steadfast companionship of his best friend, Alexis, Evan is mired in rage and bitterness. Good memories seem ludicrous when the present holds no hope. Then Evan's grandmother hands him the key--literally, a key--to a locked trunk that his father hid when he was the same age as Evan is now. Digging into the trunk and the small-town secrets it uncovers, Evan can begin to face who his father really was, and why even the love of his son could not save him. In a voice that resonates with the authenticity of grief, Steven Parlato tells a different kind of coming-of-age story, about a boy thrust into adulthood too soon, through the corridor of shame, disbelief, and finally...compassion.
BONUS: This edition contains a Precious discussion guide and an excerpt from Sandra Novack's Everyone but You. The summer of 1978, ten-year-old Vicki Anderson rides her bike to the local park and goes missing. Her tight-knit blue-collar Pennsylvania neighborhood, where children roam the streets at night playing lightning tag, aboveground pools sparkle in backyards, and flowers scent the air, will never be the same. Down the street from Vicki’s house, another family is in crisis. Troubled by her past, headstrong Natalia Kisch has abandoned her husband and two daughters for another man. Frank Kisch, grappling with his anger, is left to raise their girls alone, oblivious to his daughters’ struggles with both disappearances: Eva, seventeen, plunges into an affair with her married high school teacher, and nine-year-old Sissy escapes to a world of imagination and storytelling that becomes so magical it pierces the reality of the everyday. When Natalia unexpectedly returns, the struggles and tensions that have built over the summer erupt into a series of events that change the Kisches irrevocably—forcing them to piece together their complicated pasts and commitments to each other. In this haunting, atmospheric debut, Sandra Novack examines loss, loyalty, and a family in crisis. Lyrical and elegiac, Precious illuminates our attempts to make sense of the volatility that surrounds and consumes us, and explores our ability, even during the most trying times, to remember and hold on to those we love most.
From tabloid exposes of child prostitution to the grisly tales of Jack the Ripper, narratives of sexual danger pulsated through Victorian London. Expertly blending social history and cultural criticism, Judith Walkowitz shows how these narratives reveal the complex dramas of power, politics, and sexuality that were being played out in late nineteenth-century Britain, and how they influenced the language of politics, journalism, and fiction. Victorian London was a world where long-standing traditions of class and gender were challenged by a range of public spectacles, mass media scandals, new commercial spaces, and a proliferation of new sexual categories and identities. In the midst of this changing culture, women of many classes challenged the traditional privileges of elite males and asserted their presence in the public domain. An important catalyst in this conflict, argues Walkowitz, was W. T. Stead's widely read 1885 article about child prostitution. Capitalizing on the uproar caused by the piece and the volatile political climate of the time, women spoke of sexual danger, articulating their own grievances against men, inserting themselves into the public discussion of sex to an unprecedented extent, and gaining new entree to public spaces and journalistic practices. The ultimate manifestation of class anxiety and gender antagonism came in 1888 with the tabloid tales of Jack the Ripper. In between, there were quotidien stories of sexual possibility and urban adventure, and Walkowitz examines them all, showing how women were not simply figures in the imaginary landscape of male spectators, but also central actors in the stories of metropolotin life that reverberated in courtrooms, learned journals, drawing rooms, street corners, and in the letters columns of the daily press. A model of cultural history, this ambitious book will stimulate and enlighten readers across a broad range of interests.
American author John Horne Burns (1916–1953) led a brief and controversial life, and as a writer, transformed many of his darkest experiences into literature. Burns was born in Massachusetts, graduated from Andover and Harvard, and went on to teach English at the Loomis School, a boarding school for boys in Windsor, Connecticut. During World War II, he was stationed in Africa and Italy, and worked mainly in military intelligence. His first novel, The Gallery (1947), based on his wartime experiences, is a critically acclaimed novel and one of the first to unflinchingly depict gay life in the military. The Gallery sold half a million copies upon publication, but never again would Burns receive that kind of critical or popular attention. Dreadful follows Burns, from his education at the best schools to his final years of drinking and depression in Italy. With intelligence and insight, David Margolick examines Burns’s moral ambivalence toward the behavior of American soldiers stationed with him in Naples, and the scandal surrounding his second novel, Lucifer with a Book, an unflattering portrayal of his experiences at Loomis.
Yes, thats right. The writings of Plato do NOT all fit together in harmony, irrespective of the question of chronological development. To be sure, one is just ice skating over the surface of Platonic writings if one does not have a nuanced understanding of the various periods of Platos intellectual development over time. The incongruity in his writings which is a function of this multi-faceted intellectual development over time can, however, be sufficiently delineated. But there is another kind of incongruity which, especially in Platos case, could never be and in fact never was explainable through a nuanced accounting of Platos long and ever-revising intellectual development. The writings of Plato could never have been anything other than incongruous in this more fundamental sense, Plato being Plato. For Plato being Plato, early and or middle and or later, IS precisely this: Plato contra Plato. But more than that, the good itself [[i.e., Platos eventual teaching on the good and also, in fact, the good itself obtaining in and as that wellspring of greatness characteristic of reality itself]] is precisely the-good contra the-good. The good always and inevitably, and of its own nature, obtains only incompletely. Even as it presents itself, it withdraws. For the goods very manner of being-at-all is, precisely, this ever-to-be- withdrawing as its way of obtaining at all.
Take a tour of the strangest deaths in the world. Who died by tripping over his own beard? Why can blowing bubbles be deadly? What are some of the most famous last words?
A sharp-witted, debut high fantasy farce featuring killer moat squid, toxic masculinity, evil wizards and a garlic festival - all at once. Perfect for fans of T. Kingfisher, K. J. Parker and Travis Baldree. It’s bad enough waking up in a half-destroyed evil wizard’s workshop with no eyebrows, no memories, and no idea how long you have before the Dread Lord Whomever shows up to murder you horribly and then turn your skull into a goblet or something. It’s a lot worse when you realize that Dread Lord Whomever is… you. Gav isn’t really sure how he ended up with a castle full of goblins, or why he has a princess locked in a cell. All he can do is play along with his own evil plan in hopes of getting his memories back before he gets himself killed. But as he realizes that nothing – from the incredibly tasteless cloak adorned with flames to the aforementioned princess – is quite what it seems, Gav must face up to all the things the Dread Lord Gavrax has done. And he’ll have to answer the hardest question of all – who does he want to be? A high fantasy farce featuring killer moat squid, toxic masculinity, an evil wizard convocation, and a garlic festival. All at once. All in all, Dread Lord Gavrax has had better weeks.