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Solomon Harris is a high-profile attorney based in Los Angeles who makes a decent living representing the stars of Hollywood. He’s never met his father, an equally high-profile pastor based in Charlotte, North Carolina. So, when his father summons him from his sickbed in the hospital, Solomon isn’t so sure he wants to meet him—or his half siblings who lived the life he might have known if his father had claimed him almost three decades ago. Encouraged by his mother, Solomon finally agrees to fly to Charlotte. The visit prompts a predictable fallout with the family, along with plenty of unexpected results. Never did Solomon expect to represent his father in a court of law, or to find a love interest in a longtime friend of the family. But will the newfound love, of both his father and of a woman, be enough to break through the bitterness he’s harbored all his life?
As Jimmy Carter ascended to the presidency the heir apparent to Democratic liberalism, he touted his background as a born-again evangelical. Once in office, his faith indeed helped form policy on a number of controversial moral issues. By acknowledging certain behaviors as sinful while insisting that they were private matters beyond government interference, J. Brooks Flippen argues, Carter unintentionally alienated both social liberals and conservative Christians, thus ensuring that the debate over these moral “family issues” acquired a new prominence in public and political life. The Carter era, according to Flippen, stood at a fault line in American culture, religion, and politics. In the wake of the 1960s, some Americans worried that the traditional family faced a grave crisis. This newly politicized constituency viewed secular humanism in education, the recognition of reproductive rights established by Roe v. Wade, feminism, and the struggle for homosexual rights as evidence of cultural decay and as a challenge to religious orthodoxy. Social liberals viewed Carter's faith with skepticism and took issue with his seeming unwillingness to build on recent progressive victories. Ultimately, Flippen argues, conservative Christians emerged as the Religious Right and were adopted into the Republican fold. Examining Carter's struggle to placate competing interests against the backdrop of difficult foreign and domestic issues—a struggling economy, the stalled Strategic Arms Limitation Talks, disputes in the Middle East, handover of the Panama Canal, and the Iranian hostage crisis—Flippen shows how a political dynamic was formed that continues to this day.
This is the extraordinary story of an audacious fight for souls on famine ravaged Achill Island in the nineteenth century. Religious ferment swept Ireland in the early 1800s and evangelical Protestant clergyman Edward Nangle set out to lift the destitute people of Achill out of degradation and idolatry through his Achill Mission Colony. The fury of the island elements, the devastation of famine, and Nangle’s own volatile temperament all threatened the project’s survival. In the years of the Great Famine the ugly charge of ‘souperism’, offering food and material benefits in return for religious conversion, tainted the Achill Mission’s work. John MacHale, powerful Archbishop of Tuam, spearheaded the Catholic Church’s fightback against Nangle’s Protestant colony, with the two clergymen unleashing fierce passions while spewing vitriol and polemic from pen and pulpit. Did Edward Nangle and the Achill Mission Colony save hundreds from certain death, or did they shamefully exploit a vulnerable people for religious conversion? This dramatic tale of the Achill Mission Colony exposes the fault-lines of religion, society and politics in nineteenth century Ireland, and continues to excite controversy and division to this day.
"In this collection of three novellas, the Morrison family saga continues, featuring Joel's three sons: the preacher, Isaiah, weathers a divorce and wonders what the future has in store; the politician, Eric, must deal with a blackmailer threatening to derail his gubernatorial campaign; and the playboy, Shawn, finds himself a suspect in the death of an ex-lover"--
No one man or woman has ever been in a position to see the presidents, and the presidency, so intimately, over so many years. They called him in for photo opportunities. They called for comfort. They asked about death and salvation; about sin and forgiveness. At a time when the nation is increasingly split over the place of religion in public life, The Preachers and the Presidents reveals how the world's most powerful men and world's most famous evangelist, Billy Graham, knit faith and politics together.
"On January 15, 1975, the Reverend Jesse Jackson was leading a demonstration around the White House to protest the lack of jobs for black youths. As the demonstrators marched, Jackson was shocked to discover that many of the black youths marching with him were drunk or on drugs, many of them ""out of control."" Abruptly, he called a halt to the demonstration and sent the marchers home. Within a few months, Jackson launched a national campaign in the urban high schools of the nation to save the black youths of his country, to get them off drugs and motivate them to work hard, study in school, develop self-discipline, and become successful in American society. A program called PUSH for Excellence, or PUSH/Excel, was an outgrowth of his Operation PUSH organization. Society had no solutions for the black teenagers whom Jackson was trying to help, and his efforts were highly praised, at first, by the media and government officials."
Few states have as colorful a political history as Alabama, especially in the post-World War II era. During the past six decades, the state played a central role in the civil rights movement, largely moved away from its earlier farm-based economy and culture, and transitioned from a relatively moderate-progressive Democratic Party politics to today's hard-core conservative Republican Party domination. Moving onto and off Alabama's electoral stage during all these transformations have been some of the most interesting figures in 20th-century American government and politics. Swirling around these elected officials in the Heart of Dixie are stories, legends, and jokes that are told and retold by political insiders, journalists, and scholars who follow the goings-on in Washington and Montgomery. In Alabama, it seems, politics is not only a blood sport but high entertainment. There could be no better guide to this colorful history than political columnist and commentator Steve Flowers.
Most of the major black literary and cultural movements of the twentieth century have been understood and interpreted as secular, secularizing and, at times, profane. In this book, Josef Sorett demonstrates that religion was actually a formidable force within these movements, animating and organizing African American literary visions throughout the years between the New Negro Renaissance of the 1920s and the Black Arts movement of the 1960s. Sorett unveils the contours of a literary history that remained preoccupied with religion even as it was typically understood by authors, readers, and critics alike to be modern and, therefore, secular. Spirit in the Dark offers an account of the ways in which religion, especially Afro-Protestantism, remained pivotal to the ideas and aspirations of African American literature across much of the twentieth century. From the dawn of the New Negro Renaissance until the ascendance of the Black Arts movement, black writers developed a spiritual grammar for discussing race and art by drawing on terms such as "church" and "spirit" that were part of the landscape and lexicon of American religious history. Sorett demonstrates that religion and spirituality have been key categories for identifying and interpreting what was (or was not) perceived to constitute or contribute to black literature and culture. By examining figures and movements that have typically been cast as "secular," he offers theoretical insights that trouble the boundaries of what counts as "sacred" in scholarship on African American religion and culture. Ultimately, Spirit in the Dark reveals religion to be an essential ingredient, albeit one that was always questioned and contested, in the forging of an African American literary tradition.