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The massacre at Mountain Meadows on September 11, 1857, was the single most violent attack on a wagon train in the thirty-year history of the Oregon and California trails. Yet it has been all but forgotten. Will Bagley’s Blood of the Prophets is an award-winning, riveting account of the attack on the Baker-Fancher wagon train by Mormons in the local militia and a few Paiute Indians. Based on extensive investigation of the events surrounding the murder of over 120 men, women, and children, and drawing from a wealth of primary sources, Bagley explains how the murders occurred, reveals the involvement of territorial governor Brigham Young, and explores the subsequent suppression and distortion of events related to the massacre by the Mormon Church and others.
Ernest Thompson Seton (1860-1946) was a Scoto- Canadian (and naturalized U. S. citizen) who became a noted author, wildlife artist, founder of the Woodcraft Indians, and founding pioneer of the Boy Scouts of America (BSA). Seton also heavily influenced Lord Baden-Powell, the founder of Scouting. His notable books related to Scouting include The Birch Bark Roll and The Boy Scout Handbook. He is responsible for the strong influence of American Indian culture in the BSA. As a youth, he retreated to the woods to draw and study animals. He won a scholarship in art to the Royal Academy in London, England. Seton developed a fascination for wolves while working as a naturalist for Manitoba. He became successful as a writer, artist and naturalist, later moving to New York City to further his career. He was an early pioneer of the modern school of animal fiction writing, his most popular work being Wild Animals I Have Known (1898), which has always been in print. Other works include: Lobo, Rag and Vixen (1899), Two Little Savages (1903) and Animal Heroes (1911).
In his passionate, luminous novels, David James Duncan has won the devotion of countless critics and readers, earning comparisons to Harper Lee, Tom Robbins, and J.D. Salinger, to name just a few. Now Duncan distills his remarkable powers of observation into this unique collection of short stories and essays. At the heart of Duncan's tales are characters undergoing the complex and violent process of transformation, with results both painful and wondrous. Equally affecting are his nonfiction reminiscences, the "river teeth" of the title. He likens his memories to the remains of old-growth trees that fall into Northwestern rivers and are sculpted by time and water. These experiences—shaped by his own river of time—are related with the art and grace of a master storyteller. In River Teeth, a uniquely gifted American writer blends two forms, taking us into the rivers of truth and make-believe, and all that lies in between.