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This guide provides a closer view of the pre-Hispanic world, analysing the origins and decline of the greatest ancient American civilisations.
Introduction -- Pre-Columbian peoples of the Caribbean -- Ceramics of the eastern Caribbean -- Ceramics of the Greater Antilles -- Rock art -- Sculpture -- Personal adornment -- Epilogue: Living legacies
The final installment in the series of catalogues of the Robert Woods Bliss Collection, Pre-Columbian Art from Central America and Colombia at Dumbarton Oaks examines a comprehensive collection of jade and gold objects from Costa Rica, Panama, and Colombia. Full color photographs illustrate the breathtaking works of Indigenous artists and artisans.
Mesoamerican communities past and present are characterized by their strong inclination toward color and their expert use of the natural environment to create dyes and paints. In pre-Hispanic times, skin was among the preferred surfaces on which to apply coloring materials. Archaeological research and historical and iconographic evidence show that, in Mesoamerica, the human body—alive or dead—received various treatments and procedures for coloring it. Painting the Skin brings together exciting research on painted skins in Mesoamerica. Chapters explore the materiality, uses, and cultural meanings of the colors applied to a multitude of skins, including bodies, codices made of hide and vegetal paper, and even building “skins.” Contributors offer physicochemical analysis and compare compositions, manufactures, and attached meanings of pigments and colorants across various social and symbolic contexts and registers. They also compare these Mesoamerican colors with those used in other ancient cultures from both the Old and New Worlds. This cross-cultural perspective reveals crucial similarities and differences in the way cultures have painted on skins of all types. Examining color in Mesoamerica broadens understandings of Native religious systems and world views. Tracing the path of color use and meaning from pre-Columbian times to the present allows for the study of the preparation, meanings, social uses, and thousand-year origins of the coloring materials used by today’s Indigenous peoples. Contributors: María Isabel Álvarez Icaza Longoria Christine Andraud Bruno Giovanni Brunetti David Buti Davide Domenici Élodie Dupey García Tatiana Falcón Álvarez Anne Genachte-Le Bail Fabrice Goubard Aymeric Histace Patricia Horcajada Campos Stephen Houston Olivia Kindl Bertrand Lavédrine Linda R. Manzanilla Naim Anne Michelin Costanza Miliani Virgina E. Miller Sélim Natahi Fabien Pottier Patricia Quintana Owen Franco D. Rossi Antonio Sgamellotti Vera Tiesler Aurélie Tournié María Luisa Vázquez de Ágredos Pascual Cristina Vidal Lorenzo
Offers an in-depth look at pre-Columbian sources of modern art.
A panoramic view of the arts of South America, with special emphasis on Peru.
From ancient Valdivian figurines and vessels dating back to 3500 b.c. to Incan and Aztec objects created just before the Spanish explorers landed, this is a story of discovery that spans 50 centuries, stretches from southern Peru to northern Mexico, and is still ongoing. This expansive survey of pre-Columbian art includes images of gods, portraits of men and women, representations of animals and plants, and objects of pure abstraction. The beautifully photographed pieces—all from the Jimmy and Leonora Belilty collection—reveal the artists’ mastery over their materials, as well as their workmanship and conceptual creativity.