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One of the 1960s counterculture's most fascinating characters was Kerry Wendell Thornley -- a writer, philosopher, Zen dishwasher, enlightened prankster, and, possibly, an Oswald double with disturbing ties to the Kennedy assassination. A lifelong provocateur, Thornley was linked to many of the fringe elements of the time. He helped create the spoof religion called the Discordian Society and its tract, the Principia Discordia. He coined the term "paganism" to describe various nature religions. And he befriended Robert Anton Wilson, inspired the Illuminatus, and gave his anarchic support to the Bavarian Illuminati, a brilliant prank.
From Benjamin Franklin's newspaper hoax that faked the death of his rival to Abbie HoffmanOCOs attempt to levitate the Pentagon, pranksters, hoaxers, and con artists have caused confusion, disorder, and laughter in Western society for centuries. Profiling the most notorious mischief makers from the 1600s to the present day, a Pranksters aexplores how OC pranksOCO are part of a long tradition of speaking truth to power and social critique. Invoking such historical and contemporary figures as P.T. Barnum, Jonathan Swift, WITCH, The Yes Men, and Stephen Colbert, Kembrew McLeod shows how staged spectacles that balance the serious and humorous can spark important public conversations. In some instances, tricksters have incited social change (and unfortunate prank blowback) by manipulating various forms of media, from newspapers to YouTube. For example, in the 1960s, self-proclaimed OC professional hoaxerOCO Alan Abel lampooned AmericaOCOs hypocritical sexual mores by using conservative rhetoric to fool the news media into covering a satirical organization that advocated clothing naked animals. In the 1990s, Sub Pop Records then-receptionist Megan Jasper satirized the commodification of alternative music culture by pranking thea New York Times ainto reporting on her fake lexicon of OC grunge speak.OCO Throughout this book, McLeod shows how pranks interrupt the daily flow of approved information and news, using humor to underscore larger, pointed truths. Written in an accessible, story-driven style, a Pranksters areveals how mischief makers have left their shocking, entertaining, and educational mark on modern political and social life."
The most extensive collection in print documenting the Discordian Society's wild and wooly legacy, Historia Discordia features the unique worldview and wit of such illuminated iconoclasts as Robert Anton Wilson and Discordian founders Greg Hill and Kerry Thornley. Chronicling Discordianism's halcyon days, Historia Discordia presents a fun and freewheeling romp through rare photos, holy tracts, art collages, and fnords, many of which appear for the first time in print. "Like communication-god Thoth with his yammering ape, like the all-important noise that Count Korzybski assures us must accompany our every signal, no harmony is possible without an acknowledgement and understanding of discord. Born from the bowling-alley epiphanies of Greg Hill and Kerry Thornley, its disruptive teachings disseminated through the incendiary writings of Robert Anton Wilson and other Eristic luminaries, the Discordian Society has unexpectedly become a landmark of gleefully aggressive sanity in a chaotic and incoherent world. Through this book, we can all involve ourselves in their gloriously constructive quarrel." --Alan Moore
From Chris Rylander, author of the breakout hit Fourth Stall saga, comes an incredibly funny and clever mash-up of middle grade school story and spy adventure. There are places in the world where heroes are born. There are places where brave men and women fight a never-ending battle against evil in order to keep our country and all other countries safe. There are places where the fate of our planet is being decided, even at this very moment, the consequences of which will echo through history. None of these places is in North Dakota. Carson Fender, seventh grader and notorious prankster, knows this. He's lived in North Dakota for his entire life, going to the same boring school every day, the same boring movie theater every week, the same boring state fair every year. Nothing ever changes, and nothing ever happens. That is, until today. Because today a desperate man hands him a package with a dire set of instructions. And that package is going to lead Carson to discover that there's a secret government agency operating in his small, quiet North Dakota hometown. And that this agency needs his help.
"Adam Gorightly offers a unique take on virtually every conspiracy of our time."—Erskine Payton, Erskine Overnight Kerry Thornley never imagined that after starting a spoof religion in the 1950s that worshipped Eris—the Greek goddess of chaos and discord—that this seeming joke would unleash a torrent of actual chaos into his life in the years to follow. During the late 1950s, Thornley became friends with Lee Harvey Oswald when the two served together in the Marines, and was actually writing a novel based on Oswald three years before John F. Kennedy's assassination. These connections would later cause New Orleans district attorney Jim Garrison to suspect that Thornley was one of the notorious Oswald doubles and a part of a JFK assassination plot. Initially, Thornley denied these allegations, but later came to believe that he'd been used as an unwitting pawn in the conspiracy. Adam Gorightly is best known for his book on the Manson Family, The Shadow Over Santa Susana: Black Magic, Mind Control and the Manson Family Mythos. Adam has appeared as a guest on numerous radio shows such as Coast To Coast AM with Ian Punnett and Ground Zero with Clyde Lewis. Television appearances include the History Channel's documentary The Manson Murders.
Utilizing contemporary scholarship on secularization, individualism, and consumer capitalism, this book explores religious movements founded in the West which are intentionally fictional: Discordianism, the Church of All Worlds, the Church of the SubGenius, and Jediism. Their continued appeal and success, principally in America but gaining wider audience through the 1980s and 1990s, is chiefly as a result of underground publishing and the internet. This book deals with immensely popular subject matter: Jediism developed from George Lucas' Star Wars films; the Church of the Flying Spaghetti Monster, founded by 26-year-old student Bobby Henderson in 2005 as a protest against the teaching of Intelligent Design in schools; Discordianism and the Church of the SubGenius which retain strong followings and participation rates among college students. The Church of All Worlds' focus on Gaia theology and environmental issues makes it a popular focus of attention. The continued success of these groups of Invented Religions provide a unique opportunity to explore the nature of late/post-modern religious forms, including the use of fiction as part of a bricolage for spirituality, identity-formation, and personal orientation.
From the best-selling author of The Hangman's Daughter, a historical thriller set in contemporary Bavaria, about Ludwig II's mysterious death and the long-lost diary that could unlock its secrets.
For decades the debate has raged over if Lee Harvey Oswald was a ?LONE NUT? or a patsy for a larger conspiracy to assassinate a sitting American President. One of the more interesting and controversial figures in Kennedy Assasination was Kerry Thornley. One time friend of Lee Harvey Oswald, having served with him in the Marines at El TORO as well as in the FAR EAST. After the Marines, Thornley visits New Orleans and is believed to have visited the Oswald's, quite possibly believed to have stayed with him during this critical period of Lee Harvey Oswald's life as he moved towards the assassination. Now you can read Thornley's initial analysis of Oswald as the LONE NUT, written in a secluded apartment in Washington D.C. just days after Kennedy's assassination! A theory Thornley himself rejected in later life as he became more convinced that Oswald was a pawn in a vast CIA conspiracy. Did Thornley get his initial analysis wrong? Or did he actually get it right.....
New perspectives on the misinformation ecosystem that is the production and circulation of fake news. What is fake news? Is it an item on Breitbart, an article in The Onion, an outright falsehood disseminated via Russian bot, or a catchphrase used by a politician to discredit a story he doesn't like? This book examines the real fake news: the constant flow of purposefully crafted, sensational, emotionally charged, misleading or totally fabricated information that mimics the form of mainstream news. Rather than viewing fake news through a single lens, the book maps the various kinds of misinformation through several different disciplinary perspectives, taking into account the overlapping contexts of politics, technology, and journalism. The contributors consider topics including fake news as “disorganized” propaganda; folkloric falsehood in the “Pizzagate” conspiracy; native advertising as counterfeit news; the limitations of regulatory reform and technological solutionism; Reddit's enabling of fake news; the psychological mechanisms by which people make sense of information; and the evolution of fake news in America. A section on media hoaxes and satire features an oral history of and an interview with prankster-activists the Yes Men, famous for parodies that reveal hidden truths. Finally, contributors consider possible solutions to the complex problem of fake news—ways to mitigate its spread, to teach students to find factually accurate information, and to go beyond fact-checking. Contributors Mark Andrejevic, Benjamin Burroughs, Nicholas Bowman, Mark Brewin, Elizabeth Cohen, Colin Doty, Dan Faltesek, Johan Farkas, Cherian George, Tarleton Gillespie, Dawn R. Gilpin, Gina Giotta, Theodore Glasser, Amanda Ann Klein, Paul Levinson, Adrienne Massanari, Sophia A. McClennen, Kembrew McLeod, Panagiotis Takis Metaxas, Paul Mihailidis, Benjamin Peters, Whitney Phillips, Victor Pickard, Danielle Polage, Stephanie Ricker Schulte, Leslie-Jean Thornton, Anita Varma, Claire Wardle, Melissa Zimdars, Sheng Zou
This volume fills a lacuna in the academic assessment of new religions by investigating their cultural products (such as music, architecture, food et cetera). Contributions explore the manifold ways in which new religions have contributed to humanity’s creative output.