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In this volume of The Practice and Other Stories, a collection of short stories and selected poems, I tried to write with some satiric wit and Jewish humor about working-class New York characters that I had observed during my growing- up years in Brooklyn from the 1950’s to 1970’s. I have been greatly influenced by the movies and I try to turn a satiric camera eye on the details of every day life. This collection of five short stories and 4 poems represents my continued appreciation for the short story format. Blind Man is the result of my child hood recollections of being forced to visit with various family members in the exotic (to me) borough of the Bronx. It is a story of starry eyed youth on the threshold of lost innocence and the discovery, for better or worse, of a much wider world. The Visit is a story about enduring family bonds despite conflicting world views and value systems. The Practice, which was first published in the Jewish Digest January, 1971, is a story about the confluence of mysticism, superstition and science in the life of a Brighton Beach family doctor whose old world clients see him as more of a shaman than a physician. The Fundraiser is a story about an older working man caught between his need to earn a living in a profession he has come to detest and the realization that he needs to find a better way of life. Coney Island Limey is a story based loosely on the real life antics of an eccentric chap from Liverpool who sneaks into America under rather dubious circumstances and who then tries to ingratiate himself into the good graces of a rather naïve Brooklyn family of misfits in hopes of wedding their beautiful if somewhat clueless daughter. The four poems are included in this collection because they are four of my personal favorites. In addition to several years working in sales for Rizzoli Editore, Prudential, and John Hancock, I also worked at various times a public relations consultant for various business and non-profit clients as well as a public relations consultant and writer for several governmental entities such Brooklyn Borough President Sebastian Leone and the New York State Consumer Protection Board during the administration of Gov. Hugh Carey. My resume also includes several stints in New York and New Jersey as a fundraiser for the Council of Jewish Federations and the United Jewish Appeal. After earning my MSW from Temple University, I went to work in the field of child welfare for both the New York City and City of Philadelphia Departments of Human Services. During my undergraduate years at Hamilton College, I studied creative writing with Wallace Markfield (To An Early Grave, Teitlebaum’s Window) and with Alex Haley (Roots, The Autobiography of Malcolm X).Today, I make my home in Philadelphia where I continue to work and write. As a callow youth of twenty, I dreamed of taking the literary world by storm. I was greatly influenced by the works of Mark Twain, O’Henry, Sholem Aleichem, Edgar Allen Poe, Bernard Malamud, Jack Kerouac, Mario Puzo, William Faulkner, Eugene O’Neil, William Saroyan, Philip Roth, William Shakespeare, Isaac Bashevis Singer and Wallace Markfield. I was equally moved by the poetry of such great poets as Lord Byron, John Keats, Percy Shelly, Dylan Thomas, Paul Verlaine, Arthur Rimbaud, Charles Baudelaire and Allen Ginsberg. Equally important to my development as a writer are the works of Albert Camus, Jean Paul Sartre, Andre Gide, Andre Malraux, and Eugene Ianesco. Cinematic influences include: David Lean; the French New Wave auteurs such as Jean Luc Goddard and Francois Truffaut; the comedic geniuses of Charles Chaplin, Buster Keaton, Jerry Lewis, and Jacques Tati; the American masters such as Francis Ford Copolla, Martin Scorcese, George Lucas and Stephen Spielberg. With this collection of short stories and selected poems I may not have ta
Soto writes with a pure sweetness free of sentimentality that is almost extraordinary in modern American poetry. -- Andrew Hudgins. Soto insists on the possibility of a redemptive power, and he celebrates the heroic, quixotic capacity for survival in human beings and the natural world. -- Publishers Weekly. Soto has it all -- the learned craft, the intrinsic abilities with language, a fascinating autobiography, and the storyteller's ability to manipulate memories into folklore. -- Library Journal.
The first selected poems from one of the most inventive poets writing today.
One of the astonishing aspects of [Oliver's] work is the consistency of tone over this long period. What changes is an increased focus on nature and an increased precision with language that has made her one of our very best poets. . . . These poems sustain us rather than divert us. Although few poets have fewer human beings in their poems than Mary Oliver, it is ironic that few poets also go so far to help us forward.
Jim Harrison's popular novels represent only part of his literary output—he has also been widely acclaimed for the "renegade genius" of his powerful, expressive verse, collected in several books such as The Theory and Practice of Rivers and Other Poems (Clark City Press, 1989). After Ikkyu is the first collection of Harrison's poems that are directly inspired by his many years of Zen practice.
“One of the finest poets of the last fifty years.” —Salt to the Nth, like the truth of an ending unskeined across the crust of the white field. Though it happened only once, I am sending the thought of the thought continuing. To return to the field before the mowing. When a goldfinch swayed on a blue stem stalk, and the wind and the sun stirred the hay. —from “After the Mowing” Cinder: New and Selected Poems gathers for the first time poetry from across Susan Stewart’s thirty-five-year career, including many extraordinary new poems. From brief songs to longer meditative sequences, and always with formal innovation and exquisite precision, Stewart evokes the innocence of childhood, the endangered mysteries of the natural world, and deeply felt perceptions, both acute and shared. “Stewart explores our insatiable desire to remember and make meaning out of this remembering,” Ange Mlinko writes in The Nation. “Stewart’s elegiac bent has broadened, over time, from the personal lyric . . . to what might be called the cultural lyric. Fewer and fewer of her poems reference what she alone remembers; they are about what you and I remember.” Reading across this retrospective collection is a singular experience of seeing the unfolding development of one of the most ingenious and moving lyric writers in contemporary poetry.
Following the success of several recent inspirational and practical books for would-be writers, Poemcrazy is a perfect guide for everyone who ever wanted to write a poem but was afraid to try. Writing workshop leader Susan Wooldridge shows how to think, use one's senses, and practice exercises that will make poems more likely to happen.
Provides short biographies of Latino American writers and journalists and information on their works.
Titled from lyrics of the song “Nobody Home” by Pink Floyd, this well-thought poetry collection touches on the subjects of loss, love, pain, happiness, depression, abandonment, war, good vs. evil, alcoholism, religion, and complicated family relationships. Written mostly in metered, rhyming stanzas, Black Book of Poems provides a non-threatening platform for reflection and meditation on life’s most difficult challenges. This collection offers a refreshingly honest approach to life and love that feels realistic and relatable to everyone.