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A fascinating collection of images showing how the towns and villages in the Staffordshire Potteries have changed across the last century.
Potter, teacher, and writer Jack Troy once said, "If North America has a 'pottery state,' it must be North Carolina." North Carolina Potteries Through Time proves to readers that his assessment is correct. Prehistoric Native American potters first made pottery in the region, followed by eighteenth-century English and German settlers. Many generations of potters followed in their footsteps, and today hundreds of potters and ceramics artists turn out ware in every part of the state. In the town of Seagrove, there's a whole museum and educational center dedicated to North Carolina pottery production. Many private and public collections exist. Buyers seek it out at auctions, antique shops, kiln openings, festivals, and studio sales. This book is chock-full of images representing all periods and styles of pottery made in the state, including many published for the first time. Readers new to the topic, as well as expert collectors, historians, and potters will find satisfaction in this richly illustrated and descriptively written volume.
A history of Pottery in North Carolina's Seagrove area where more than one hundred potters craft pottery today.
This unique book offers an in-depth look at the cultural, socio-economic, religious, political, and technological conditions that defined the subject matter of Staffordshire Figures. Each chapter is a self-contained study of the potteries, the potters, and various categories of pre-Victorian and Victorian figures including spaniels and other animals, the monarchy, religious figures, children, heroes and rouges, architectural figures and much more. Included are over 550 superb color photographs of Staffordshire figures (some previously unrecorded), and detailed captions with values.
A synthesis of research on earthenware technologies of the Late Archaic Period in the southeastern U.S. Information on social groups and boundaries, and on interaction between groups, burgeons when pottery appears on the social landscape of the Southeast in the Late Archaic period (ca. 5000-3000 years ago). This volume provides a broad, comparative review of current data from "first potteries" of the Atlantic and Gulf coastal plains and in the lower Mississippi River Valley, and it presents research that expands our understanding of how pottery functioned in its earliest manifestations in this region. Included are discussions of Orange pottery in peninsular Florida, Stallings pottery in Georgia, Elliot's Point fiber-tempered pottery in the Florida panhandle, and the various pottery types found in excavations over the years at the Poverty Point site in northeastern Louisiana. The data and discussions demonstrate that there was much more interaction, and at an earlier date, than is often credited to Late Archaic societies. Indeed, extensive trade in pottery throughout the region occurs as early as 1500 B.C. These and other findings make this book indispensable to those involved in research into the origin and development of pottery in general and its unique history in the Southeast in particular.
From the 1930s to the 1960s, numerous potteries in California turned out some of the finest figural pottery ever made in America. Here they are illustrated in over 800 color photographs covering more than 75 companies such as Brayton Laguna, Kay Finch, Hedi Scoop, DeLee Art, Robert Simmons, Walker-Renaker, and others. Provides information about the potteries, tips for collectors, and Price Guide.
The distinctive potteries in Chester County, Pennsylvania, west of Philadelphia, have produced utilitarian goods for the farmers who settled here and influenced their descendents who moved West and South. In the 19th century, famous potteries in Chester County made redware, majolica, and semi-porcelains of note. This work records histories, shows examples, and documents early settlers.
From one of Britain’s leading historians and the director of the Victoria & Albert Museum, a scintillating biography of Josiah Wedgwood, the celebrated eighteenth-century potter, entrepreneur, and abolitionist Wedgwood’s pottery, such as his celebrated light-blue jasperware, is famous worldwide. Jane Austen bought it and wrote of it in her novels; Empress Catherine II of Russia ordered hundreds of pieces for her palace; British diplomats hauled it with them on their first-ever mission to Peking, audaciously planning to impress China with their china. But the life of Josiah Wedgwood is far richer than just his accomplishments in ceramics. He was a leader of the Industrial Revolution, a pioneering businessman, a cultural tastemaker, and a tireless scientific experimenter whose inventions made him a fellow of the Royal Society. He was also an ardent abolitionist, whose Emancipation Badge medallion—depicting an enslaved African and inscribed “Am I Not a Man and a Brother?”—became the most popular symbol of the antislavery movement on both sides of the Atlantic. And he did it all in the face of chronic disability and relentless pain: a childhood bout with smallpox eventually led to the amputation of his right leg. As historian Tristram Hunt puts it in this lively, vivid biography, Wedgwood was the Steve Jobs of the eighteenth century: a difficult, brilliant, creative figure whose personal drive and extraordinary gifts changed the way we work and live. Drawing on a rich array of letters, journals, and historical documents, The Radical Potter brings us the story of a singular man, his dazzling contributions to design and innovation, and his remarkable global impact.
This richly illustrated portrait of North Carolina's pottery traditions tells the story of the generations of 'tuners and burners' whose creation are much admired for their strength and beauty. The first comprehensive ceramic history for the state, this book examines the largely vanished world of folk potters and the continuing achievements of their descendants.