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This volume provides the reader with not only the medieval Latin on facing pages, but also a historical background of the work, the era and Nicholas of Lyra himself. This volume should appeal to scholars interested in medieval biblical commentaries and the language and context of the 15th century.
'Lucid, restrained, persuasive. If there is such a thing as the history wars, then Bain Attwood has struck a major blow for the peace process. Telling the Truth About Aboriginal History is unflinchingly fair, scholarly, and refreshingly accessible.' Hugh Mackay, social researcher and author 'Genuinely good Australian history is under serious attack and Attwood's book is a brilliant battlefield analysis.' Alan Atkinson, Australian Research Council Professorial Fellow 'Hard-hitting but always thoughtful, Bain Attwood's rich, informed, and powerful book. has much to say about the centrality of history and memory to debates on the future of social justice in democratic societies.' Professor Dipesh Chakrabarty, University of Chicago Once upon a time historical controversies were debated among a small circle of academic historians. Today they are the subject of intense 'history wars' fought out in parliament, court rooms, museums, newspapers, cafes and blog sites. Bain Attwood takes us to the heart of the conflict about the Aboriginal past in Australia. He tracks the growing popularity of history and weighs the consequences for the nature of historical knowledge and the authority of the historian. He asks why and how Aboriginal history has become central to Australian politics, culture and identity. He examines the work of historical 'revisionists' and tests their promise of historical truth. Finally, Attwood ponders how the traumatic history of frontier conflict might better be remembered - and mourned - and why telling the truth about history matters for the nation and for all of us.
The Song of Songs was one of the most frequently interpreted biblical books of the Middle Ages. Most scholarly studies concentrate on monastic interpretations of the text, which tend to be contemplative in nature. In Out of the Cloister, Suzanne LaVere reveals a particularly scholastic strain of Song of Songs exegesis, in which cathedral school masters and mendicants in and around 12th and 13th-century Paris read the text as Christ exhorting the Church and clergy to lead an active life of preaching, instruction, conversion, and reform. This new interpretation of the Song of Songs both reflected and influenced an era of far-reaching Church reform and offered a program for secular clergy to combat heresy and apathy among the laity.
The first modern study of Nicholas of Lyra. A Franciscan teacher at the University of Paris, Nicholas (d. 1349) was an immensely important biblical commentator whose works influenced generations of scholars including Luther. Famed for his knowledge of Hebrew learning, as well as of the Latin Fathers, Nicholas was also highly conscious of interpretative method and of the Bible as literary artefact. In his massive Postillae, Nicholas commented on the entire Bible according to both literal and spiritual senses. This masterpiece is the basis for fifteen essays which cover major biblical books, examining them in a variety of ways, such as interpretative history, theology, and even political theory. They illuminate the remarkable range of Nicholas' thinking, his impressive scholarship, and his Franciscan evangelism. A major study of a key medieval writer. Contributors include: Philippe Buc, Mary Dove, Theresa Gross-Diaz, Deeana Copeland Klepper, Philip D.W. Krey, Frans van Liere, Kevin Madigan, Corrine Patton, Michael A. Signer, Lesley Smith, and Mark Zier.
The Song of Songs, traditionally attributed to Solomon, is a collection of lyrics that celebrate in earthly terms the love of a bridegroom and a bride. Throughout the course of early Christian history, the Song of Songs was widely read as an allegory of the love of Christ both for the church and for its individual members. In reading the Song this way, Christians were following in the steps of Jewish exegetes who saw the Song as celebrating the love of God for Israel. In The Song of Songs, the inaugural volume of The Church's Bible, Richard A. Norris Jr. uses commentaries and sermons from the church's first millennium to illustrate the original Christian understanding of Solomon's beautiful poem. In recent times, the Song of Songs has been more a focus of literary than of religious interest, but Norris's work shows that for early Christians, this text was counted, with the Psalms and the Gospels, among those Scriptures that touched most deeply on the believer's relation to God. All in all, Norris's Song of Songs is a masterful work that aptly acquaints contemporary readers with the church's traditional way of discerning in this text a guide to the character of Christian belief and life. This volume -- and the entire Church's Bible series -- will be welcomed by preachers, teachers, students, and general readers alike.
Jenson focuses on the overt sense of the book as an erotic love poem in order to discover how this evocative poetry solicits a theological reading.
We live in a world where sexuality is ruined by sin, its beauty obscured by our brokenness. We need a divine vision for the way love was meant to be, with a gospel that offers forgiveness for sin and grace to live in the way that God has made us to be. In the Song of Songs, we encounter a love story that is part of the greatest love story ever told. Philip Ryken walks through this biblical love poem verse by verse, reflecting on what the Bible says about God's design for love, intimacy, and sexuality and offering insights into not only human relationships but also our relationship to God himself—learning more about the One who has loved us with an everlasting love.
The Song of Songs is a fascinating text. Read as an allegory of God’s love for Israel, the Church, or individual believers, it became one of the most influential texts from the Bible. This volume includes twenty-three essays that cover the Song’s reception history from antiquity to the present. They illuminate the richness of this reception history, paying attention to diverse interpretations in commentaries, sermons, and other literature, as well as the Song’s impact on spirituality, theological and intellectual debates, and the arts.
Textual criticism is in a period of change, as it seeks to account for an ever-growing body of textual data as well as the development of new methodologies. Since the older methodologies cannot simply be modified to meet our present needs, Multiple Originals seeks to build bridges between methods of traditional textual criticism and those of orality and formulaic analysis. Examining practices of textual criticism across a wide range of texts and disciplines, this book challenges the assumption that there can be only one correct reading and argues for the presence of multivalences of both meaning and text. It demonstrates that in some cases multivalences were intended by the composer, while in other cases, during the periods from which our earliest extant manuscripts derive, they fell within the limits of variability acceptable to those who valued and transmitted those texts.
By exploring how Martin Luther, Martin Bucer, and John Calvin interpreted a set of eight messianic psalms (Psalms 2, 8, 16, 22, 45, 72, 110, 188), Sujin Pak elucidates key debates about Christological exegesis during the era of the Protestant reformation. More particularly, Pak examines the exegeses of Luther, Bucer, and Calvin in order to (a) reveal their particular theological emphases and reading strategies, (b) identify their debates over the use of Jewish exegesis and the factors leading to charges of 'judaizing' leveled against Calvin, and (c) demonstrate how Psalms reading and the accusation of judaizing serve distinctive purposes of confessional identity formation. In this way, she portrays the beginnings of those distinctive trends that separated Lutheran and Reformed exegetical principles.