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Honorable Mention - American Association for Ukrainian Studies (AAUS) 2018-2019 Book Prize Having exploded on the margins of Europe, Chornobyl marked the end of the Soviet Union and tied the era of postmodernism in Western Europe with nuclear consciousness. The Post-Chornobyl Library in Tamara Hundorova’s book becomes a metaphor of a new Ukrainian literature of the 1990s, which emerges out of the Chornobyl nuclear trauma of the 26th of April, 1986. Ukrainian postmodernism turns into a writing of trauma and reflects the collisions of the post-Soviet time as well as the processes of decolonization of the national culture. A carnivalization of the apocalypse is the main paradigm of the post-Chornobyl text, which appeals to “homelessness” and the repetition of “the end of histories.” Ironic language game, polymorphism of characters, taboo breaking, and filling in the gaps of national culture testify to the fact that the Ukrainians were liberating themselves from the totalitarian past and entering the society of the spectacle. Along this way, the post-Chornobyl character turns into an ironist, meets with the Other, experiences a split of his or her self, and witnesses a shift of geo-cultural landscapes.
#1 NEW YORK TIMES BEST SELLER • In this urgent, authoritative book, Bill Gates sets out a wide-ranging, practical—and accessible—plan for how the world can get to zero greenhouse gas emissions in time to avoid a climate catastrophe. Bill Gates has spent a decade investigating the causes and effects of climate change. With the help of experts in the fields of physics, chemistry, biology, engineering, political science, and finance, he has focused on what must be done in order to stop the planet's slide to certain environmental disaster. In this book, he not only explains why we need to work toward net-zero emissions of greenhouse gases, but also details what we need to do to achieve this profoundly important goal. He gives us a clear-eyed description of the challenges we face. Drawing on his understanding of innovation and what it takes to get new ideas into the market, he describes the areas in which technology is already helping to reduce emissions, where and how the current technology can be made to function more effectively, where breakthrough technologies are needed, and who is working on these essential innovations. Finally, he lays out a concrete, practical plan for achieving the goal of zero emissions—suggesting not only policies that governments should adopt, but what we as individuals can do to keep our government, our employers, and ourselves accountable in this crucial enterprise. As Bill Gates makes clear, achieving zero emissions will not be simple or easy to do, but if we follow the plan he sets out here, it is a goal firmly within our reach.
A documentary account of the Chernobyl disaster of April 1986, this is based on interviews with many of the participants. Shcherbak considers Chernobyl to be the most important event in the USSR since World War II and felt compelled to go and live there and interview those involved.
The Chernobyl disaster of 1986 is among the largest technogenic catastrophes in the history of humankind. The vast territories of Ukraine, Republic of Belarus, Russian Federation as well as bordering European states have been exposed to the contamination by the long-lived radionuclides released from the destroyed nuclear power station. The medical consequences of the Chernobyl catastrophe are being studied for more than three decades. In fact, the increased risk of certain forms of leukemia is among the major stochastic effects of radiation exposure. Nevertheless, the final unambiguous conclusions as to the role of low-dose radiation exposure in the induction of leukemia are still pending. The book presents the results of studies on the diagnosis of various forms of hematological malignancies in Ukrainian patients provided for more than thirty years in the Oncohematology Department of RE Kavetsky Institute of Experimental Pathology, Oncology and Radiobiology, the National Academy of Sciences of Ukraine. Among the groups of leukemia patients were the Chernobyl clean-up workers as well as the patients from Ukrainian population (adults and children) inhabiting the territories with different levels of radionuclide contamination. For the first time, some trends in the patterns of hematological malignancies in several sample groups under study have been identified throughout the post-Chernobyl period. The putative association between the low dose radiation exposure and the increasing risk of acute myeloid leukemia, myelodysplastic syndromes and chronic lymphocytic leukemia has been discussed based on the findings of the authors of the book as well as the data of the available literature.
A Moscow detective is sent to Chernobyl for a frightening case in the most spectacular entry yet in Martin Cruz Smith’s Arkady Renko series. In his groundbreaking Gorky Park, Martin Cruz Smith created an iconic detective of contemporary fiction. Quietly subversive, brilliantly analytical, and haunted by melancholy, Arkady Renko survived, barely, the journey from the Soviet Union to the New Russia, only to find his transformed nation just as obsessed with corruption and brutality as was the old Communist dictatorship. In Wolves Eat Dogs, Renko returns for his most enigmatic and baffling case yet: the death of one of Russia’s new billionaires, which leads him to Chernobyl and the Zone of Exclusion—closed to the world since 1986’s nuclear disaster. It is still aglow with radioactivity, now inhabited only by the militia, shady scavengers, a few reckless scientists, and some elderly peasants who refuse to relocate. Renko’s journey to this ghostly netherworld, the crimes he uncovers there, and the secrets they reveal about the New Russia make for an unforgettable adventure.
'A voice that must be heard' Patti Smith 'Remarkable' Guardian 'Seductive, invigorating' Sunday Times 'An existential travel guide and an experiment in gonzo psychogeography... mesmerising' Telegraph An exhilarating, immersive journey into the Exclusion Zone of Chornobyl with the disaffected adventurers who illegally stalk its ruins, from one of Ukraine's foremost young writers The 1,000-square-mile Chornobyl Exclusion Zone is, for many, a symbol of total disaster: a reminder of shattered ideals and lost lives, now a toxic, dangerous no-man's-land. For Markiyan Kamysh, it became a site of pilgrimage. He and dozens like him call themselves 'stalkers': wild adventurers who sneak past border patrols to spend days getting lost in this apocalyptic environment of dense swampland and desolate villages. Kamysh, the son of a Chornobyl disaster liquidator, takes us with him into this alien world. In electric prose that captures the spectral beauty of the Zone and the reckless spirit of the stalkers, Kamysh tells of hallucinatory journeys alone amid the rusted ruins, of frantic brushes with police and moments of ecstatic oblivion in the wasteland. Written with gonzo energy and brash lyricism, Stalking the Atomic City is a vital, singular document of this dystopian reality.
The first English-language biography of Dmytro Dontsov, the “spiritual father” of the Organization of Ukrainian Nationalists, this book contextualizes Dontsov’s works, activities, and identity formation diachronically, reconstructing the cultural, political, urban, and intellectual milieus within which he developed and disseminated his worldview.
A personal interpretation of the impact of the Chernobyl disaster both in the Soviet Union and the West, examining the environmental consequences, Soviet media coverage, reconstruction of life in the disaster zone (including the city built for Chernobyl workers) and safety changes in the industry.
Ecoambiguity, Community, and Development takes stock of cultural and environmental contexts in many different regions of the world by exploring literature and film. Artists and scholars working in the social ecology, environmental justice, and postcolonial arenas have long recognized that as soon as we tug on a thread of “ecodegradation,” we generally find it linked to some form of cultural oppression. The reverse is also often true. In the spirit of postcolonial ecocriticism, the studies collected by Scott Slovic, R. Swarnalatha, and Vidya Sarveswaran emphasize the impossibility of disentangling environmental and cultural problems. While not all the authors explicitly invoke Karen Thornber’s term “ecoambiguity” or the concepts and terminology of postcolonial ecocriticism, their articles frequently bring to light various ironies. For example, the fact that Ukrainian environmental experience in the twenty-first century is defined by one of the world’s most infamous industrial disasters, the Chernobyl nuclear accident of 1986, yet Ukrainian culture, like many throughout the world, actually cherishes a profound, even animistic, attachment to the wonders of nature. The repetition of this and other paradoxes in human cultural responses to the more-than-human world reinforces our sense of the congruities and idiosyncrasies of human culture. Every human culture, regardless of its condition of economic and industrial development, has produced its own version of “environmental literature and art”—but the nuances of this work reflect that culture’s precise social and geophysical circumstances. In various ways, these stories of community and development from across the planet converge and diverge, as told and explained by distinguished scholars, many of whom come from the cultures represented in these articles.
When a titanic explosion ripped through the Number Four reactor at the Chernobyl Nuclear Plant in 1986, spewing flames and chunks of burning, radioactive material into the atmosphere, one of our worst nightmares came true. As the news gradually seeped out of the USSR and the extent of the disaster was realized, it became clear how horribly wrong things had gone. Dozens died - two from the explosion and many more from radiation illness during the following months - while scores of additional victims came down with acute radiation sickness. Hundreds of thousands were evacuated from the most contaminated areas. The prognosis for Chernobyl and its environs - succinctly dubbed the Zone of Alienation - was grim. Today, 20 years after the worst nuclear power plant accident in history, intrepid journalist Mary Mycio dons dosimeter and camouflage protective gear to explore the world's most infamous radioactive wilderness. As she tours the Zone to report on the disaster's long-term effects on its human, faunal, and floral inhabitants, she meets pockets of defiant local residents who have remained behind to survive and make a life in the Zone. And she is shocked to discover that the area surrounding Chernobyl has become Europe's largest wildlife sanctuary, a flourishing - at times unearthly - wilderness teeming with large animals and a variety of birds, many of them members of rare and endangered species. Like the forests, fields, and swamps of their unexpectedly inviting habitat, both the people and the animals are all radioactive. Cesium-137 is packed in their muscles and strontium-90 in their bones. But quite astonishingly, they are also thriving. If fears of the Apocalypse and a lifeless, barren radioactive future have been constant companions of the nuclear age, Chernobyl now shows us a different view of the future. A vivid blend of reportage, popular science, and illuminating encounters that explode the myths of Chernobyl with facts that are at once beautiful and horrible, Wormwood Forest brings a remarkable land - and its people and animals - to life to tell a unique story of science, surprise and suspense.