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The concept of genius intrigues us. Artistic geniuses have something other people don’t have. In some cases that something seems to be a remarkable kind of inspiration that permits the artist to exceed his own abilities. It is as if the artist is suddenly possessed, as if some outside force flows through him at the moment of creation. In other cases genius seems best explained as a natural gift. The artist is the possessor of an extra talent that enables the production of masterpiece after masterpiece. This book explores the concept of artistic genius and how it came to be symbolized by three great composers of the modern era: Handel, Mozart, and Beethoven. Peter Kivy, a leading thinker in musical aesthetics, delineates the two concepts of genius that were already well formed in the ancient world. Kivy then develops the argument that these concepts have alternately held sway in Western thought since the beginning of the eighteenth century. He explores why this pendulum swing from the concept of the possessor to the concept of the possessed has occurred and how the concepts were given philosophical reformulations as views toward Handel, Mozart, and Beethoven as geniuses changed in the eighteenth, nineteenth, and twentieth centuries.
Possessors and Possessed analyzes how and why museums—characteristically Western institutions—emerged in the late-nineteenth-century Ottoman Empire. Shaw argues that, rather than directly emulating post-Enlightenment museums of Western Europe, Ottoman elites produced categories of collection and modes of display appropriate to framing a new identity for the empire in the modern era. In contrast to late-nineteenth-century Euro-American museums, which utilized organizational schema based on positivist notions of progress to organize exhibits of fine arts, Ottoman museums featured military spoils and antiquities long before they turned to the "Islamic" collections with which they might have been more readily associated. The development of these various modes of collection reflected shifting moments in Ottoman identity production. Shaw shows how Ottoman museums were able to use collection and exhibition as devices with which to weave counter-colonial narratives of identity for the Ottoman Empire. Impressive for both the scope and the depth of its research, Possessors and Possessed lays the groundwork for future inquiries into the development of museums outside of the Euro-American milieu.
Morgan Kingsley, an exorcist with an attitude, returns in this paranormal fantasy follow-up to "The Devil Inside"--but this time a demon is living inside her and Morgan must do everything she can to protect him for the sake of herself and humanity. Original.
External Possession Constructions (EPCs) are found in nearly all parts of the world and across widely divergent language families. The data-rich papers in this first-ever volume on EPCs document their typological variability, explore diachronic reasons for variations, and investigate their functions and theoretical ramifications. EPCs code the possessor as a core grammatical relation of the verb and in a constituent separate from that which contains the possessed item. Though EPCs express possession, they do so without the necessary involvement of a possessive predicate such as “have” or “own”. In many cases, EPCs appear to “break the rules” about how many arguments a verb of a given valence can have. They thus constitute an important limiting case for evaluating theories of the relationship between verbal argument structure and syntactic clause structure. They also raise core questions about intersections among verbal valence, cognitive event construal, voice, and language processing.
A Grammar of Darma provides the first comprehensive description of this Tibeto-Burman language spoken in Uttarakhand, India. The analysis is informed by a functional-typological framework and draws on a corpus of data gathered through elicitation, observation and recordings of natural discourse. Every effort has been made to describe day-to-day language, so whenever possible, illustrative examples are taken from extemporaneous speech and contextualized. Sections of the grammar should appeal widely to scholars interested in South Asia’s languages and cultures, including discussions of the socio-cultural setting, the sound system, morphosyntactic, clause and discourse structure. The grammar’s interlinearized texts and glossary provide a trove of useful information for comparative linguists working on Tibeto-Burman languages and anyone interested in the world’s less-commonly spoken languages.
"First published in French in 1943 Jean-Paul Sartre's L'Être et le Néant is one of the greatest philosophical works of the twentieth century. In it, Sartre offers nothing less than a brilliant and radical account of the human condition. The English philosopher and novelist Iris Murdoch wrote to a friend of "the excitement - I remember nothing like it since the days of discovering Keats and Shelley and Coleridge". What gives our lives significance, Sartre argues in Being and Nothingness, is not pre-established for us by God or nature but is something for which we ourselves are responsible. Combining this with the unsettling view that human existence is characterized by radical freedom and the inescapability of choice, Sartre introduces us to a cast of ideas and characters that are part of philosophical legend: anguish; the 'bad faith' of the memorable waiter in the café; sexual desire; and the 'look' of the other, brought to life by Sartre's famous description of someone looking through a keyhole. Above all, by arguing that we alone create our values and that human relationships are characterized by hopeless conflict, Sartre paints a stark and controversial picture of our moral universe and one that resonates strongly today. This new translation includes a helpful Translator's Introduction, notes on the translation, a comprehensive index and a foreword by Richard Moran."--Book jacket.
This is the second volume of work that introduces a new and fundamentally different conception of language structure and linguistic investigation. This volume suggests how to use the theoretical tools presented in Volume One.
Possession is a key concept in both the common and civil law, but it has hitherto received little scrutiny. Law and Economics of Possession uses insights from economics, psychology and history to analyse possession in law, compare and contrast possession with ownership, break down the elements of possession as a fact and as a right, challenge the adage that 'possession is 9/10 of the law', examine possession as notice, explain the heuristics of possession, debunk the behavioural studies which confuse possession with ownership, explore the LightSquared dispute from the perspective of 'possession' of spectrum frequency and provide new insights to old questions such as first possession, adverse possession and property jurisdiction. The authors include leading property scholars, who examine possession laws in, among others, the USA, UK, China, Taiwan, Japan, Germany, France, Israel, the Netherlands, Spain, Portugal, Italy and Austria.
Linguists and anthropologists explore the intriguing variety of possessive phrases denoting ownership of property, whole-part relations (such as body and plant parts), and blood and affinal kinship relations across a wide range of languages. Like others in the series this pioneering book will be equally valued in linguistics and anthropology.
"It is common for grammars to include an introductory chapter that offers a general introduction to the language under investigation as well as its users. We encourage the grammar writer to include this type of information for the sign language to be described. If a certain variant of the sign language is described, this should be made clear at the outset. The structure of this part is fairly flexible. As can be seen from the table of contents, we suggest including information about (i) the history of the sign language, (ii) characteristics of the Deaf community, (iii) the status of the sign language, and (iv) previous linguistic work on the sign language. The last section in particular will have an impact on the content of subsequent parts, as we encourage the grammar writer to include findings from previous studies in the grammatical description of the sign language. Clearly, alternative structures are possible. The overview of previous linguistic work, for instance, could be provided under the "History" header, and Deaf culture and/or Deaf education could be discussed under dedicated first-level headers - to give just two examples. Also, depending on the available information, sub-headers could be added. Note that we adopt the convention of writing Deaf with a capital D when it refers to issues related to a community that is characterized by the use of a sign language. In contrast, deaf with a small d refers to the medical condition of not being able to hear. It is up to the grammar writer to decide whether to stick to this convention in the grammar"--