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Porch Portraits is the culmination of a three year visual documentation series based on the importance of porch culture and Creole lifestyle in New Orleans, Louisiana. Here it is, compiled into a photography coffee table book for New Orleans lovers and porch lovers alike.
"Civic engagement has been underrated and overlooked. Koritz and Sanchez illuminate the power of what community engagement through art and culture revitalization can do to give voice to the voiceless and a sense of being to those displaced." ---Sonia BasSheva Mañjon, Wesleyan University "This profound and eloquent collection describes and assesses the new coalitions bringing a city back to life. It's a powerful call to expand our notions of culture, social justice, and engaged scholarship. I'd put this on my 'must read' list." ---Nancy Cantor, Syracuse University "Civic Engagement in the Wake of Katrina is a rich and compelling text for thinking about universities and the arts amid social crisis. Americans need to hear the voices of colleagues who were caught in Katrina's wake and who responded with commitment, creativity, and skill." ---Peter Levine, CIRCLE (The Center for Information & Research on Civic Learning & Engagement) This collection of essays documents the ways in which educational institutions and the arts community responded to the devastation wrought by Hurricane Katrina. While firmly rooted in concrete projects, Civic Engagement in the Wake of Katrina also addresses the larger issues raised by committed public scholarship. How can higher education institutions engage with their surrounding communities? What are the pros and cons of "asset-based" and "outreach" models of civic engagement? Is it appropriate for the private sector to play a direct role in promoting civic engagement? How does public scholarship impact traditional standards of academic evaluation? Throughout the volume, this diverse collection of essays paints a remarkably consistent and persuasive account of arts-based initiatives' ability to foster social and civic renewal. Amy Koritz is Director of the Center for Civic Engagement and Professor of English at Drew University. George J. Sanchez is Professor of American Studies and Ethnicity and History at the University of Southern California. Front and rear cover designs, photographs, and satellite imagery processing by Richard Campanella. digitalculturebooks is an imprint of the University of Michigan Press and the Scholarly Publishing Office of the University of Michigan Library dedicated to publishing innovative and accessible work exploring new media and their impact on society, culture, and scholarly communication. Visit the website at www.digitalculture.org.
The Porch Project is the culmination of a three year visual documentation series based on the importance of porch culture and Creole lifestyle in New Orleans, Louisiana. Compiled into a photography coffee table book for New Orleans lovers and porch lovers alike, it's a glimpse into the spirit of contemporary New Orleans community and lifestyle.
Although the short story has existed in various forms for centuries, it has particularly flourished during the last hundred years. Reader's Companion to the Short Story in English includes alphabetically-arranged entries for 50 English-language short story writers from around the world. Most of these writers have been active since 1960, and they reflect a wide range of experiences and perspectives in their works. Each entry is written by an expert contributor and includes biography, a review of existing criticism, a lengthier analysis of specific works, and a selected bibliography of primary and secondary sources. The volume begins with a detailed introduction to the short story genre and concludes with an annotated bibliography of major works on short story theory.
Postmodernism, as a mode of the contemporary short story, has been clearly established and recognized by short story theorists. But postmodern theory, as pervasive as it has become among academics in the last half century, has scarcely been applied to the short story genre in particular. Many contemporary scholars, nonetheless, are currently making use of certain postmodern thematic approaches to help them determine meanings of particular short stories. T Short story theory began with Edgar Allan Poe's review of Twice-Told Tales, a collection of stories by his contemporary, Nathaniel Hawthorne. But theoretical discussions of the short story languished until modernism and the new criticism provided impetus for further development. Surprisingly, though, the next large critical movement, postmodernism, failed to address the short story as a genre. But while there is little postmodern theory concerning the short story, contemporary scholars have used certain postmodern critical approaches to help determine meaning. This book demonstrates the effect of postmodern theory on the study of the short story genre. The expert contributors to this volume examine such topics as genre and form, the role of the reader, cultural and ethnic diversity, and feminist perspectives on the short story. In doing so, they apply postmodern theoretical approaches to international short stories, be they in the traditional mode, the modern mode, or the postmodern mode. The volume looks at fiction by Edith Wharton, Henry James, Katherine Mansfield, and other authors, and at Iranian short fiction, the postcolonial short story, the fantastic in short fiction, and other subjects.
The groundbreaking debut by the award-winning author of Wayward Lives, Beautiful Experiments, revised and updated. Saidiya Hartman has been praised as “one of our most brilliant contemporary thinkers” (Claudia Rankine, New York Times Book Review) and “a lodestar for a generation of students and, increasingly, for politically engaged people outside the academy” (Alexis Okeowo, The New Yorker). In Scenes of Subjection—Hartman’s first book, now revised and expanded—her singular talents and analytical framework turn away from the “terrible spectacle” and toward the forms of routine terror and quotidian violence characteristic of slavery, illuminating the intertwining of injury, subjugation, and selfhood even in abolitionist depictions of enslavement. By attending to the withheld and overlooked at the margins of the historical archive, Hartman radically reshapes our understanding of history, in a work as resonant today as it was on first publication, now for a new generation of readers. This 25th anniversary edition features a new preface by the author, a foreword by Keeanga-Yamahtta Taylor, an afterword by Marisa J. Fuentes and Sarah Haley, notations with Cameron Rowland, and compositions by Torkwase Dyson.
An original, thought-provoking meditation on the corrosive legacy of slavery from the 16th century to the present.--Elizabeth Schmidt, "The New York Times."
Even before the end of Reconstruction in Arkansas, the state already possessed a long-standing reputation for violence, including lynchings, duels, and feuds. However, the years following Reconstruction witnessed the creation of new forms of mob violence. All across the state, gangs of whites sought to drive African Americans from their homes, their jobs, and their positions of authority, creating communities shamelessly advertised as “100% white.” This happened not only in the highland regions, the Ozarks and the Ouachitas, where the expulsion of African Americans created so-called “sundown towns,” but it also occurred in the low-lying Delta lands of eastern Arkansas, where cotton was king and where masked mobs of landless “whitecappers” and “nightriders” regularly dealt terror and murder to black sharecroppers. Racial Cleansing in Arkansas, 1883–1924: Politics, Land, Labor, and Criminality by Guy Lancaster is the first book to examine the phenomenon of racial cleansing within the context of one particular state, illustrating how violence relates to geography and economic development. Lancaster analyzes the wholesale expulsion of African Americans and the emergence of “sundown towns” together with a survey of more limited deportations, including those with blatant political goals as well as vigilante violence. The book has broader implications not only for the study of Southern and American history but also for a deeper understanding of ethnic and racial conflict, local politics, and labor history
A comprehensive survey of the Atlantic region from the 15th century to the present
Global Dimensions of the African Diaspora collects selected essays from the First and Second African Diaspora Institutes and other essays. This revised second edition, with broader geographical scope than the first edition, places greater emphasis on historical and sociopolitical analysis. New essays that examine the African experience and slavery in the Mediterranean, the black experience in Brazil, African religious retentions in Latin American countries, and essays by women that focus on the experience and contributions of African women of the diaspora address significant areas omitted in the first volume.