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The present volume is the first systematic reconstruction of the demographic series of the population of Shanghai from the mid-nineteenth century to 1953. Designed as a reference and source book, it is based on a thorough exploration of all population data and surveys available in published documents and in archival sources. The book focuses mostly on the pre-1949 period and extends to the post-1949 period only in relation to specific topics. Shanghai is probably the only city in China where such a reconstruction is possible over such a long period due to the wealth of sources and its particular administrative history, especially the existence of two foreign settlements.
From 1368 to 1953, China's administrative divisions were mainly composed of counties, prefectures, and provinces. This book shows the population figures, density, and changes in the provincial population in China during this period and population figures of each major city and town and its proportion in terms of the provincial population during this period―the urbanization rate. Data in this book is drawn partly from historical sources and partly from statistical-model-based calculations. The book also includes provincial population maps in 1393, and their original statistical models, population databases, and metadata.
Madmen in Shanghai: A Social History of Advertising in Modern China (1914–1956) provides a novel perspective on the emergence of Chinese consumer society through an extensive historical investigation of the advertising industry in pre-Communist China. Utilizing a diverse array of previously unexplored primary sources, including professional literature, newspapers, photographs, and municipal archives, it charts the development and growing influence of the advertising profession, fostered by professional organizations, agencies, and prominent practitioners. It underscores the crucial role of this hybrid and transnational profession in introducing an expanding array of consumer products and in shaping the enduring narrative of the “four hundred million customers.” This book will be of interest to scholars specializing in modern Chinese history, urban and consumer studies, media and mass communication, and also for professionals engaged in the fields of advertising and marketing.
Examining the stories of diverse Christians in Shanghai, this book uses the city as a model to highlight how a minority religion in a city has interacted with other religions as well as social, cultural, political, and economic changes. Susangeline Y. Patrick illustrates how the history of Shanghai Christians sheds light on why and how Christians have accommodated social and political changes, and gives valuable insights into multiculturalism, globalization, sinicization, and ecclesiology. The interreligious dialogues between Shanghai Christians and other traditions such as Buddhism, Daoism, Confucianism, Islam, and Judaism throughout history provide worthy reflections on the roles of Christians in a multi-religious space.
The South China enclave of Macau was the first and last European colonial settlement in East Asia and a territory at the crossroads of different empires. In this highly original study, Helena F. S. Lopes analyses the layers of collaboration that developed from neutrality in Macau during the Second World War. Exploring the intersections of local, regional and global dynamics, she unpacks the connections between a plurality of actors with competing and collaborative interests, including Chinese Nationalists, Communists and collaborators with Japan, Portuguese colonial authorities and British and Japanese representatives. Lopes argues that neutrality eased the movement of refugees of different nationalities who sought shelter in Macau during the war and that it helped to guarantee the maintenance of two remnants of European colonialism – Macau and Hong Kong. Drawing on extensive research from multilingual archival material from Asia, Europe, Australasia and America, this book brings to light the multiple global connections framing the experiences of neutrality and collaboration in the Portuguese-administered enclave of Macau.
This book explores the dissemination of knowledge around Chinese medicinal substances from the eighteenth to twentieth centuries in a global context. The author presents a microhistory of the caterpillar fungus, a natural, medicinal substance initially used by Tibetans no later than the fifteenth century and later assimilated into Chinese materia medica from the eighteenth century onwards. Tracing the transmission of the caterpillar fungus from China to France, Britain, Russia and Japan, the book investigates the tensions that existed between prevailing Chinese knowledge and new European ideas about the caterpillar fungus. Emerging in eighteenth and nineteenth-century Europe, these ideas eventually reached communities of scientists, physicians and other intellectuals in Japan and China. Seeking to examine why the caterpillar fungus engaged the attention of so many scientific communities across the globe, the author offers a transnational perspective on the making of modern European natural history and Chinese materia medica.
This collection analyses the concept of minority and minorities in global history. Taking transnational, transregional and comparative approaches, it explores narratives of inclusion and exclusion both conceptually and through case studies. Exploring examples of marginalization in Imperial Russia, early-20th century Korea, WWII China and Postcolonial Africa amongst others, the chapters in this volume seek to understand the entanglements of 'fluid minorities' and native populations in various historical settings. They explore dynamics between nation states and empires, minority-majority processes in (post)imperial and (post)Soviet contexts, fourth world perspectives and transnational minority movements. Taken together, the contributions to this collection address the exposure to and challenge of historical and contemporary treatments of marginalization, exclusion, belonging and inclusion in global history.
Winner, 2023 Choice Outstanding Academic Title Chinese Film Classics, 1922–1949 is an essential guide to the first golden age of Chinese cinema. Offering detailed introductions to fourteen films, this study highlights the creative achievements of Chinese filmmakers in the decades leading up to 1949, when the Communists won the civil war and began nationalizing cultural industries. Christopher Rea reveals the uniqueness and complexity of Republican China’s cinematic masterworks, from the comedies and melodramas of the silent era to the talkies and musicals of the 1930s and 1940s. Each chapter appraises the artistry of a single film, highlighting its outstanding formal elements, from cinematography to editing to sound design. Examples include the slapstick gags of Laborer’s Love (1922), Ruan Lingyu’s star turn in Goddess (1934), Zhou Xuan’s mesmerizing performance in Street Angels (1937), Eileen Chang’s urbane comedy of manners Long Live the Missus! (1947), the wartime epic Spring River Flows East (1947), and Fei Mu’s acclaimed work of cinematic lyricism, Spring in a Small Town (1948). Rea shares new insights and archival discoveries about famous films, while explaining their significance in relation to politics, society, and global cinema. Lavishly illustrated and featuring extensive guides to further viewings and readings, Chinese Film Classics, 1922–1949 offers an accessible tour of China’s early contributions to the cinematic arts.
The local experiences of foreigners in China in the 19th and early 20th centuries exemplify the often latent or tacit patterns of social encounters, individually or in groups, with certain cultural boundedness, stability, and homogeneity. This book takes into account virtual, mediated, imaginative contact zones and looks back at much slower and delimited times and focuses primarily on some selective experiences by Italians and Germans. In doing so it accounts for trajectories from individual and small groups with local, territorial, physical and fully sensual interfaces to fully programmed and highly steered contact zones in the 21st century.